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ID #SA1110485
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19th Century Portrait , Oil, Baddesley Clinton by R Dering
Country House Fine Art
for sale €5,265     $5,715
£4,500
Country House Fine Art

Country House Fine Art

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19th Century Portrait , Oil, Baddesley Clinton by R Dering

19th century
Description

Here is a fine painting of Edward H Derring of Baddesley Clinton , a national trust property near solihull

This portrait shows Edward Dering holding a copy of the writings of St Thomas Aquinas, as he was studying Catholic philosophy. Baddesley Clinton, with the new wing, can be seen in the background. He is wearing the old fashioned dress, which he favoured.

inscribed 'Edward .H. Dering' (upper left); signed, inscribed and dated 'THE PHILOSOPHERS MORNING WALK/BADDESLEY CLINTON/R.DERING.PINXIT./1894' (lower left)

oil on canvas, housed on a gilt frame, the size is 117.5 x 81.5cm (46 1/4 x 32 1/16in whilst overall the framed size is 130 x 94cm

The present work is a version of The Philosopher's Morning Walk currently in the Baddesley Clinton Collection, Warwickshire. See Photo for painting in situ

Dering was an artist in oils and watercolours with many of her works at Baddesley

Both painting and frame are in good condition, the painting having had some restoration especially to the clouds upper left. The frame one or two minor losses which have been re gilded.

There is an interesting story behind the artist and sitter, which as an ex guide of Baddesley, i have spent many an afternoon recounting the story . Brief version below

The subject of the painting, Edward Heneage Dering, married the artist in 1885 after a misconstrued marriage proposal in 1859 which led to his first marriage to Rebecca's guardian, Lady Chatterton. Rebecca married Edward Dering's closest friend, Marmion Edward Ferrers and both couples lived at Baddesley Clinton, Ferrers' family home. Lady Chatterton died in 1876 and Ferrers in 1884, at which point Rebecca and Edward were free to marry as they had originally intended. Edward Dering died in 1892.

Baddesley Clinton is a moated manor house, about 8 miles (13 km) north-west of the town of Warwick, in the village of Baddesley Clinton, Warwickshire, England. The house probably originated in the 13th century, when large areas of the Forest of Arden were cleared for farmland. The site is a Scheduled Ancient Monument[1] and the house is a Grade I listed building.[2] The house, park and gardens are owned by the National Trust and open to the public

Rebecca Dulcibella Orpen (1830?-1923)

Rebecca Dulcibella Orpen (1830?-1923) was a 19th-century artist. As she married twice, she is occasionally referred to as Rebecca Dulcibella Orpen Ferrers, Mrs Edward Henege Dering, or Rebecca Dering.

Rebecca Dulcibella Orpen was born either in 1829 or 1830, the historical record is murky as to which, in County Cork, Ireland. She was the daughter of Abraham Edward Orpen and Martha Chatterton She appears to have spent much of her youth with her aunt, Lady Georgiana Chatterton and her husband, Sir William Chatterton, and may have eventually gone to live with them

In 1859, Lady Georgiana married Edward Heneage Dering. It has been suggested that Dering was actually intending to propose to Rebecca but, as a result of a misunderstanding, came to be engaged to Lady Georgiana, who was much older than him. However, that story does not appear to have strong historical substantiation. After the pair wed, Orpen and the couple travelled Europe, sketching and drawing as they went. A great many pieces Rebecca produced during this time are held by the National Trust.

At the age of 37, on 18 July 1867, Rebecca Dulcibella Orpen married Marmion Edward Ferrers of Baddesley Clinton. Two years later, Lady Georgiana and her husband, Edward Heneage Dering, moved in with Rebecca and Marmion at Baddesley Clinton. The foursome, who became known as The Quartet, immersed themselves in the arts and in the restoration of Baddesley Clinton. Their other interests also included novel-writing, music, poetry, and embroidery.

The Quartet were also Catholics, a not-uncommon feature of Baddesley Clint

Physical Dimensions
Height
130cm (51.18")
Width
94cm (37.01")
Declaration

Country House Fine Art has dated this Victorian Male Oil Portrait to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1110485
Dealers Notes

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Description
Here is a fine painting of Edward H Derring of Baddesley Clinton , a national trust property near solihull
This portrait shows Edward Dering holding a copy of the writings of St Thomas Aquinas, as he was studying Catholic philosophy.
Country House Fine Art

Baddesley Clinton, with the new wing, can be seen in the background. He is wearing the old fashioned dress, which he favoured.

fig 1. A 19th-century oil painting depicting a bearded gentleman holding a book before a moated manor house, presented in a gilded wood frame.
fig 1. 19th Century Portrait , Oil, Baddesley Clinton by R Dering

inscribed 'Edward .H. Dering' (upper left); signed, inscribed and dated 'THE PHILOSOPHERS MORNING WALK/BADDESLEY CLINTON/R.DERING.PINXIT./1894' (lower left)

oil on canvas, housed on a gilt frame, the size is 117.5 x 81.5cm (46 1/4 x 32 1/16in whilst overall the framed size is 130 x 94cm

fig 2. A 19th-century oil painting depicting a bearded gentleman holding a book before a moated manor house, presented in a gilded wood frame.
fig 2. 19th Century Portrait , Oil, Baddesley Clinton by R Dering

The present work is a version of The Philosopher's Morning Walk currently in the Baddesley Clinton Collection, Warwickshire. See Photo for painting in situ

Dering was an artist in oils and watercolours with many of her works at Baddesley

fig 3. A 19th-century oil painting depicting a bearded gentleman holding a book before a moated manor house, presented in a gilded wood frame.
fig 3. 19th Century Portrait , Oil, Baddesley Clinton by R Dering

Both painting and frame are in good condition, the painting having had some restoration especially to the clouds upper left. The frame one or two minor losses which have been re gilded.

