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ID #SA1206173
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Mezzotint Portrait of Sarah Churchill (Nee Jennings). Duchess of Marlborough by John Smith, After Sir Godfrey Kneller.
Sold by The Mezzotint Man
sold SA1206173
Sorry, but this item has been sold.
The Mezzotint Man

The Mezzotint Man

Sellingantiques Verified Since Mar 2026
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Mezzotint Portrait of Sarah Churchill (Nee Jennings). Duchess of Marlborough by John Smith, After Sir Godfrey Kneller.

18th century
Sold 22 April 2026 · The Mezzotint Man
This “Mezzotint Portrait of Sarah Churchill (Nee Jennings). Duchess of Marlborough by John Smith, After Sir Godfrey Kneller” found a buyer.

It was listed by The Mezzotint Man. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

SARAH CHURCHILL (NEE JENNINGS). DUCHESS OF MARLBOROUGH BY JOHN SMITH, AFTER SIR GODFREY KNELLER.

Fine early 18th mezzotint portrait of the illustrious Sarah Churchill (née Jenyns (Jennings)), Duchess of Marlborough by and published by John Smith, after Sir Godfrey Kneller, Bt.

The wife of John Churchill, 1st Duke of Marlborough, Sarah Jennings was appointed Lady of the Bedchamber in 1683, and became a close friend and adviser to Queen Anne. Vivacious and adept at politicking, she used her position to further the military career of her husband. Eventually in 1711, her self-confident dominance of the Queen provoked a quarrel and estrangement, and both she and the Duke were dismissed from their offices.

This fine mezzotint is a particularly rich impression which is in an excellent state of conservation. It is housed under rippled glass in a very fine quality ebonised frame with sanded gilt slip.

Date: c.1705

Sheet Dimensions: 34cm x 25cm.

Framed Dimensions: 45cm x 36cm.

Price: £680

All prices include UK mainland delivery. For other territories please ask.

Physical Dimensions
Height
45cm (17.72")
Width
36cm (14.17")
Depth
4cm (1.57")
Declaration

The Mezzotint Man has dated this Antique Mezzotint Portrait to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1206173
Description
SARAH CHURCHILL (NEE JENNINGS). DUCHESS OF MARLBOROUGH BY JOHN SMITH, AFTER SIR GODFREY KNELLER.
“
Fine early 18th mezzotint portrait of the illustrious Sarah Churchill (née Jenyns (Jennings)), Duchess of Marlborough by and published by John Smith, after Sir Godfrey Kneller, Bt.
The Mezzotint Man
fig 1. A framed antique monochrome mezzotint portrait of a woman in historical dress with inscribed text at the bottom.
fig 1. Mezzotint Portrait of Sarah Churchill (Nee Jennings). Duchess of Marlborough by John Smith, After Sir Godfrey Kneller.

The wife of John Churchill, 1st Duke of Marlborough, Sarah Jennings was appointed Lady of the Bedchamber in 1683, and became a close friend and adviser to Queen Anne. Vivacious and adept at politicking, she used her position to further the military career of her husband. Eventually in 1711, her self-confident dominance of the Queen provoked a quarrel and estrangement, and both she and the Duke were dismissed from their offices.

fig 2. A framed antique monochrome mezzotint portrait of a woman in historical dress with inscribed text at the bottom.
fig 2. Mezzotint Portrait of Sarah Churchill (Nee Jennings). Duchess of Marlborough by John Smith, After Sir Godfrey Kneller.

This fine mezzotint is a particularly rich impression which is in an excellent state of conservation. It is housed under rippled glass in a very fine quality ebonised frame with sanded gilt slip.

Date: c.1705

fig 3. A framed antique monochrome mezzotint portrait of a woman in historical dress with inscribed text at the bottom.
fig 3. Mezzotint Portrait of Sarah Churchill (Nee Jennings). Duchess of Marlborough by John Smith, After Sir Godfrey Kneller.

Sheet Dimensions: 34cm x 25cm.

Framed Dimensions: 45cm x 36cm.

Price: £680

All prices include UK mainland delivery. For other territories please ask.

Height
45cm (17.72")
Width
36cm (14.17")
Depth
4cm (1.57")
Date of Manufacture

The Mezzotint Man has dated this Antique Mezzotint Portrait to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1206173
The Mezzotint Man
The Mezzotint Man
Sellingantiques verified Since Mar 2026

Dealers in fine antiquarian portrait prints

Dealer Profile

You can view the stock and full dealer information on the The Mezzotint Man Profile Page

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A framed antique monochrome mezzotint portrait of a woman in historical dress with inscribed text at the bottom. SOLD6+ MONTHS AGO
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Archive I A framed antique monochrome mezzotint portrait of a woman in historical dress with inscribed text at the bottom. SOLD6+ MONTHS AGO

Mezzotint Portrait of Sarah Churchill (Nee Jennings). Duchess of Marlborough by John Smith, After Sir Godfrey Kneller.

Archive II A framed antique monochrome mezzotint portrait of a woman in historical dress with inscribed text at the bottom. View II
Archive III A framed antique monochrome mezzotint portrait of a woman in historical dress with inscribed text at the bottom. View III
Archive IV A framed antique monochrome mezzotint portrait of a woman in historical dress with inscribed text at the bottom. View IV
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Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Mar 2026
Items For Sale 37
Items Sold 10
The Mezzotint Man
The Mezzotint Man
Verified Since Mar 2026
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Mar 2026
For Sale
37
Sold
10
A framed antique monochrome mezzotint portrait of a woman in historical dress with inscribed text at the bottom.
MEZZOTINT PORTRAIT OF SARAH CHURCHILL (NEE JENNINGS). DUCHESS OF MARLBOROUGH BY JOHN SMITH, AFTER SIR GODFREY KNELLER.
Ref: SA1206173
A framed antique monochrome mezzotint portrait of a woman in historical dress with inscribed text at the bottom.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectFramed Prints
  • Period18th century
  • StyleBaroque
  • MaterialPaper, Wood, Glass
  • ColourMonochrome
  • MotifsOval portrait format, Inscribed banner, Period costume
  • SizeH 45 cm (18 in) x W 36 cm (14 in) x D 4 cm (2 in)

Mezzotint is a printmaking process of the intaglio family, invented in the seventeenth century, which allows for deep tones and smooth gradations of light and shade rather than relying purely on line work.

Authentic prints from this period were typically produced on laid paper using oil-based printers ink, housed within traditional timber frames featuring glass protection.

Authentication relies on examining the paper for watermarks, checking the plate mark indentation around the image edges, and inspecting the ink under magnification for characteristic dot patterns unique to hand-pulled intaglio presses.

Such historic pieces work well when contrasted against neutral contemporary walls, offering a focal point of classical gravity within minimalist or transitional spaces.

Preservation requires framing with acid-free materials, mounting away from direct sunlight to prevent fading, and maintaining stable indoor humidity levels to avoid paper degradation.
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