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A Bust Length Portrait of a Young Boy, Circle of Jacob Huysmans (1630-1696)
Westcoast Fine Art
for sale €3,920     $4,255
£3,350
Westcoast Fine Art

Westcoast Fine Art

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A Bust Length Portrait of a Young Boy, Circle of Jacob Huysmans (1630-1696)

17th century
Description

Jacob Huysmans (1630-1696), Circle of

Title: A bust length portrait of a young boy dressed in fine period attire

Period circa 1650-1700

Medium: Oil on canvas

Provenance: From a leading UK auction house and private UK collection .

From a private London collection

Overall measurements including the ornate gilt frame are 82cm x 72 cm x 5cm and the pairing itself measuring 63cm x 51cm

Jacob Huysmans was a Flemish portrait painter. He immigrated to England from Flanders shortly before the Restoration of 1660 and quickly became one of the leading portrait painters at Charles II's court. His most important works include a full-length portrait of Queen Catherine of Braganza as a shepherdess and another of the queen as St Catherine of Alexandria. He was thought to be favoured by Queen Catherine because of their shared Catholicism. Huysmans's portraits adhere to the continental fashions of the time. They often depict his female sitters in disguise, either as saints and shepherdesses or in elaborate costumes

Huysmans trained in Antwerp under Frans Wouters. He was attached to the court of the queen, Catherine of Braganza, a fellow-Catholic, and he called himself ‘Her Majesty’s Painter’. When the diarist Samuel Pepys visited Huysmans’s studio in 1664 he saw two portraits of the queen, as a shepherdess and as St Catherine of Alexandria, which he said were painted “‘most like and most admirably”. Many important patrons sat to Huysmans, and he was a serious rival to the king’s official painter, Sir Peter Lely.

Huysmans' style has been described as exuberant. His style and handling of paint and application of colour are close to the Italianate Baroque style of Anthony van Dyck. His palette is characterized by the use of high-keyed colours, reddish lights in the flesh tones, and a smooth, glossy finish. Huysmans was particularly skilled in rendering the rich colours and textures of sumptuous clothes worn at the court. He liked showing the interplay of light, colour and contrasting textures, crumpled satin against porcelain skin or glossy ringlets interwoven with jewel-like flowers.

Further research and expert consultation has, however, identified the work as being more closely aligned with the work of Jacob Huysmans, hence the present work being sold as Circle of Jacob Huysmans. With this particular work, the reddish lights in the beautifully radiant flesh tones, the light brightness of the reds in the costume, the skillful execution of the drapery with its shadowed creases and folds, and the boy's wonderful ringlets are characteristic of Huysman's work.

Condition report: In very good conditions having been restored most likely within the last 20 years.

The painting has been lined and there is fine craquelure throughout but only visible unless under magnification on the sitter. The paint surface is stable and the canvas is in good tension. There are no patch repairs.

The frame is a high-quality, hand carved period frame in good condition with just minor abrasions in a few areas. We are offering the frame as a gift (see notes below).

Note: As a gallery we are always willing to consider sensible offers from prospective buyers. Please feel most welcome to send an enquiry with any proposal or offer and we will give it consideration and respond within 24 hours.

Please note:

The frame that is included in the pictures above has been added to the artwork by a third party/the seller, as such it is not an integral part of the object. The fame is therefore a gift and is therefore being provided to you at no additional cost so that when your artwork arrives at your house you can display it on your wall.

We do not send fixings unless they are already fitted to the frames. Any damage to the frame during transit does not give the buyer a basis for a claim or validate a request for the cancellation of a sale.

We would also point out that whilst we insure all paintings before shipping, we have no

Physical Dimensions
Height
82cm (32.28")
Width
72cm (28.35")
Depth
5cm (1.97")
Declaration

Westcoast Fine Art has dated this 17th Century Oil Portrait to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA1145732
Dealers Notes

****Westcoast Fine Art is always willing to consider reasonable offers from prospective buyers. Please feel free to send us an inquiry regarding any proposal or offer; we will review and respond within 24 hours.

Please enquire about shipping before making a purchase.

Note:

The buyer is responsible for paying any import duties and associated taxes in the destination country. All works will be professionally packed and insured for shipment.

Shipping:

Please contact for exact shipping charges before purchasing

1) UK shipping please enquire

2) EU shipping please enquire

3) For other worldwide shipping, please contact us.

