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ID #SA1193181
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£9,000
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Victorian Racing Oil Portrait “Master Walter” Governor’s Cup Colombo Races C1894 Owner Horace Deane-drummond
For sale by Cheshire Antiques Consultant Ltd
for sale €10,530     $11,430
£9,000
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

Sellingantiques Verified Since Jan 2021
Browse dealers 248 items
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    Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles
Id #SA1193181
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Victorian Racing Oil Portrait “Master Walter” Governor’s Cup Colombo Races C1894 Owner Horace Deane-drummond

19th century
Description

Victorian Equestrian Racing Portrait “Master Walter” Governor’s Cup Colombo Races 1894 – Oil on Canvas by Hugh Blyth-Millar

A rare and historically specific late-Victorian sporting commission believed to possibly depict Master Walter, an Australian-bred thoroughbred, portrayed after winning the Governor’s Cup at the Colombo Races (British Ceylon) in 1894. Executed in oil on canvas by the Scottish sporting artist Hugh Blyth-Millar (1862–1915), this is a classic Victorian sporting horse portrait in the manner of Harry Hall, created as an owner’s trophy picture and a lasting record of achievement.

Subject and Importance

This work is distinguished by its documentary precision: a named horse, named owner, named jockey and named race, recorded with measurable race data (carried weight and winning time). The result sits between commemorative sporting art and historic record, with an exceptionally complete inscription preserved on the verso.

Composition and Technique

Painted in the traditional “winner’s portrait” format prized by serious racing patrons:

Strict side-profile conformation study to read build, balance and presence

Jockey mounted, reins lightly gathered, in a calm post-victory moment of authority

Minimal racecourse backdrop with rail and distance marker to establish context without distraction

Hall-tradition structure: profile horse, mounted rider and restrained background, executed with clean finish and purposeful clarity

Colour and Display

The palette is restrained and interior-friendly: warm chestnut/bay body tones with subtle modelling through the shoulder and barrel, dark mane and tail accents for definition, crisp traditional jockey colours, soft earth tones in the track, and pale sky notes that lift the composition. Calm, classic and sophisticated, ideal for studies, libraries, hallways, club rooms and sporting interiors.

The Race: Colombo Races, 1894

The Governor’s Cup was among the most prestigious trophies in colonial Ceylon’s racing calendar, an elite social theatre for governors, officers, merchants and planters. The win took place at the Colombo Racecourse, opened in 1893, near Reid Avenue in Cinnamon Gardens. Retrospective racing commentary aligns the 1894 Governor’s Cup with Master Walter ridden by J. Wall, and notes the survival of a painted likeness of the horse, consistent with this work’s commemorative purpose.

The Horse: Master Walter

Identified on the painting as an “Australian horse,” Master Walter is placed by Australian racing records on the Victorian turf scene around 1890 (including Melbourne Cup-related documentation), confirming competition prior to export. His export to Ceylon reflects a known colonial pattern in which Australian thoroughbreds were admired, imported and often dominated meetings across the region. The Governor’s Cup victory in 1894 under a planter-owner demonstrates how bloodstock circulated through imperial networks and became social capital.

The Owner and Family Context

The inscription names “Mr H. D. Deane,” associated with Horace Deane-Drummond, a figure within the planter elite of British Ceylon, where estate power and gentlemanly sport were closely intertwined. Period references identify Mr H. D. Deane with Kintyre Tea Estate. Horace was the son of George Onslow Deane, an English army officer and cricketer remembered for being the first first-class cricketer to reach 100 years of age. In 1920 Horace married Canadian painter Sophie Pemberton, who later painted an oil portrait of her husband (1925), now held by the Art Gallery of Greater Victoria, adding an important institutional link to the family story.

The Jockey: J. Wall

The verso inscription identifies the winning rider as J. Wall, repeated in later colonial racing commentary. A Singapore press notice from 1896 references “J. Wall, the jockey” travelling from Colombo to ride.

Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Victorian Equestrian Oil Painting to the Victorian era.

Independent Date Guide ID 09352267
Dealer's Item DateVictorian era
Sellingantiques DateVictorian era
Sellingantiques agingItem 115-140 years old
ResultsDates match
Why Sellingantiques dated this piece to THE VICTORIAN ERA:
Strict profile pose beside a rail: owner commission format for winning racehorses.
Jockey cap, breeches and straight stirrup leathers: Victorian flat racing turnout.
Signed lower right in dark paint: inscribed during the artist's working career.
Fine canvas weave showing under thin paint: factory-primed linen canvas.

This Independent Date Guide was compiled by Sellingantiques using its own proprietary system. It works only from the photographs shown on this page and is never told the date the dealer has declared. It is a guide, not a guarantee of age, and occasional errors can occur.

