Brave Fine Art has dated this piece to the 1860s.
This piece from around 1860 is emblematic of his rose-tinted escapism and celebrates the honest endeavours of rural life. The details are rendered skilfully, particularly the hands, skin tones and head. While the composition, with the horizon line crossing just beneath the shoulders, creates interest and permanence. He fathered twelve children, including eight daughters, so it’s plausible that some of them appeared in his portraits. The girl bears some resemblance to his depiction of ‘The Crofter's Daughter’.
Born in Westminster, London, Cobbett was initially trained as a wood carver, probably by his father, who was a skilled ‘carver and gilder’. Evidently, the young man adopted the trade with considerable vigour, as some of his early carvings can be seen at York Minster.
Around the age of 20, he began to pursue a career as an artist, and it's presumably at this point that he undertook formal tuition with the landscape painter Joseph William Allen (1803-1852). Allen was a founding member of the Society of British Artists, and his influence is evident.
Following his 1833 debut at London’s Royal Academy, he matured into an artist of considerable merit, particularly popular among the rising middle classes. He was known by the Victorian press as one of the last great ‘bohemians’, thus associating him with a social and cultural milieu of freedom-loving, anti-establishment creatives. As a member of London’s Savage Club, his circle was a most intriguing one and included writers, artists, and musicians who sought to live on the fringes of society.
This liberal sense of ‘joie de vivre’ translated through his work into depictions of ebullient country folk undertaking wholesome daily activities. Via his numerous rustic characters, he celebrated a simpler, albeit idealised, working-class utopia. The urban-dwelling bourgeois lapped it up, escaping into the abundance of an imagined moor, and vanishing into a community unplagued by formal rigour.
Aside from the Royal Academy, his works were also shown at the British Institution, Liverpool Academy, and the Society of British Artists, where he was elected a member in 1856. He’s known to have collaborated with both William Shayer (1787-1879) and George Cole (1810-1883).
He’s represented in numerous public collections, including at Glasgow Museum, the Walker Art Gallery, Worcester City Art Gallery, and York Art Gallery.
Learn more about Edward John Cobbett in our directory.
Medium: Oil on board
Overall size: 28” x 32½” / 71cm x 83cm
Year of creation: c. 1860
Provenance: Private collection, UK.
Condition: Cleaned. Revarnished. Areas of fine and settled craquelure, as you would expect. The paint layer is stable. Frame with various marks and showing its age.
Artist’s auction maximum: £20,052 for ‘Rural Idyll (1859)’, Oil on canvas, De Veres Art Auctions, Dublin, 30 March 2004 (lot 60).
Our reference: BRV2112
Brave Fine Art has dated this piece to the 1860s.
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Edward John Cobbett Rba (Attributed), Portrait of a Girl in a Landscape - Antique Oil Painting