We offer a 14-day return period to the EU and UK, provided the painting is returned in the same condition as received, packaged to the same packaging standards and insured at the price paid to Westcoast Fine Art Ltd for the artwork.

**The buyer is responsible for paying any customs charges of the destination country. We always advise the buyer to check with their local customs authorities for customs tariffs.

The frame is a gift and is therefore being provided to you at no additional cost. Any damages to the frame during transit do not give the buyer a basis for a claim or validate a request for the cancellation of a sale.

Westcoast Fine Art is a trademark of Westcoast Fine Art Ltd. Registered in England and Wales No. 15030029.

Registered office: 71-75 Shelton Street, Covent Garden, London, United Kingdom, WC2H 9JQ

***Westcoast Fine Art is always willing to consider reasonable offers from prospective buyers. Please feel free to send us an inquiry regarding any proposal or offer; we will review and respond within 24 hours.

Note:

The buyer is responsible for paying any import duties and associated taxes in the destination country. All works will be professionally packed and insured for shipment.

Shipping:

Please contact for exact shipping charges before purchasing

1) UK shipping please request price

2) EU shipping please request price

3) For other worldwide shipping, please request price

We offer a 14-day return period to the EU and UK, provided the painting is returned in the same condition as received, packaged to the same packaging standards and insured at the price paid to Westcoast Fine Art Ltd for the artwork.

*The buyer is responsible for paying any customs charges of the destination country. We always advise the buyer to check with their local customs authorities for customs tariffs.

The frame is a gift and is therefore being provided to you at no additional cost. Any damages to the frame during transit do not give the buyer a basis for a claim or validate a request for the cancellation of a sale.

Westcoast Fine Art is a trademark of Westcoast Fine Art Ltd. Registered in England and Wales No. 15030029.

Registered office: 71-75 Shelton Street, Covent Garden, London, United Kingdom, WC2H 9JQ

Description
Jacob Huysmans (1630-1696), Circle of

Title: A bust length portrait of a young boy dressed in fine period attire

Period circa 1650-1700

Medium: Oil on canvas

Provenance: From a leading UK auction house and private UK collection .

fig 1. A 17th-century oil painting depicting a young boy in a pink garment and draped blue sash, presented within a carved gilt wood frame.
fig 1. A Bust Length Portrait of a Young Boy, Circle of Jacob Huysmans (1630-1696)

From a private London collection

Overall measurements including the ornate gilt frame are 82cm x 72 cm x 5cm and the pairing itself measuring 63cm x 51cm.
Westcoast Fine Art

Jacob Huysmans was a Flemish portrait painter. He immigrated to England from Flanders shortly before the Restoration of 1660 and quickly became one of the leading portrait painters at Charles II's court. His most important works include a full-length portrait of Queen Catherine of Braganza as a shepherdess and another of the queen as St Catherine of Alexandria. He was thought to be favoured by Queen Catherine because of their shared Catholicism. Huysmans's portraits adhere to the continental fashions of the time. They often depict his female sitters in disguise, either as saints and shepherdesses or in elaborate costumes

fig 2. A 17th-century oil painting depicting a young boy in a pink garment and draped blue sash, presented within a carved gilt wood frame.
fig 2. A Bust Length Portrait of a Young Boy, Circle of Jacob Huysmans (1630-1696)

Huysmans trained in Antwerp under Frans Wouters. He was attached to the court of the queen, Catherine of Braganza, a fellow-Catholic, and he called himself ‘Her Majesty’s Painter’. When the diarist Samuel Pepys visited Huysmans’s studio in 1664 he saw two portraits of the queen, as a shepherdess and as St Catherine of Alexandria, which he said were painted “‘most like and most admirably”. Many important patrons sat to Huysmans, and he was a serious rival to the king’s official painter, Sir Peter Lely.

fig 3. A 17th-century oil painting depicting a young boy in a pink garment and draped blue sash, presented within a carved gilt wood frame.
fig 3. A Bust Length Portrait of a Young Boy, Circle of Jacob Huysmans (1630-1696)

Huysmans' style has been described as exuberant. His style and handling of paint and application of colour are close to the Italianate Baroque style of Anthony van Dyck. His palette is characterized by the use of high-keyed colours, reddish lights in the flesh tones, and a smooth, glossy finish. Huysmans was particularly skilled in rendering the rich colours and textures of sumptuous clothes worn at the court. He liked showing the interplay of light, colour and contrasting textures, crumpled satin against porcelain skin or glossy ringlets interwoven with jewel-like flowers.