There is an interesting story behind the artist and sitter, which as an ex guide of Baddesley, i have spent many an afternoon recounting the story . Brief version below

The subject of the painting, Edward Heneage Dering, married the artist in 1885 after a misconstrued marriage proposal in 1859 which led to his first marriage to Rebecca's guardian, Lady Chatterton. Rebecca married Edward Dering's closest friend, Marmion Edward Ferrers and both couples lived at Baddesley Clinton, Ferrers' family home. Lady Chatterton died in 1876 and Ferrers in 1884, at which point Rebecca and Edward were free to marry as they had originally intended. Edward Dering died in 1892.

Baddesley Clinton is a moated manor house, about 8 miles (13 km) north-west of the town of Warwick, in the village of Baddesley Clinton, Warwickshire, England. The house probably originated in the 13th century, when large areas of the Forest of Arden were cleared for farmland. The site is a Scheduled Ancient Monument[1] and the house is a Grade I listed building.[2] The house, park and gardens are owned by the National Trust and open to the public

Rebecca Dulcibella Orpen (1830?-1923)

Rebecca Dulcibella Orpen (1830?-1923) was a 19th-century artist. As she married twice, she is occasionally referred to as Rebecca Dulcibella Orpen Ferrers, Mrs Edward Henege Dering, or Rebecca Dering.

Rebecca Dulcibella Orpen was born either in 1829 or 1830, the historical record is murky as to which, in County Cork, Ireland. She was the daughter of Abraham Edward Orpen and Martha Chatterton She appears to have spent much of her youth with her aunt, Lady Georgiana Chatterton and her husband, Sir William Chatterton, and may have eventually gone to live with them

In 1859, Lady Georgiana married Edward Heneage Dering. It has been suggested that Dering was actually intending to propose to Rebecca but, as a result of a misunderstanding, came to be engaged to Lady Georgiana, who was much older than him. However, that story does not appear to have strong historical substantiation. After the pair wed, Orpen and the couple travelled Europe, sketching and drawing as they went. A great many pieces Rebecca produced during this time are held by the National Trust.

At the age of 37, on 18 July 1867, Rebecca Dulcibella Orpen married Marmion Edward Ferrers of Baddesley Clinton. Two years later, Lady Georgiana and her husband, Edward Heneage Dering, moved in with Rebecca and Marmion at Baddesley Clinton. The foursome, who became known as The Quartet, immersed themselves in the arts and in the restoration of Baddesley Clinton. Their other interests also included novel-writing, music, poetry, and embroidery.

The Quartet were also Catholics, a not-uncommon feature of Baddesley Clint

Height
130cm (51.18")
Width
94cm (37.01")
Date of Manufacture

Country House Fine Art has dated this Victorian Male Oil Portrait to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1110485
Country House Fine Art
Country House Fine Art
Sellingantiques verified Since Apr 2015

Specialists in fine art including portraits from the 17th century onwards, seascapes and landscapes

Dealer Profile

You can view the stock and full dealer information on the Country House Fine Art Profile Page

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A 19th-century oil painting depicting a bearded gentleman holding a book before a moated manor house, presented in a gilded wood frame.
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Archive I A 19th-century oil painting depicting a bearded gentleman holding a book before a moated manor house, presented in a gilded wood frame.

19th Century Portrait , Oil, Baddesley Clinton by R Dering

Archive II A 19th-century oil painting depicting a bearded gentleman holding a book before a moated manor house, presented in a gilded wood frame. View II
Archive III A 19th-century oil painting depicting a bearded gentleman holding a book before a moated manor house, presented in a gilded wood frame. View III
Archive IV A 19th-century oil painting depicting a bearded gentleman holding a book before a moated manor house, presented in a gilded wood frame. View IV
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A 19th-century oil painting depicting a bearded gentleman holding a book before a moated manor house, presented in a gilded wood frame.
19th century portrait , oil, Baddesley Clinton by R Dering
Ref: SA1110485
A 19th-century oil painting depicting a bearded gentleman holding a book before a moated manor house, presented in a gilded wood frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

19th-century British portraiture emphasizes realistic figurative work and symbolic narrative elements, such as architectural backgrounds, personal literature, or heraldic crests to signify social standing.

These artworks were typically executed using oil pigments ground in natural drying oils, applied onto stretched linen canvas, and framed within carved or moulded gilded timber mouldings.

Authentic period paintings display natural craquelure across the paint surface, canvas stretcher impressions, and age-appropriate oxidisation on the reverse wood components and canvas.

An antique portrait serves as a focal point when positioned above a fireplace mantelpiece, sideboard, or integrated into a gallery wall, creating visual balance alongside contemporary furnishings.

Dust the surface lightly with a dry, soft brush, avoiding liquid cleaners that may lift delicate gold leaf, and position the artwork away from direct sunlight, dampness, and heat sources.
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