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ID #SA1200473
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£1,600
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Oil on Canvas Depicting Our Lady of Sorrow by Costantino Frixione 1861
Pareglio & Ayres Antiques Interiors
for sale €1,872     $2,032
£1,600
Pareglio & Ayres Antiques Interiors

Pareglio & Ayres Antiques Interiors

Sellingantiques Verified Since Dec 2015
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Id #SA1200473
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Oil on Canvas Depicting Our Lady of Sorrow by Costantino Frixione 1861

19th century
Description

This work presents an exceptional depiction of the Virgin Mary as Mater Dolorosa (Our Lady of Sorrow), emphasising her profound suffering during the Passion of Christ and typically portrayed with an anguished expression. The detail of her hand holding her cape demonstrates the artist’s refined technique, elegantly situating the Virgin’s portrait within a carefully painted moulded oval frame. The painting's subtle tonalities are enhanced by deliberate chromatic harmonies and the skilful blending of colours evident in the rendering of her face.

Signed at the back “COSTno FRIXIONE PIN.1861”, meaning Costantino Frixione pinxit, latin for 'he painted it'.

The year 1861 denotes the year of completion. Interestingly, 1861 is the year of the Proclamation of the Kingdom of Italy, which may place the work within the context of the Italian Unification (Risorgimento).

The artwork comes in an attractive antique green-painted frame, which is not original to the painting and possibly slightly older. While the canvas does not perfectly fit within the frame, the beautiful original green paint colour of the frame lends an extra touch of charm to this dramatic as well as decorative portrait. Buyers may purchase the painting without the frame for £200 less than the listed price. (The frame cannot be sold separately.)

Costantino Frixione (Ovada, Italia 1828 – 1902) was part of the 19th-century Italian school and was recognized for his originality, sensitivity, and notable artistic talent. As a student of Tommaso Cereseto, he worked in oils on canvas and frescos, producing paintings depicting saints as well as numerous portraits. Additionally, Frixione demonstrated proficiency in sculpture, and was encouraged by the esteemed master Santo Varni to pursue brief periods of study in Rome, Florence, and Genoa. Nonetheless, Frixione chose not to leave his hometown, believing it shielded him from greed and ambition.

Dimensions: 61cm x 76cm x 4.5cm

(without frame) 50cm x 70cm x 2cm

Physical Dimensions
Height
76cm (29.92")
Width
61cm (24.02")
Depth
4.5cm (1.77")
Declaration

Pareglio & Ayres Antiques Interiors has dated this 19th Century Religious Painting to the 1860s.

Reference Numbers
Sellingantiques Reference
SA1200473
Dealers Notes

Unless individually specified, prices do not include delivery costs.

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T & Cs

Sizes: please contact us if you need a very accurate measurement to fit the item in a specific space or niche. Otherwise always allow 2 cm tolerance for each measurement.

Please be sure to check all the images as these form part of the description and do not hesitate to ask for more photos.

Delivery

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For Europe and Worldwide, we are able to recommend reputable shipping companies and obtain shipping quotes for you, or customers may select their own company to organise collection from us and their own shipping.

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Satisfying our customers is very important to us and we are committed to complying with legislation for the protection of online buyers and also to protect ourselves and our valuable stock from any type of return fraud.

This right to return applies to buyers located in the United Kingdom only.

Buyers have the right to ask to return an item purchased from us within 14 days of receiving the goods.

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Description
This work presents an exceptional depiction of the Virgin Mary as Mater Dolorosa (Our Lady of Sorrow), emphasising her profound suffering during the Passion of Christ and typically portrayed with an anguished expression.
The detail of her hand holding her cape demonstrates the artist’s refined technique, elegantly situating the Virgin’s portrait within a carefully painted moulded oval frame.
Pareglio & Ayres Antiques Interiors

The painting's subtle tonalities are enhanced by deliberate chromatic harmonies and the skilful blending of colours evident in the rendering of her face.

fig 1. A 19th-century oil painting on canvas depicting the Virgin Mary looking upwards, set inside an oval painted spandrel and framed within a painted green wooden frame.
fig 1. Oil on Canvas Depicting Our Lady of Sorrow by Costantino Frixione 1861

Signed at the back “COSTno FRIXIONE PIN.1861”, meaning Costantino Frixione pinxit, latin for 'he painted it'.

