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Landscape Animal Oil Painting of a Farmyard with Horses, Pigs, Goats, Poultry & Cattle by John Frederick Herring Jnr
Benton Fine Art
for sale €16,965     $18,415
£14,500
Benton Fine Art

Benton Fine Art

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Landscape Animal Oil Painting of a Farmyard with Horses, Pigs, Goats, Poultry & Cattle by John Frederick Herring Jnr

19th century
For Sale by Benton Fine Art
Description

John Frederick Herring Jnr

British, (c1820-1907)

Farmyard Friends

Oil on canvas, signed

Image size: 23.25 inches x 35.25 inches

Size including frame: 29.75 inches x 41.75 inches

Provenance: Frost & Reed; E. Stacey Marks, Eastbourne

A fantastic rural farmyard scene featuring horses, pigs, goats, chickens, ducks and cattle by John Frederick Herring Jnr. In the foreground, pigs, goats and chickens are shown foraging for food whilst horses watch on. To the right, a bay horse drinks from a pond next to some ducks as cattle graze outside a barn. In the distance two figures can be seen walking along a country path towards a church.

John Frederick Herring was born in Doncaster c1820 to the artist John Frederick Herring (1795-1865) and his wife Anna Catharina (nee Harris) and was baptised on 2 May, 1821. There is some confusion about the date of his birth due to an earlier birth record existing for 21 June, 1815. To complicate matters further, all of the census records indicate he was born in 1816. Some sources suggest this was an earlier child who died and that Herring was the child born in 1820.

Herring’s brothers Charles Herring (1828-1856) and Benjamin Herring (1830-1871) also became artists. He and his brothers were exposed to art at an early age and were all tutored by their father whose subject matter influenced their work. The family moved to Newmarket during the early 1830’s and Herring would visit the racecourse to study the horses. The brothers would often collaborate with their father on paintings, however, Herring Jnr soon developed his own style and began painting farmyard and rustic scenes featuring horses and other farm animals. His emerging success caused some discord with his father, who from around 1836 began adding ‘SR’ or ‘Senr’ to his signature to avoid confusion between the two artists. Herring did not join his father when he later moved to London but at some point moved to Cambridgeshire where he met and married Emma Jane Dawson on 29 August, 1836. Together, they lived at Great Wilbraham with their 5 children.

By 1861, he had moved to nearby Fulbourn and continuing his successful career made his debut at the Royal Academy in 1863. He began exhibiting at the British Institution from 1864 and also exhibited at the Royal Society of British Artists at Suffolk Street.

After the death of his first wife, Herring married the artist Catherine Augusta Rolfe on 5 December 1865 at St Pauls Church, Hammersmith in London. Catherine (or Kate) was the sister of the artists Alexander Frederick Rolfe (1814-1875) and Henry Leonides Rolfe (1823-1881) and the daughter of William E Rolfe, a friend of his father. They lived at Wilbraham Road in Fulbourn, later moving to The Poplars in Fulbourn where Herring spent the rest of his life. He died at Fulbourn on 6 March 1907.

Examples of his work are held by a number of museums and public collections including the Bradford Museum, Hawarth Art Gallery, Government Art Collection, Grundy Art Gallery, the Tate, National Gallery of Art, Washington DC and the Watford Museum & Witt Library.

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
75.5cm (29.72")
Width
106cm (41.73")
Depth
7cm (2.76")
Declaration

Benton Fine Art has dated this Victorian Farmyard Oil Painting to the 1870s.

Reference Numbers
Sellingantiques Reference
SA1089654
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
John Frederick Herring Jnr

British, (c1820-1907)

Farmyard Friends

Oil on canvas, signed

Image size: 23.25 inches x 35.25 inches

Size including frame: 29.75 inches x 41.75 inches

Provenance: Frost & Reed; E. Stacey Marks, Eastbourne

A fantastic rural farmyard scene featuring horses, pigs, goats, chickens, ducks and cattle by John Frederick Herring Jnr.
Benton Fine Art

In the foreground, pigs, goats and chickens are shown foraging for food whilst horses watch on. To the right, a bay horse drinks from a pond next to some ducks as cattle graze outside a barn. In the distance two figures can be seen walking along a country path towards a church.

fig 1. A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame.
fig 1. Landscape Animal Oil Painting of a Farmyard with Horses, Pigs, Goats, Poultry & Cattle by John Frederick Herring Jnr

John Frederick Herring was born in Doncaster c1820 to the artist John Frederick Herring (1795-1865) and his wife Anna Catharina (nee Harris) and was baptised on 2 May, 1821. There is some confusion about the date of his birth due to an earlier birth record existing for 21 June, 1815. To complicate matters further, all of the census records indicate he was born in 1816. Some sources suggest this was an earlier child who died and that Herring was the child born in 1820.

