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William Kay Blacklock Arca, Continental Farmhouse in Summer - Antique Watercolour
Sold by Brave Fine Art
sold SA1149141
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Brave Fine Art

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    Exquisite antique paintings that capture the imagination.
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William Kay Blacklock Arca, Continental Farmhouse in Summer - Antique Watercolour

1900 - 1920
Sold 4 September 2025 · Brave Fine Art
This “William Kay Blacklock Arca, Continental Farmhouse in Summer - Antique Watercolour” found a buyer.

It was listed by Brave Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

This charming early 20th-century watercolour by eminent British artist William Kay Blacklock ARCA (1872-1924) depicts an elderly lady carrying a basket and parasol before a farmhouse.

Born in Bishopwearmouth, Sunderland, Blacklock’s early years appear to be rather turbulent. His father, John Blacklock, an engine fitter, lost his life early, leaving his mother to raise the family alone. In 1891, the census records him living in Carlisle where his mother worked as a publican. One can’t imagine the stresses placed upon a Victorian family in this situation.

To help with the finances, the budding artist gained an apprenticeship working for a lithographer and before long enrolled at the Royal College of Art in London. At just 25, he debuted at the Royal Academy with ‘The Home of the Fisherman, Whitby’.

A keen draughtsman, he excelled at figure work with a particular skill for light effects and drapery. In a piece titled ‘Playing with Mother’, a red-cheeked toddler sits by grasses on a beach, while her doting mum prods a yellow spade in the sand. The outfits and expressions are handled beautifully. The mother wears a straw hat with a ribbon, shading her face from the radiant sun. While the view beyond extends towards a dark blue suggestion of the distant sea.

Blacklock specialised in scenes such as this - sentimental, somewhat idealised, yet carrying all the charm you could ever wish for. Women were generally front and centre - usually portrayed in caring/providing roles. Many of these feature ‘Nellie’, his regular model, whom he married in 1909.

Following his marriage, the pair moved several times - Chelsea, Suffolk, Cambridgeshire, Leicester, France and Polperro. This inability to settle was caused in part by Blacklock’s failing health and the necessity to find warmer climbs but also, in 1921, by a serious house fire.

This piece, from around 1922, was probably produced during the pair’s extended stay in France. Here, we see an elderly lady carrying a basket and parasol, returning to a quaint old farmhouse with window shutters. Radiant sunshine illuminates the stonework.

With his health continuing to worsen, the Blacklocks moved to Polperro in Cornwall, where he died in 1924. He left behind a remarkably joyous oeuvre despite the realities of his challenging situation. A true artist.

His works were shown at the Royal Academy, Royal Institute of Oil Painters, Royal Scottish Academy, Royal Institute of Painters in Water Colours, Royal Institute of Oil Painters, and Laing Art Gallery in Newcastle. He’s represented at the Walker Art Gallery in Liverpool.

Signed in the lower right and held within a contemporary frame. Glazed.

Learn more about William Kay Blacklock ARCA in our directory.

Medium: Watercolour on paper

Overall size: 17½” x 21” / 45cm x 53cm

Year of creation: c. 1922

Provenance: Private collection, UK.

Condition: Assessed and approved by our conservator. Overall, it presents well.

Artist’s auction maximum: £85,000 for ‘Sunlight and Shadow’, Oil on canvas, Christie’s, Victorian Pictures, Drawings And Watercolours, London, 1996 (lot 631).

Our reference: BRV1747

Date of Manufacture

Brave Fine Art has dated this Antique Watercolour Painting to the 1920s.

Physical Dimensions
Height
53cm (20.87")
Width
45cm (17.72")
Depth
2cm (0.79")
Reference Numbers
Sellingantiques Reference
SA1149141
Description
This charming early 20th-century watercolour by eminent British artist William Kay Blacklock ARCA (1872-1924) depicts an elderly lady carrying a basket and parasol before a farmhouse.

Born in Bishopwearmouth, Sunderland, Blacklock’s early years appear to be rather turbulent.

“
His father, John Blacklock, an engine fitter, lost his life early, leaving his mother to raise the family alone.
Brave Fine Art

In 1891, the census records him living in Carlisle where his mother worked as a publican. One can’t imagine the stresses placed upon a Victorian family in this situation.

fig 1. An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones.
fig 1. William Kay Blacklock Arca, Continental Farmhouse in Summer - Antique Watercolour

To help with the finances, the budding artist gained an apprenticeship working for a lithographer and before long enrolled at the Royal College of Art in London. At just 25, he debuted at the Royal Academy with ‘The Home of the Fisherman, Whitby’.

fig 2. An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones.
fig 2. William Kay Blacklock Arca, Continental Farmhouse in Summer - Antique Watercolour

A keen draughtsman, he excelled at figure work with a particular skill for light effects and drapery. In a piece titled ‘Playing with Mother’, a red-cheeked toddler sits by grasses on a beach, while her doting mum prods a yellow spade in the sand. The outfits and expressions are handled beautifully. The mother wears a straw hat with a ribbon, shading her face from the radiant sun. While the view beyond extends towards a dark blue suggestion of the distant sea.

fig 3. An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones.
fig 3. William Kay Blacklock Arca, Continental Farmhouse in Summer - Antique Watercolour

Blacklock specialised in scenes such as this - sentimental, somewhat idealised, yet carrying all the charm you could ever wish for. Women were generally front and centre - usually portrayed in caring/providing roles. Many of these feature ‘Nellie’, his regular model, whom he married in 1909.

