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ID #SA1112463
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£2,495
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James Tower 1919 - 1988. English. Still Life of Cut Flowers in a Pottery Jug, 1945. Framed Wartime Watercolour Painting.
Big Sky Fine Art
for sale €2,919     $3,169
£2,495
Big Sky Fine Art

Big Sky Fine Art

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James Tower 1919 - 1988. English. Still Life of Cut Flowers in a Pottery Jug, 1945. Framed Wartime Watercolour Painting.

1920 - 1940
For Sale by Big Sky Fine Art
Description

James Tower.

English ( b.1919 - d.1988 ).

Still Life Of Cut Flowers In A Pottery Jug, 1945.

Watercolour & Ink.

Signed & Dated Lower Right.

Image size 13.2 inches x 10 inches ( 33.5cm x 25.5cm ).

Frame size 19.9 inches x 16.5 inches ( 50.5cm x 42cm ).

Available for sale from Big Sky Fine Art in the English county of Dorset, this original wartime painting is by the English ceramic artist James Tower and is dated 1945.

The watercolour is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted using new conservation materials and behind non-reflective Artglass AR 70™glass.

This vintage painting is in good condition, commensurate with its age. A couple of creases have been virtually eliminated under a heated press but are just visible under closer scrutiny. The painting is now preserved for future adoration and is ready to hang and to be appreciated.

The watercolour is signed and dated lower right.

Good News for our US Customers!

From 24 July 2026 the original works of art we sell are classified under the US Harmonised Tariff Schedule (HTS) Chapter 97 as exempt from the additional Section 301 import tariffs introduced in February 2026. This means that this original work of art can be imported into the United States without these additional tariffs. This allows American customers to buy from us with confidence, knowing that they are not going to be penalised by this global tariff.

Please note that normal U.S. Customs procedures and any applicable US State sales or use taxes remain unchanged.

We provide a professional shipping and delivery service which is free to customers in the UK, Europe, USA and Canada. We can also provide other worldwide delivery on any purchase. Please contact us for further information.

One of Britain’s most important 20th century ceramic artists; a quintessentially English sculptor, painter and teacher who was dedicated to his craft.

James Tower was born on the Isle of Sheppey in Kent, and brought up in a landscape of tidal estuaries, reeds, fish, shells and patterns of water on sand that greatly influenced his later work. He had a childhood accident that blinded him in one eye.

He left home at 17 and decided to travel the world, eventually making his way to the South Seas. On his return, he studied painting at the Royal Academy, (1938-40), and his talent was recognised when he won the Gold Medal for Painting in 1939.

During the Second World War he enrolled for service and spent the war working in camouflage and mapping at the Polish Ministry of Information. He married fellow student Maureen McManus in 1944. After the war he returned to art, enrolling at the Slade School of Art in 1946. Here he attended Dora Billington’s classes and became fascinated with ceramics. After he graduated, he took further classes in the medium at the London Institute under the British potter William Newland.

In 1949 Tower was invited to set up a ceramics course at the progressive Bath Academy, Corsham. He established a diverse artistic environment, teaching and working alongside artists such as Terry Frost, Kenneth Armitage, William Scott and Peter Lanyon. Surrounded by such individualistic and impassioned artists, Tower began to develop his own unique approach to ceramics. His work was characterised by an emphasis on abstract, organic forms and painterly surfaces, evoking notions of nature, particularly foliage, water and the landscape. In 1963 he won a Leverhulme Research Award for terracotta research. Tower remained in post at Bath until 1964.

In 1966 he became Head of Fine Art at Brighton College of Art, where he set up a sculpture course and remained in post until 1986.

© Big Sky Fine Art

For a full biography of this artist please see his listing on www.bigskyfineart.com .

Physical Dimensions
Height
50.5cm (19.88")
Width
42cm (16.54")
Depth
1.2cm (0.47")
Declaration

Big Sky Fine Art has dated this James Tower Watercolour Painting to the 1940s.

Reference Numbers
Sellingantiques Reference
SA1112463
Description
James Tower.

