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Mezzotint Portrait of Henrietta Hyde Countess of Rochester by Thomas Watson After Sir Peter Lely.
Sold by The Mezzotint Man
sold SA1210090
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The Mezzotint Man

The Mezzotint Man

Sellingantiques Verified Since Mar 2026
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Mezzotint Portrait of Henrietta Hyde Countess of Rochester by Thomas Watson After Sir Peter Lely.

17th century
Sold 15 May 2026 · The Mezzotint Man
This “Mezzotint Portrait of Henrietta Hyde Countess of Rochester by Thomas Watson After Sir Peter Lely. ” found a buyer.

It was listed by The Mezzotint Man. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

HENRIETTA HYDE COUNTESS OF ROCHESTER BY THOMAS WATSON AFTER SIR PETER LELY.

Fine and large 18th century mezzotint portrait of Henrietta Hyde Countess of Rochester (1646 - 1687) by Thomas Watson after Sir Peter Lely).

Henrietta Hyde, Countess of Rochester (1646–1687), born Henrietta Boyle, was a prominent Anglo-Irish noblewoman, courtier, and one of the "Windsor Beauties" painted by Sir Peter Lely. Married to Laurence Hyde, 1st Earl of Rochester, she served as governess to Princess Anne and was known for her influential, assertive, and ambitious nature at the court of King James II

This fine and large mezzotint is a particularly rich impression which is in an excellent state of conservation. It is housed u under rippled glass in a very fine quality ebonised frame with sanded gilt slip.

Date: c.1779

Sheet Dimensions: 45cm x 33cm.

Framed Dimensions: 56cm x 44cm.

Price: £820

All prices include UK mainland delivery. For other territories please ask.

Date of Manufacture

The Mezzotint Man has dated this Antique Mezzotint Portrait to the 17th Century.

Physical Dimensions
Height
56cm (22.05")
Width
44cm (17.32")
Depth
2cm (0.79")
Reference Numbers
Sellingantiques Reference
SA1210090
Description
HENRIETTA HYDE COUNTESS OF ROCHESTER BY THOMAS WATSON AFTER SIR PETER LELY.
“
Fine and large 18th century mezzotint portrait of Henrietta Hyde Countess of Rochester (1646 - 1687) by Thomas Watson after Sir Peter Lely).
The Mezzotint Man
fig 1. An antique black and white mezzotint portrait of a woman in historical attire, set inside a dark wooden frame with a gilded inner border.
fig 1. Mezzotint Portrait of Henrietta Hyde Countess of Rochester by Thomas Watson After Sir Peter Lely.

Henrietta Hyde, Countess of Rochester (1646–1687), born Henrietta Boyle, was a prominent Anglo-Irish noblewoman, courtier, and one of the "Windsor Beauties" painted by Sir Peter Lely. Married to Laurence Hyde, 1st Earl of Rochester, she served as governess to Princess Anne and was known for her influential, assertive, and ambitious nature at the court of King James II

fig 2. An antique black and white mezzotint portrait of a woman in historical attire, set inside a dark wooden frame with a gilded inner border.
fig 2. Mezzotint Portrait of Henrietta Hyde Countess of Rochester by Thomas Watson After Sir Peter Lely.

This fine and large mezzotint is a particularly rich impression which is in an excellent state of conservation. It is housed u under rippled glass in a very fine quality ebonised frame with sanded gilt slip.

fig 3. An antique black and white mezzotint portrait of a woman in historical attire, set inside a dark wooden frame with a gilded inner border.
fig 3. Mezzotint Portrait of Henrietta Hyde Countess of Rochester by Thomas Watson After Sir Peter Lely.

Date: c.1779

Sheet Dimensions: 45cm x 33cm.

Framed Dimensions: 56cm x 44cm.

Price: £820

All prices include UK mainland delivery. For other territories please ask.

Date of Manufacture

The Mezzotint Man has dated this Antique Mezzotint Portrait to the 17th Century.

Height
56cm (22.05")
Width
44cm (17.32")
Depth
2cm (0.79")
Reference Numbers
Sellingantiques Ref
SA1210090
The Mezzotint Man
The Mezzotint Man
Sellingantiques verified Since Mar 2026

Dealers in fine antiquarian portrait prints

Dealer Profile

You can view the stock and full dealer information on the The Mezzotint Man Profile Page

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An antique black and white mezzotint portrait of a woman in historical attire, set inside a dark wooden frame with a gilded inner border. SOLD15 MAY 26
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Archive I An antique black and white mezzotint portrait of a woman in historical attire, set inside a dark wooden frame with a gilded inner border. SOLD15 MAY 26

Mezzotint Portrait of Henrietta Hyde Countess of Rochester by Thomas Watson After Sir Peter Lely.

Archive II An antique black and white mezzotint portrait of a woman in historical attire, set inside a dark wooden frame with a gilded inner border. View II
Archive III An antique black and white mezzotint portrait of a woman in historical attire, set inside a dark wooden frame with a gilded inner border. View III
Archive IV An antique black and white mezzotint portrait of a woman in historical attire, set inside a dark wooden frame with a gilded inner border. View IV
Archive V An antique black and white mezzotint portrait of a woman in historical attire, set inside a dark wooden frame with a gilded inner border. View V
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Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Mar 2026
Items For Sale 41
Items Sold 10
The Mezzotint Man
The Mezzotint Man
Verified Since Mar 2026
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Location: North Yorkshire, United Kingdom
Verified
Mar 2026
For Sale
41
Sold
10
An antique black and white mezzotint portrait of a woman in historical attire, set inside a dark wooden frame with a gilded inner border.
MEZZOTINT PORTRAIT OF HENRIETTA HYDE COUNTESS OF ROCHESTER BY THOMAS WATSON AFTER SIR PETER LELY.
Ref: SA1210090
An antique black and white mezzotint portrait of a woman in historical attire, set inside a dark wooden frame with a gilded inner border.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectFramed Prints
  • Period17th century
  • StyleGeorgian
  • MaterialPaper, ink, wood, glass
  • ColourBlack and White
  • MotifsFigurative subject, Elaborate dress, Natural background, Inscribed margin
  • SizeH 56 cm (22 in) x W 44 cm (17 in) x D 2 cm (1 in)

A mezzotint is a printmaking process of the intaglio family, invented in the seventeenth century, which allows for smooth gradations of tone and rich dark areas, frequently used for reproducing oil paintings.

These prints were traditionally produced using a copper printing plate, high-grade printers ink, and laid paper, typically housed within wooden frames with glass protection.

Authenticity is determined by examining the paper type for watermark indicators, checking for plate marks around the image border, and verifying the quality of the ink impression against historical records.

Historic portrait prints add depth and character when hung on dark-painted walls or incorporated into traditional gallery wall arrangements alongside modern abstract pieces for contrast.

Preservation requires framing with acid-free mount boards and UV-protective glass, while keeping the piece away from direct sunlight and maintaining stable humidity levels.
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