fig 2. A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame.
fig 2. Landscape Animal Oil Painting of a Farmyard with Horses, Pigs, Goats, Poultry & Cattle by John Frederick Herring Jnr

Herring’s brothers Charles Herring (1828-1856) and Benjamin Herring (1830-1871) also became artists. He and his brothers were exposed to art at an early age and were all tutored by their father whose subject matter influenced their work. The family moved to Newmarket during the early 1830’s and Herring would visit the racecourse to study the horses. The brothers would often collaborate with their father on paintings, however, Herring Jnr soon developed his own style and began painting farmyard and rustic scenes featuring horses and other farm animals. His emerging success caused some discord with his father, who from around 1836 began adding ‘SR’ or ‘Senr’ to his signature to avoid confusion between the two artists. Herring did not join his father when he later moved to London but at some point moved to Cambridgeshire where he met and married Emma Jane Dawson on 29 August, 1836. Together, they lived at Great Wilbraham with their 5 children.

fig 3. A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame.
fig 3. Landscape Animal Oil Painting of a Farmyard with Horses, Pigs, Goats, Poultry & Cattle by John Frederick Herring Jnr

By 1861, he had moved to nearby Fulbourn and continuing his successful career made his debut at the Royal Academy in 1863. He began exhibiting at the British Institution from 1864 and also exhibited at the Royal Society of British Artists at Suffolk Street.

fig 4. A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame.
fig 4. Landscape Animal Oil Painting of a Farmyard with Horses, Pigs, Goats, Poultry & Cattle by John Frederick Herring Jnr

After the death of his first wife, Herring married the artist Catherine Augusta Rolfe on 5 December 1865 at St Pauls Church, Hammersmith in London. Catherine (or Kate) was the sister of the artists Alexander Frederick Rolfe (1814-1875) and Henry Leonides Rolfe (1823-1881) and the daughter of William E Rolfe, a friend of his father. They lived at Wilbraham Road in Fulbourn, later moving to The Poplars in Fulbourn where Herring spent the rest of his life. He died at Fulbourn on 6 March 1907.

fig 5. A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame.
fig 5. Landscape Animal Oil Painting of a Farmyard with Horses, Pigs, Goats, Poultry & Cattle by John Frederick Herring Jnr

Examples of his work are held by a number of museums and public collections including the Bradford Museum, Hawarth Art Gallery, Government Art Collection, Grundy Art Gallery, the Tate, National Gallery of Art, Washington DC and the Watford Museum & Witt Library.

fig 6. A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame.
fig 6. Landscape Animal Oil Painting of a Farmyard with Horses, Pigs, Goats, Poultry & Cattle by John Frederick Herring Jnr

Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
75.5cm (29.72")
Width
106cm (41.73")
Depth
7cm (2.76")
Date of Manufacture

Benton Fine Art has dated this Victorian Farmyard Oil Painting to the 1870s.

Reference Numbers
Sellingantiques Ref
SA1089654
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame.
1 / 13
Archive I A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame.

Landscape Animal Oil Painting of a Farmyard with Horses, Pigs, Goats, Poultry & Cattle by John Frederick Herring Jnr

Archive II A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame. View II
Archive III A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame. View III
Archive IV A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame. View IV
Archive V A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame. View V
Archive VI A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame. View VI
Archive VII A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame. View VII
Archive VIII A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame. View VIII
Archive IX A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame. View IX
Archive X A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame. View X
Archive XI A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame. View XI
Archive XII A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame. View XII
Archive XIII A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame. View XIII
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Telephone 07710 540 549
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Worcestershire
United Kingdom

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Verified Since Sep 2012
Items For Sale 210
Benton Fine Art
Benton Fine Art
Verified Since Sep 2012
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
210
A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame.
Landscape animal oil painting of a farmyard with horses, pigs, goats, poultry & cattle by John Frederick Herring Jnr
Ref: SA1089654
A nineteenth-century oil painting on canvas depicting horses, pigs, cattle, and poultry in a rustic farmyard, displayed within an ornate gilded frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Victorian agricultural genre paintings focus on detailed, naturalistic depictions of rural life, livestock, and working animals in pastoral settings. Artists of this era emphasised narrative realism and celebrated British agrarian heritage.

Paintings from this era were rendered in oil paint on stretched linen or cotton canvas and typically framed in heavy carved wood coated with gesso and gold leaf ornamentation.

Authentic nineteenth-century paintings show natural craquelure across the paint surface, historic stretcher bar impressions, period-appropriate timber frames, and artist signatures integrated naturally into the paint layer.

Position the painting as a focal point above a fireplace mantelpiece or a timber sideboard, pairing it with clean-lined contemporary furniture to create a balanced, layered interior scheme.

Keep the artwork away from direct sunlight, radiators, and high humidity. Dust the canvas surface gently with a soft microfibre cloth and use a soft brush for intricate giltwood details, avoiding liquid cleaners.
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