English ( b.1919 - d.1988 ).

Still Life Of Cut Flowers In A Pottery Jug, 1945.

Watercolour & Ink.

Signed & Dated Lower Right.

Image size 13.2 inches x 10 inches ( 33.5cm x 25.5cm ).

Frame size 19.9 inches x 16.5 inches ( 50.5cm x 42cm ).

Available for sale from Big Sky Fine Art in the English county of Dorset, this original wartime painting is by the English ceramic artist James Tower and is dated 1945.
Big Sky Fine Art
fig 1. A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones.
fig 1. James Tower 1919 - 1988. English. Still Life of Cut Flowers in a Pottery Jug, 1945. Framed Wartime Watercolour Painting.

The watercolour is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted using new conservation materials and behind non-reflective Artglass AR 70™glass.

fig 2. A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones.
fig 2. James Tower 1919 - 1988. English. Still Life of Cut Flowers in a Pottery Jug, 1945. Framed Wartime Watercolour Painting.

This vintage painting is in good condition, commensurate with its age. A couple of creases have been virtually eliminated under a heated press but are just visible under closer scrutiny. The painting is now preserved for future adoration and is ready to hang and to be appreciated.

fig 3. A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones.
fig 3. James Tower 1919 - 1988. English. Still Life of Cut Flowers in a Pottery Jug, 1945. Framed Wartime Watercolour Painting.

The watercolour is signed and dated lower right.

Good News for our US Customers!

From 24 July 2026 the original works of art we sell are classified under the US Harmonised Tariff Schedule (HTS) Chapter 97 as exempt from the additional Section 301 import tariffs introduced in February 2026. This means that this original work of art can be imported into the United States without these additional tariffs. This allows American customers to buy from us with confidence, knowing that they are not going to be penalised by this global tariff.

fig 4. A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones.
fig 4. James Tower 1919 - 1988. English. Still Life of Cut Flowers in a Pottery Jug, 1945. Framed Wartime Watercolour Painting.

Please note that normal U.S. Customs procedures and any applicable US State sales or use taxes remain unchanged.

We provide a professional shipping and delivery service which is free to customers in the UK, Europe, USA and Canada. We can also provide other worldwide delivery on any purchase. Please contact us for further information.

fig 5. A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones.
fig 5. James Tower 1919 - 1988. English. Still Life of Cut Flowers in a Pottery Jug, 1945. Framed Wartime Watercolour Painting.

One of Britain’s most important 20th century ceramic artists; a quintessentially English sculptor, painter and teacher who was dedicated to his craft.

James Tower was born on the Isle of Sheppey in Kent, and brought up in a landscape of tidal estuaries, reeds, fish, shells and patterns of water on sand that greatly influenced his later work. He had a childhood accident that blinded him in one eye.

fig 6. A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones.
fig 6. James Tower 1919 - 1988. English. Still Life of Cut Flowers in a Pottery Jug, 1945. Framed Wartime Watercolour Painting.

He left home at 17 and decided to travel the world, eventually making his way to the South Seas. On his return, he studied painting at the Royal Academy, (1938-40), and his talent was recognised when he won the Gold Medal for Painting in 1939.

fig 7. A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones.
fig 7. James Tower 1919 - 1988. English. Still Life of Cut Flowers in a Pottery Jug, 1945. Framed Wartime Watercolour Painting.

During the Second World War he enrolled for service and spent the war working in camouflage and mapping at the Polish Ministry of Information. He married fellow student Maureen McManus in 1944. After the war he returned to art, enrolling at the Slade School of Art in 1946. Here he attended Dora Billington’s classes and became fascinated with ceramics. After he graduated, he took further classes in the medium at the London Institute under the British potter William Newland.

fig 8. A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones.
fig 8. James Tower 1919 - 1988. English. Still Life of Cut Flowers in a Pottery Jug, 1945. Framed Wartime Watercolour Painting.

