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Juan Ruiz Soriano (Circle), the Divine Shepherdess (La Divina Pastora), Mid-18th-century Oil Painting
Brave Fine Art
for sale €4,095     $4,445
£3,500
Brave Fine Art

Brave Fine Art

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Juan Ruiz Soriano (Circle), the Divine Shepherdess (La Divina Pastora), Mid-18th-century Oil Painting

18th century
For Sale by Brave Fine Art
Description

This tender mid-18th-century Sevillian oil painting depicts the Virgin Mary as La Divina Pastora, the Divine Shepherdess.

Attired in a straw hat, decorated with flora, she rests in quiet contemplation. In her left hand, a single rose, a symbol of her divine grace. By her right, an affectionate lamb nuzzles, while others look on. It’s a gentle portrayal of nurture imbued with distinct Sevillian iconography. Above, an angel hovers amid a glow of celestial light, while in the distance, a stranded lamb is pursued by a delirious wolf.

The emotive image of Mary as a Shepherdess was conceived during the early 18th century by the Capuchin friar Fray Isidoro of Seville. Here, the ‘flock’ symbolism refers to the souls guarded by her protection, each gifted with a rose to represent her virtues. While the fleeing lamb is an allegory of those endangered by the perils of sin. In Sevillian Capuchin scripture, she’s known as the ‘rosa mystica’, the mystical rose who tends to the faithful.

During the mid-18th century, when this piece was produced, there was a noticeable shift from the grand undertones of the Baroque towards the lighter atmosphere of the Rococo. This is reflected in the gentler modulation of light and the evocative nature of the scene itself.

Stylistically, with its emphasis on ochres, greens and roseate flesh, it bears a stylistic proximity to the oeuvre of Sevillian painter, Juan Ruiz Soriano (c.1701-1763). Indeed, we’ve traced a similar work with a near-identical composition. It’s conceivable to assume that it could be a workshop piece by an assistant of this known master. But at the very least, certainly influenced by his hand.

Soriano is closely associated with the cult of Divina Pastora, and his followers often interpreted his works for display in convents and private homes. Our painting belongs to that circle - echoing both his composition and handling.

However you wish to read this painting - as an act of devotion, a representation of a time and place, or simply as a charming portrayal of man’s affinity with the natural world, it remains an enchanting addition to any collection.

Held in a later frame.

Medium: Oil on canvas

Overall size: 30½” x 39” / 78cm x 99cm

Year of creation: c. 1750

Provenance: Private collection, Spain.

Condition: Cleaned. Revarnished. Canvas relined. Craquelure throughout. Later stretcher. The paint layer is stable. Frame in excellent condition.

Our reference: BRV2142

Physical Dimensions
Height
99cm (38.98")
Width
78cm (30.71")
Depth
2cm (0.79")
Declaration

Brave Fine Art has dated this 18th Century Religious Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1179248
Dealers Internal Reference
BRV2142
Description
This tender mid-18th-century Sevillian oil painting depicts the Virgin Mary as La Divina Pastora, the Divine Shepherdess.

Attired in a straw hat, decorated with flora, she rests in quiet contemplation. In her left hand, a single rose, a symbol of her divine grace. By her right, an affectionate lamb nuzzles, while others look on. It’s a gentle portrayal of nurture imbued with distinct Sevillian iconography.

Above, an angel hovers amid a glow of celestial light, while in the distance, a stranded lamb is pursued by a delirious wolf.
Brave Fine Art
fig 1. An 18th-century oil painting portraying the Divine Shepherdess seated among sheep in a landscape, set within an ornate carved gilt wood frame.
fig 1. Juan Ruiz Soriano (Circle), the Divine Shepherdess (La Divina Pastora), Mid-18th-century Oil Painting

The emotive image of Mary as a Shepherdess was conceived during the early 18th century by the Capuchin friar Fray Isidoro of Seville. Here, the ‘flock’ symbolism refers to the souls guarded by her protection, each gifted with a rose to represent her virtues. While the fleeing lamb is an allegory of those endangered by the perils of sin. In Sevillian Capuchin scripture, she’s known as the ‘rosa mystica’, the mystical rose who tends to the faithful.

fig 2. An 18th-century oil painting portraying the Divine Shepherdess seated among sheep in a landscape, set within an ornate carved gilt wood frame.
fig 2. Juan Ruiz Soriano (Circle), the Divine Shepherdess (La Divina Pastora), Mid-18th-century Oil Painting

During the mid-18th century, when this piece was produced, there was a noticeable shift from the grand undertones of the Baroque towards the lighter atmosphere of the Rococo. This is reflected in the gentler modulation of light and the evocative nature of the scene itself.

fig 3. An 18th-century oil painting portraying the Divine Shepherdess seated among sheep in a landscape, set within an ornate carved gilt wood frame.
fig 3. Juan Ruiz Soriano (Circle), the Divine Shepherdess (La Divina Pastora), Mid-18th-century Oil Painting

Stylistically, with its emphasis on ochres, greens and roseate flesh, it bears a stylistic proximity to the oeuvre of Sevillian painter, Juan Ruiz Soriano (c.1701-1763). Indeed, we’ve traced a similar work with a near-identical composition. It’s conceivable to assume that it could be a workshop piece by an assistant of this known master. But at the very least, certainly influenced by his hand.

fig 4. An 18th-century oil painting portraying the Divine Shepherdess seated among sheep in a landscape, set within an ornate carved gilt wood frame.
fig 4. Juan Ruiz Soriano (Circle), the Divine Shepherdess (La Divina Pastora), Mid-18th-century Oil Painting

