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ID #SA1161732
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£295
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Frederick William Hattersley Watercolour ‘ Low Tide,heacham,norfolk ‘
Graham Reed Fine Art
for sale €345     $375
£295
Graham Reed Fine Art

Graham Reed Fine Art

Sellingantiques Verified Since Jun 2017
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    Previously I worked in london as a chartered surveyor and have been dealing in paintings for nearly thirty years.
Id #SA1161732
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Frederick William Hattersley Watercolour ‘ Low Tide,heacham,norfolk ‘

19th century
Description

Frederick William Hattersley 1859-1942.Sheffield born watercolour artist specialising in landscape and beach scenes.Exhibited at the Sheffield Society of Artists between 1870-1890and Sheffield Museum hold at least six local views by him.He painted in a loose impressionistic manner and his work is much collected . ‘ Low Tide,Heacham,Norfolk ‘ signed watercolour, inscribed with title,image size 17x36.5 cms,framed size 39x59 cms.Housed in original frame with original mount inscribed with title.

Physical Dimensions
Height
39cm (15.35")
Width
59cm (23.23")
Depth
2.2cm (0.87")
Declaration

Graham Reed Fine Art has dated this Norfolk Coastal Watercolour Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1161732
Dealers Notes

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Description
Frederick William Hattersley 1859-1942.Sheffield born watercolour artist specialising in landscape and beach scenes.
Exhibited at the Sheffield Society of Artists between 1870-1890and Sheffield Museum hold at least six local views by him.
Graham Reed Fine Art

He painted in a loose impressionistic manner and his work is much collected . ‘ Low Tide,Heacham,Norfolk ‘ signed watercolour, inscribed with title,image size 17x36.5 cms,framed size 39x59 cms.Housed in original frame with original mount inscribed with title.

Height
39cm (15.35")
Width
59cm (23.23")
Depth
2.2cm (0.87")
Date of Manufacture

Graham Reed Fine Art has dated this Norfolk Coastal Watercolour Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1161732
Graham Reed Fine Art
Graham Reed Fine Art
Sellingantiques verified Since Jun 2017

Previously I worked in london as a chartered surveyor and have been dealing in paintings for nearly thirty years.

Dealer Profile

You can view the stock and full dealer information on the Graham Reed Fine Art Profile Page

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A late 19th-century watercolour painting depicting fishermen, horse carts, and beached sailing boats at low tide along the Norfolk shore.
1 / 2
Archive I A late 19th-century watercolour painting depicting fishermen, horse carts, and beached sailing boats at low tide along the Norfolk shore.

FREDERICK WILLIAM HATTERSLEY WATERCOLOUR ‘ LOW TIDE,HEACHAM,NORFOLK ‘

Archive II A late 19th-century watercolour painting depicting fishermen, horse carts, and beached sailing boats at low tide along the Norfolk shore. View II
Enlarged Archival View
Location
Newark Antiques and Interiors
Kelham Rd
Newark
Nottinghamshire
NG24 1BX
United Kingdom
Verified Since Jun 2017
Items For Sale 254
Items Sold 341
Graham Reed Fine Art
Graham Reed Fine Art
Verified Since Jun 2017
View Dealer Info
Location: Newark Antiques and Interiors, Kelham Rd, Newark, Nottinghamshire, NG24 1BX, United Kingdom
Verified
Jun 2017
For Sale
254
Sold
341
A late 19th-century watercolour painting depicting fishermen, horse carts, and beached sailing boats at low tide along the Norfolk shore.
FREDERICK WILLIAM HATTERSLEY WATERCOLOUR ‘ LOW TIDE,HEACHAM,NORFOLK ‘
Ref: SA1161732
A late 19th-century watercolour painting depicting fishermen, horse carts, and beached sailing boats at low tide along the Norfolk shore.
Detail View 1
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

19th-century British coastal watercolours frequently featured working-class coastal life, fishing communities, and natural light effects along shoreline landscapes. Artists of this era documented rural maritime trades and changing coastal environments using layered wash techniques.

Artists utilised watercolour pigments ground with gum arabic as a binder, applied onto heavy cotton or linen rag paper. These works were painted using fine squirrel or sable hair brushes to create soft tonal gradations and subtle detail.

Authentication relies on assessing the artists distinctive brushwork, tonal palette, subject matter, and paper watermark or ageing characteristics. Examining the signature in the lower corner alongside period mounting helps confirm authenticity.

A traditional coastal landscape works well framed in a minimalist oak or gilt frame hung above a sideboard or console table. Placing it alongside natural materials such as linen textiles and stoneware ceramics complements the maritime aesthetic.

Watercolours must be displayed away from direct sunlight and high humidity to prevent fading and foxing. Acid-free mounting materials and UV-protective glass should be used when framing to preserve the paper and pigments.
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