fig 4. An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones.
fig 4. William Kay Blacklock Arca, Continental Farmhouse in Summer - Antique Watercolour

Following his marriage, the pair moved several times - Chelsea, Suffolk, Cambridgeshire, Leicester, France and Polperro. This inability to settle was caused in part by Blacklock’s failing health and the necessity to find warmer climbs but also, in 1921, by a serious house fire.

fig 5. An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones.
fig 5. William Kay Blacklock Arca, Continental Farmhouse in Summer - Antique Watercolour

This piece, from around 1922, was probably produced during the pair’s extended stay in France. Here, we see an elderly lady carrying a basket and parasol, returning to a quaint old farmhouse with window shutters. Radiant sunshine illuminates the stonework.

fig 6. An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones.
fig 6. William Kay Blacklock Arca, Continental Farmhouse in Summer - Antique Watercolour

With his health continuing to worsen, the Blacklocks moved to Polperro in Cornwall, where he died in 1924. He left behind a remarkably joyous oeuvre despite the realities of his challenging situation. A true artist.

fig 7. An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones.
fig 7. William Kay Blacklock Arca, Continental Farmhouse in Summer - Antique Watercolour

His works were shown at the Royal Academy, Royal Institute of Oil Painters, Royal Scottish Academy, Royal Institute of Painters in Water Colours, Royal Institute of Oil Painters, and Laing Art Gallery in Newcastle. He’s represented at the Walker Art Gallery in Liverpool.

fig 8. An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones.
fig 8. William Kay Blacklock Arca, Continental Farmhouse in Summer - Antique Watercolour

Signed in the lower right and held within a contemporary frame. Glazed.

Learn more about William Kay Blacklock ARCA in our directory.

Medium: Watercolour on paper

Overall size: 17½” x 21” / 45cm x 53cm

Year of creation: c. 1922

Provenance: Private collection, UK.

Condition: Assessed and approved by our conservator. Overall, it presents well.

Artist’s auction maximum: £85,000 for ‘Sunlight and Shadow’, Oil on canvas, Christie’s, Victorian Pictures, Drawings And Watercolours, London, 1996 (lot 631).

Our reference: BRV1747

Date of Manufacture

Brave Fine Art has dated this Antique Watercolour Painting to the 1920s.

Height
53cm (20.87")
Width
45cm (17.72")
Depth
2cm (0.79")
Reference Numbers
Sellingantiques Ref
SA1149141
Brave Fine Art
Brave Fine Art
Sellingantiques verified Since Nov 2018

Exquisite antique paintings that capture the imagination.

Dealer Profile

You can view the stock and full dealer information on the Brave Fine Art Profile Page

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An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones. SOLD6+ MONTHS AGO
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Archive I An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones. SOLD6+ MONTHS AGO

William Kay Blacklock Arca, Continental Farmhouse in Summer - Antique Watercolour

Archive II An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones. View II
Archive III An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones. View III
Archive IV An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones. View IV
Archive V An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones. View V
Archive VI An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones. View VI
Archive VII An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones. View VII
Archive VIII An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones. View VIII
Archive IX An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones. View IX
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Telephone 01684 215986
Location
21 Enterprise Way
Arle Road
Cheltenham
Cotswolds
GL51 8LZ
United Kingdom

Under appointment only.
Verified Since Nov 2018
Items For Sale 77
Items Sold 1,852
Brave Fine Art
Brave Fine Art
Verified Since Nov 2018
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Location: 21 Enterprise Way, Arle Road, Cheltenham, Cotswolds, GL51 8LZ, United Kingdom, , Under appointment only.
Verified
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An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones.
William Kay Blacklock ARCA, Continental Farmhouse In Summer - Antique Watercolour
Ref: SA1149141
An antique framed watercolour painting depicting a European farmhouse scene with a figure standing outside, rendered in soft natural tones.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period1900 - 1920
  • StyleTraditional
  • MaterialPaper, Watercolour Pigment, Wood, Glass
  • ColourMulticolour
  • MotifsFigurative scene, Architectural facade, Natural landscape
  • SizeH 53 cm (21 in) x W 45 cm (18 in) x D 2 cm (1 in)

Watercolour painting involves pigments suspended in a water-based solution, traditionally applied to paper or card. Historically favoured for its luminosity and immediacy, artists used transparent washes to build up light and depth, a technique that requires precision since corrections are difficult to make on paper.

Traditional watercolours were executed on rag-based or handmade papers using ground pigments mixed with gum arabic. They were typically protected behind glass within wooden frames, often featuring gold leaf or gesso ornamentation, backed by acid-sensitive boards in earlier centuries.

Authenticity is assessed by examining the paper texture through magnification to check for plate marks, hand-brush strokes, and pigment absorption into the fibres. Additionally, old framing materials, backing papers, artist signatures, and foxingbrown age spots caused by iron impurities in historical paperhelp confirm period origin.

This piece can be integrated into a gallery wall alongside modern prints to create a contrasting eclectic display, or hung individually against a muted, neutral wall colour to highlight its traditional palette. Proper picture lighting helps draw attention to the delicate brushwork without overwhelming the space.

Historic watercolours are highly sensitive to ultraviolet light and humidity. They should be displayed away from direct sunlight and damp environments, using UV-filtering museum glass and acid-free archival mounts to prevent fading, yellowing, and paper degradation over time.
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