Soriano is closely associated with the cult of Divina Pastora, and his followers often interpreted his works for display in convents and private homes. Our painting belongs to that circle - echoing both his composition and handling.

fig 5. An 18th-century oil painting portraying the Divine Shepherdess seated among sheep in a landscape, set within an ornate carved gilt wood frame.
fig 5. Juan Ruiz Soriano (Circle), the Divine Shepherdess (La Divina Pastora), Mid-18th-century Oil Painting

However you wish to read this painting - as an act of devotion, a representation of a time and place, or simply as a charming portrayal of man’s affinity with the natural world, it remains an enchanting addition to any collection.

fig 6. An 18th-century oil painting portraying the Divine Shepherdess seated among sheep in a landscape, set within an ornate carved gilt wood frame.
fig 6. Juan Ruiz Soriano (Circle), the Divine Shepherdess (La Divina Pastora), Mid-18th-century Oil Painting

Held in a later frame.

Medium: Oil on canvas

Overall size: 30½” x 39” / 78cm x 99cm

Year of creation: c. 1750

Provenance: Private collection, Spain.

Condition: Cleaned. Revarnished. Canvas relined. Craquelure throughout. Later stretcher. The paint layer is stable. Frame in excellent condition.

Our reference: BRV2142

Height
99cm (38.98")
Width
78cm (30.71")
Depth
2cm (0.79")
Date of Manufacture

Brave Fine Art has dated this 18th Century Religious Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1179248
Dealers Internal Ref
BRV2142
Brave Fine Art
Brave Fine Art
Sellingantiques verified Since Nov 2018

Exquisite antique paintings that capture the imagination.

Dealer Profile

You can view the stock and full dealer information on the Brave Fine Art Profile Page

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An 18th-century oil painting portraying the Divine Shepherdess seated among sheep in a landscape, set within an ornate carved gilt wood frame.
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Archive I An 18th-century oil painting portraying the Divine Shepherdess seated among sheep in a landscape, set within an ornate carved gilt wood frame.

Juan Ruiz Soriano (Circle), the Divine Shepherdess (La Divina Pastora), Mid-18th-century Oil Painting

Archive II An 18th-century oil painting portraying the Divine Shepherdess seated among sheep in a landscape, set within an ornate carved gilt wood frame. View II
Archive III An 18th-century oil painting portraying the Divine Shepherdess seated among sheep in a landscape, set within an ornate carved gilt wood frame. View III
Archive IV An 18th-century oil painting portraying the Divine Shepherdess seated among sheep in a landscape, set within an ornate carved gilt wood frame. View IV
Archive V An 18th-century oil painting portraying the Divine Shepherdess seated among sheep in a landscape, set within an ornate carved gilt wood frame. View V
Archive VI An 18th-century oil painting portraying the Divine Shepherdess seated among sheep in a landscape, set within an ornate carved gilt wood frame. View VI
Archive VII An 18th-century oil painting portraying the Divine Shepherdess seated among sheep in a landscape, set within an ornate carved gilt wood frame. View VII
Archive VIII An 18th-century oil painting portraying the Divine Shepherdess seated among sheep in a landscape, set within an ornate carved gilt wood frame. View VIII
Enlarged Archival View
Telephone 01684 215986
Location
21 Enterprise Way
Arle Road
Cheltenham
Cotswolds
GL51 8LZ
United Kingdom

Under appointment only.
Verified Since Nov 2018
Items For Sale 68
Items Sold 1,832
Brave Fine Art
Brave Fine Art
Verified Since Nov 2018
View Dealer Info
Location: 21 Enterprise Way, Arle Road, Cheltenham, Cotswolds, GL51 8LZ, United Kingdom, , Under appointment only.
Verified
Nov 2018
For Sale
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Sold
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An 18th-century oil painting portraying the Divine Shepherdess seated among sheep in a landscape, set within an ornate carved gilt wood frame.
Juan Ruiz Soriano (Circle), The Divine Shepherdess (La Divina Pastora), Mid-18th-Century Oil Painting
Ref: SA1179248
An 18th-century oil painting portraying the Divine Shepherdess seated among sheep in a landscape, set within an ornate carved gilt wood frame.
Detail View 1
Detail View 2
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Detail View 8
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

18th-century Spanish devotional paintings, particularly depictions of La Divina Pastora, emerged within Roman Catholic iconographic traditions to portray the Virgin Mary in pastoral settings. These works blend classical religious motifs with naturalistic landscapes, reflecting the Baroque and early Rococo influences of Southern European art schools.

Artists in this era applied oil pigments composed of ground natural minerals mixed with drying oils onto hand-woven linen or hemp canvases. Framing typically featured hand-carved pine or lime wood coated in red bole clay and covered with genuine gold leaf water gilding.

Authentic 18th-century oil paintings display natural age-related craquelure across the paint layer, along with hand-cut stretcher bars displaying period tool marks. The presence of hand-carved gilding with subtle red bole showing through areas of friction further indicates period construction.

Displaying a framed historical painting above a dark wood sideboard or central mantelpiece creates a focused architectural element within classical or eclectic interiors. Pairing the gilded frame with subdued neutral wall finishes allows the depth and warm tones of the canvas to stand out.

Position the artwork away from direct sunlight, heating vents, and high humidity to protect the paint layer and wooden substrate from movement. Dust the canvas gently with a soft badger-hair brush and avoid liquid cleaners, which can degrade original varnish or lift delicate gilding.
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