fig 4. A 17th-century oil painting depicting a young boy in a pink garment and draped blue sash, presented within a carved gilt wood frame.
fig 4. A Bust Length Portrait of a Young Boy, Circle of Jacob Huysmans (1630-1696)

Further research and expert consultation has, however, identified the work as being more closely aligned with the work of Jacob Huysmans, hence the present work being sold as Circle of Jacob Huysmans. With this particular work, the reddish lights in the beautifully radiant flesh tones, the light brightness of the reds in the costume, the skillful execution of the drapery with its shadowed creases and folds, and the boy's wonderful ringlets are characteristic of Huysman's work.

Condition report: In very good conditions having been restored most likely within the last 20 years.

The painting has been lined and there is fine craquelure throughout but only visible unless under magnification on the sitter. The paint surface is stable and the canvas is in good tension. There are no patch repairs.

The frame is a high-quality, hand carved period frame in good condition with just minor abrasions in a few areas. We are offering the frame as a gift (see notes below).

Note: As a gallery we are always willing to consider sensible offers from prospective buyers. Please feel most welcome to send an enquiry with any proposal or offer and we will give it consideration and respond within 24 hours.

Please note:

The frame that is included in the pictures above has been added to the artwork by a third party/the seller, as such it is not an integral part of the object. The fame is therefore a gift and is therefore being provided to you at no additional cost so that when your artwork arrives at your house you can display it on your wall.

We do not send fixings unless they are already fitted to the frames. Any damage to the frame during transit does not give the buyer a basis for a claim or validate a request for the cancellation of a sale.

We would also point out that whilst we insure all paintings before shipping, we have no

Height
82cm (32.28")
Width
72cm (28.35")
Depth
5cm (1.97")
Date of Manufacture

Westcoast Fine Art has dated this 17th Century Oil Portrait to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA1145732
Westcoast Fine Art
Westcoast Fine Art
Sellingantiques verified Since May 2025

Westcoast fine art ltd is a UK based dealer in fine classical works of art.

Dealer Profile

You can view the stock and full dealer information on the Westcoast Fine Art Profile Page

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A 17th-century oil painting depicting a young boy in a pink garment and draped blue sash, presented within a carved gilt wood frame.
1 / 5
Archive I A 17th-century oil painting depicting a young boy in a pink garment and draped blue sash, presented within a carved gilt wood frame.

A Bust Length Portrait of a Young Boy, Circle of Jacob Huysmans (1630-1696)

Archive II A 17th-century oil painting depicting a young boy in a pink garment and draped blue sash, presented within a carved gilt wood frame. View II
Archive III A 17th-century oil painting depicting a young boy in a pink garment and draped blue sash, presented within a carved gilt wood frame. View III
Archive IV A 17th-century oil painting depicting a young boy in a pink garment and draped blue sash, presented within a carved gilt wood frame. View IV
Archive V A 17th-century oil painting depicting a young boy in a pink garment and draped blue sash, presented within a carved gilt wood frame. View V
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Verified Since May 2025
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Location: Northwest London, United Kingdom
Verified
May 2025
For Sale
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A 17th-century oil painting depicting a young boy in a pink garment and draped blue sash, presented within a carved gilt wood frame.
A Bust Length Portrait of a Young Boy, Circle of Jacob Huysmans (1630-1696)
Ref: SA1145732
A 17th-century oil painting depicting a young boy in a pink garment and draped blue sash, presented within a carved gilt wood frame.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Baroque portraiture of the 17th century is characterised by dramatic tonal contrasts, rich colour palettes, elaborate drapery, and formal composition reflecting the sitters social standing.

Artists primarily utilised oil paint ground with natural pigments on stretched linen canvas or timber panels, often housed in hand-carved, gilded wooden frames.

Authenticity is assessed through craquelure patterns, natural oxidisation of canvas and timber, period-appropriate pigments, and evidence of historic stretcher bar construction.

Positioning a historic framed portrait against a neutral backdrop or incorporating it into a curated gallery wall provides a strong visual focal point in contemporary or traditional spaces.

Keep oil paintings away from direct sunlight, extreme temperature fluctuations, and high humidity, dusting gently with a soft, dry brush without using liquid solvents.
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