In 1949 Tower was invited to set up a ceramics course at the progressive Bath Academy, Corsham. He established a diverse artistic environment, teaching and working alongside artists such as Terry Frost, Kenneth Armitage, William Scott and Peter Lanyon. Surrounded by such individualistic and impassioned artists, Tower began to develop his own unique approach to ceramics. His work was characterised by an emphasis on abstract, organic forms and painterly surfaces, evoking notions of nature, particularly foliage, water and the landscape. In 1963 he won a Leverhulme Research Award for terracotta research. Tower remained in post at Bath until 1964.

fig 9. A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones.
fig 9. James Tower 1919 - 1988. English. Still Life of Cut Flowers in a Pottery Jug, 1945. Framed Wartime Watercolour Painting.

In 1966 he became Head of Fine Art at Brighton College of Art, where he set up a sculpture course and remained in post until 1986.

© Big Sky Fine Art

For a full biography of this artist please see his listing on www.bigskyfineart.com .

Height
50.5cm (19.88")
Width
42cm (16.54")
Depth
1.2cm (0.47")
Date of Manufacture

Big Sky Fine Art has dated this James Tower Watercolour Painting to the 1940s.

Reference Numbers
Sellingantiques Ref
SA1112463
Big Sky Fine Art
Big Sky Fine Art
Sellingantiques verified Since Aug 2020

Dealers in original fine art from 1800

Dealer Profile

You can view the stock and full dealer information on the Big Sky Fine Art Profile Page

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A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones.
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Archive I A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones.

James Tower 1919 - 1988. English. Still Life of Cut Flowers in a Pottery Jug, 1945. Framed Wartime Watercolour Painting.

Archive II A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View II
Archive III A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View III
Archive IV A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View IV
Archive V A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View V
Archive VI A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View VI
Archive VII A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View VII
Archive VIII A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View VIII
Archive IX A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View IX
Archive X A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View X
Archive XI A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XI
Archive XII A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XII
Archive XIII A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XIII
Archive XIV A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XIV
Archive XV A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XV
Archive XVI A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XVI
Archive XVII A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XVII
Archive XVIII A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XVIII
Archive XIX A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XIX
Archive XX A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XX
Archive XXI A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XXI
Archive XXII A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XXII
Archive XXIII A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XXIII
Archive XXIV A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XXIV
Archive XXV A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XXV
Archive XXVI A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XXVI
Archive XXVII A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XXVII
Archive XXVIII A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XXVIII
Archive XXIX A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XXIX
Archive XXX A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones. View XXX
Enlarged Archival View
Telephone 01305 581426
Location
Greenwood House
Plaisters Lane
Sutton Poyntz
Dorset
DT3 6LQ
United Kingdom

Under appointment only.
Verified Since Aug 2020
Items For Sale 90
Items Sold 3
Big Sky Fine Art
Big Sky Fine Art
Verified Since Aug 2020
View Dealer Info
Location: Greenwood House, Plaisters Lane, Sutton Poyntz, Dorset, DT3 6LQ, United Kingdom, , Under appointment only.
Verified
Aug 2020
For Sale
90
Sold
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A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones.
James Tower 1919 - 1988. English. Still Life Of Cut Flowers In A Pottery Jug, 1945. Framed Wartime Watercolour Painting.
Ref: SA1112463
A framed expressionistic watercolour painting depicting a still life composition of cut flowers inside a pottery jug with fluid line drawing and muted earth tones.
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Mid-Century Modern British watercolour paintings often reflect post-war experimentation, combining expressive linework, subdued colour palettes, and stylised representations of everyday subjects such as still life compositions.

These artworks typically feature watercolour pigments and ink or charcoal applied onto heavy rag paper, presented within a protective window mount and wooden frame.

Authentic pieces often display artist signatures, dates, pencil underdrawings, and characteristic paper ageing such as light toning, alongside period-appropriate mounting techniques.

Position the artwork on a focal wall above a wooden console table or sideboard, paired with simple ceramics to complement the organic tones and fluid lines.

Display the artwork away from direct sunlight and high humidity, using UV-protective glass and acid-free mounting materials to prevent fading and paper discolouration.
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