Physical Dimensions
Height
60cm (23.62")
Width
73cm (28.74")
Depth
4.5cm (1.77")
Reference Numbers
Sellingantiques Reference
SA1193181
Dealers Internal Reference
768
Dealers Notes

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Description
Victorian Equestrian Racing Portrait “Master Walter” Governor’s Cup Colombo Races 1894 – Oil on Canvas by Hugh Blyth-Millar

A rare and historically specific late-Victorian sporting commission believed to possibly depict Master Walter, an Australian-bred thoroughbred, portrayed after winning the Governor’s Cup at the Colombo Races (British Ceylon) in 1894. Executed in oil on canvas by the Scottish sporting artist Hugh Blyth-Millar (1862–1915), this is a classic Victorian sporting horse portrait in the manner of Harry Hall, created as an owner’s trophy picture and a lasting record of achievement.

fig 1. A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop.
fig 1. Victorian Racing Oil Portrait “Master Walter” Governor’s Cup Colombo Races C1894 Owner Horace Deane-drummond

Subject and Importance

“
This work is distinguished by its documentary precision: a named horse, named owner, named jockey and named race, recorded with measurable race data (carried weight and winning time).
Cheshire Antiques Consultant Ltd

The result sits between commemorative sporting art and historic record, with an exceptionally complete inscription preserved on the verso.

fig 2. A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop.
fig 2. Victorian Racing Oil Portrait “Master Walter” Governor’s Cup Colombo Races C1894 Owner Horace Deane-drummond

Composition and Technique

Painted in the traditional “winner’s portrait” format prized by serious racing patrons:

Strict side-profile conformation study to read build, balance and presence

Jockey mounted, reins lightly gathered, in a calm post-victory moment of authority

fig 3. A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop.
fig 3. Victorian Racing Oil Portrait “Master Walter” Governor’s Cup Colombo Races C1894 Owner Horace Deane-drummond

Minimal racecourse backdrop with rail and distance marker to establish context without distraction

Hall-tradition structure: profile horse, mounted rider and restrained background, executed with clean finish and purposeful clarity

fig 4. A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop.
fig 4. Victorian Racing Oil Portrait “Master Walter” Governor’s Cup Colombo Races C1894 Owner Horace Deane-drummond

Colour and Display

The palette is restrained and interior-friendly: warm chestnut/bay body tones with subtle modelling through the shoulder and barrel, dark mane and tail accents for definition, crisp traditional jockey colours, soft earth tones in the track, and pale sky notes that lift the composition. Calm, classic and sophisticated, ideal for studies, libraries, hallways, club rooms and sporting interiors.

fig 5. A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop.
fig 5. Victorian Racing Oil Portrait “Master Walter” Governor’s Cup Colombo Races C1894 Owner Horace Deane-drummond

The Race: Colombo Races, 1894

The Governor’s Cup was among the most prestigious trophies in colonial Ceylon’s racing calendar, an elite social theatre for governors, officers, merchants and planters. The win took place at the Colombo Racecourse, opened in 1893, near Reid Avenue in Cinnamon Gardens. Retrospective racing commentary aligns the 1894 Governor’s Cup with Master Walter ridden by J. Wall, and notes the survival of a painted likeness of the horse, consistent with this work’s commemorative purpose.

fig 6. A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop.
fig 6. Victorian Racing Oil Portrait “Master Walter” Governor’s Cup Colombo Races C1894 Owner Horace Deane-drummond

The Horse: Master Walter

Identified on the painting as an “Australian horse,” Master Walter is placed by Australian racing records on the Victorian turf scene around 1890 (including Melbourne Cup-related documentation), confirming competition prior to export. His export to Ceylon reflects a known colonial pattern in which Australian thoroughbreds were admired, imported and often dominated meetings across the region. The Governor’s Cup victory in 1894 under a planter-owner demonstrates how bloodstock circulated through imperial networks and became social capital.

fig 7. A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop.
fig 7. Victorian Racing Oil Portrait “Master Walter” Governor’s Cup Colombo Races C1894 Owner Horace Deane-drummond

The Owner and Family Context

The inscription names “Mr H. D. Deane,” associated with Horace Deane-Drummond, a figure within the planter elite of British Ceylon, where estate power and gentlemanly sport were closely intertwined. Period references identify Mr H. D. Deane with Kintyre Tea Estate. Horace was the son of George Onslow Deane, an English army officer and cricketer remembered for being the first first-class cricketer to reach 100 years of age. In 1920 Horace married Canadian painter Sophie Pemberton, who later painted an oil portrait of her husband (1925), now held by the Art Gallery of Greater Victoria, adding an important institutional link to the family story.

fig 8. A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop.
fig 8. Victorian Racing Oil Portrait “Master Walter” Governor’s Cup Colombo Races C1894 Owner Horace Deane-drummond

The Jockey: J. Wall

The verso inscription identifies the winning rider as J. Wall, repeated in later colonial racing commentary. A Singapore press notice from 1896 references “J. Wall, the jockey” travelling from Colombo to ride.

Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Victorian Equestrian Oil Painting to the Victorian era.

Independent Date Report ID 09352267
Dealer's Item DateVictorian era
Sellingantiques datingVictorian era
Sellingantiques agingItem 115-140 years old
ResultsDates match
Why Sellingantiques dated this piece to the Victorian era:
Strict profile pose beside a rail: owner commission format for winning racehorses.
Jockey cap, breeches and straight stirrup leathers: Victorian flat racing turnout.
Signed lower right in dark paint: inscribed during the artist's working career.
Fine canvas weave showing under thin paint: factory-primed linen canvas.

This is an independent date report produced by Sellingantiques using its own proprietary system. The process uses the photographs shown on this page. The system is never told the date the dealer has declared. This report shows that the two dates corroborate.

Height
60cm (23.62")
Width
73cm (28.74")
Depth
4.5cm (1.77")
Reference Numbers
Sellingantiques Ref
SA1193181
Dealers Internal Ref
768
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop.
1 / 30
Archive I A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop.

Victorian Racing Oil Portrait “Master Walter” Governor’s Cup Colombo Races C1894 Owner Horace Deane-drummond

Archive II A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View II
Archive III A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View III
Archive IV A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View IV
Archive V A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View V
Archive VI A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View VI
Archive VII A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View VII
Archive VIII A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View VIII
Archive IX A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View IX
Archive X A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View X
Archive XI A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XI
Archive XII A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XII
Archive XIII A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XIII
Archive XIV A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XIV
Archive XV A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XV
Archive XVI A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XVI
Archive XVII A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XVII
Archive XVIII A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XVIII
Archive XIX A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XIX
Archive XX A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XX
Archive XXI A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XXI
Archive XXII A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XXII
Archive XXIII A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XXIII
Archive XXIV A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XXIV
Archive XXV A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XXV
Archive XXVI A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XXVI
Archive XXVII A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XXVII
Archive XXVIII A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XXVIII
Archive XXIX A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XXIX
Archive XXX A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop. View XXX
Enlarged Archival View
Telephone 07494 763 382
Location
71-75 Shelton Street
Covent Garden
London
WC2H 9JQ
United Kingdom

By appointment
Verified Since Jan 2021
Items For Sale 248
Items Sold 224
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Verified Since Jan 2021
View Dealer Info
Location: 71-75 Shelton Street, Covent Garden, London, WC2H 9JQ, United Kingdom, , By appointment
Verified
Jan 2021
For Sale
248
Sold
224
A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop.
Victorian Racing Oil Portrait “Master Walter” Governor’s Cup Colombo Races c1894 Owner Horace Deane-Drummond
Ref: SA1193181
A framed Victorian oil painting depicting a bay racehorse and mounted jockey against a blue sky and green racecourse backdrop.
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Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectFine Art
  • Period19th century
  • StyleVictorian Equestrian
  • MaterialOil on Canvas, Giltwood Frame
  • ColourBrown and Gold
  • MotifsBay racehorse profile, Jockey in silks, Ornate gilt frame, Racecourse landscape
  • SizeH 60 cm (24 in) x W 73 cm (29 in) x D 4.5 cm (2 in)

This Victorian equestrian oil painting on canvas depicts a bay racehorse named Master Walter with a mounted jockey in silks against a racecourse landscape. The artwork is set within a wide, heavily moulded and scrolled giltwood frame with ornamental corner relief carvings. The canvas displays natural brown and gold tones across the horse, green turf, pale blue sky, and a rich golden frame. The physical dimensions measure 60 cm high, 73 cm wide, and 4.5 cm deep. Placed within a traditional gentleman's library or study, the artwork suits positioning above a mantelpiece or along a hallway. The equestrian style integrates seamlessly with period interior decoration, matching classic wood furnishings and neutral architectural mouldings. Viewers observe the painted profile conformation of the animal, the detailed jockey silks, and the crisp white turf railing set against the open horizon.

Victorian equestrian art typically features detailed portraits of racehorses, hunters, or prize steeds shown in side profile, often depicting jockeys in racing silks, trainers, or owners against open countryside or racecourse landscapes.

Artists during this era predominantly worked with oil paint on stretched linen or cotton canvas, mounted in decorative moulded plaster and gilded wooden frames.

Authentic 19th-century paintings often show natural age-related craquelure across the paint surface, historic canvas lining or stretcher marks on the reverse, and period-appropriate gilding wear on the frame.

An equestrian oil portrait acts as a focal point when hung above a mantelpiece, sideboard, or integrated into a gallery wall in a study, hallway, or dining room.

Display paintings away from direct sunlight and fluctuating humidity, dusting the frame gently with a soft dry brush and consulting a professional conservator for surface cleaning.
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