The year 1861 denotes the year of completion. Interestingly, 1861 is the year of the Proclamation of the Kingdom of Italy, which may place the work within the context of the Italian Unification (Risorgimento).

fig 2. A 19th-century oil painting on canvas depicting the Virgin Mary looking upwards, set inside an oval painted spandrel and framed within a painted green wooden frame.
fig 2. Oil on Canvas Depicting Our Lady of Sorrow by Costantino Frixione 1861

The artwork comes in an attractive antique green-painted frame, which is not original to the painting and possibly slightly older. While the canvas does not perfectly fit within the frame, the beautiful original green paint colour of the frame lends an extra touch of charm to this dramatic as well as decorative portrait. Buyers may purchase the painting without the frame for £200 less than the listed price. (The frame cannot be sold separately.)

fig 3. A 19th-century oil painting on canvas depicting the Virgin Mary looking upwards, set inside an oval painted spandrel and framed within a painted green wooden frame.
fig 3. Oil on Canvas Depicting Our Lady of Sorrow by Costantino Frixione 1861

Costantino Frixione (Ovada, Italia 1828 – 1902) was part of the 19th-century Italian school and was recognized for his originality, sensitivity, and notable artistic talent. As a student of Tommaso Cereseto, he worked in oils on canvas and frescos, producing paintings depicting saints as well as numerous portraits. Additionally, Frixione demonstrated proficiency in sculpture, and was encouraged by the esteemed master Santo Varni to pursue brief periods of study in Rome, Florence, and Genoa. Nonetheless, Frixione chose not to leave his hometown, believing it shielded him from greed and ambition.

Dimensions: 61cm x 76cm x 4.5cm

(without frame) 50cm x 70cm x 2cm

Height
76cm (29.92")
Width
61cm (24.02")
Depth
4.5cm (1.77")
Date of Manufacture

Pareglio & Ayres Antiques Interiors has dated this 19th Century Religious Painting to the 1860s.

Reference Numbers
Sellingantiques Ref
SA1200473
Pareglio & Ayres Antiques Interiors
Pareglio & Ayres Antiques Interiors
Sellingantiques verified Since Dec 2015

Specialists in english and italian antiques

Dealer Profile

You can view the stock and full dealer information on the Pareglio & Ayres Antiques Interiors Profile Page

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A 19th-century oil painting on canvas depicting the Virgin Mary looking upwards, set inside an oval painted spandrel and framed within a painted green wooden frame.
1 / 4
Archive I A 19th-century oil painting on canvas depicting the Virgin Mary looking upwards, set inside an oval painted spandrel and framed within a painted green wooden frame.

Oil on Canvas Depicting Our Lady of Sorrow by Costantino Frixione 1861

Archive II A 19th-century oil painting on canvas depicting the Virgin Mary looking upwards, set inside an oval painted spandrel and framed within a painted green wooden frame. View II
Archive III A 19th-century oil painting on canvas depicting the Virgin Mary looking upwards, set inside an oval painted spandrel and framed within a painted green wooden frame. View III
Archive IV A 19th-century oil painting on canvas depicting the Virgin Mary looking upwards, set inside an oval painted spandrel and framed within a painted green wooden frame. View IV
Enlarged Archival View
Telephone 0755 4708628
Location
102 Wincheap
Canterbury
Kent
CT1 3RS
United Kingdom
Verified Since Dec 2015
Items For Sale 157
Items Sold 407
Pareglio & Ayres Antiques Interiors
Pareglio & Ayres Antiques Interiors
Verified Since Dec 2015
View Dealer Info
Location: 102 Wincheap, Canterbury, Kent, CT1 3RS, United Kingdom
Verified
Dec 2015
For Sale
157
Sold
407
A 19th-century oil painting on canvas depicting the Virgin Mary looking upwards, set inside an oval painted spandrel and framed within a painted green wooden frame.
Oil on Canvas depicting Our Lady of Sorrow by Costantino Frixione 1861
Ref: SA1200473
A 19th-century oil painting on canvas depicting the Virgin Mary looking upwards, set inside an oval painted spandrel and framed within a painted green wooden frame.
Detail View 1
Detail View 2
Detail View 3
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Mater Dolorosa, or Our Lady of Sorrows, is a traditional subject in Catholic art depicting Mary in mourning. Popularised during the Renaissance and Counter-Reformation, these representations were commissioned for both church display and personal private devotion throughout the 18th and 19th centuries.

Artisans typically executed these works using hand-mixed oil pigments applied to natural linen or cotton canvas stretched over wooden frames. Decorative outer frames were generally crafted from softwood, painted, gessoed, or gilded with gold leaf.

Authentic pieces usually display natural craquelure across the paint layer, aged timber stretchers, oxidation on canvas fibers, and historic hand-drawn signatures or date inscriptions. The reverse side often shows characteristic darkening of the fabric consistent with age.

Place the artwork as a focal point in a Gentlemans Library, hallway, or above a sideboard alongside dark wood furniture and muted walls. Juxtaposition with contemporary minimalist decor or gallery-style wall arrangements highlights the historic texture of the piece.

Display the canvas away from direct sunlight, radiator heat sources, and damp environments. Dust the frame and paint surface lightly with a dry, soft-bristled brush, and consult a qualified conservator for deep cleaning or varnish stabilization.
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