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White Alabaster Bust

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A white alabaster bust brings sculptural presence to a room, offering tactile warmth and classic form through carved stone.

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Sellingantiques  ·  Guide 81442026/2027 edition

White Alabaster Bust

A white alabaster bust brings sculptural presence to a room, offering tactile warmth and classic form through carved stone.

Beautiful French Carved Alabaster Sculpture Of A Female, Signed GREUZE
Plate I  ·  Beautiful French Carved Alabaster Sculpture of a Female, Signed Greuze, 1900Burgett Langfield Decorative Antiques
Introduction

White Alabaster Bust

A white alabaster bust represents female figures, young girls, and classical subjects carved from soft stone, appearing in periods from the nineteenth century through to the early decades of the twentieth century.

The selections on this page span French neoclassical, Art Nouveau, and Arts and Crafts styles, showing both intimate desk-sized pieces and larger sculptural works.

Makers include signed pieces by artists such as R. Lusili, Greuze, and A. Cipriani, alongside unsigned works dating across the nineteenth century, nineteen hundred, nineteen ten, and nineteen twenty.

Alabaster Bust of a Girl c.1900
Plate II  ·  Alabaster Bust of a Girl C.1900Collinge Antiques
How they were made

Materials and construction

Artists utilise the translucent qualities of alabaster to catch the light, creating soft tonal variations across the surface of each sculpture.

The market

White Alabaster Bust Retail Price Guide 2026

Entry-levelUnder £800
Typical prices£800 – £3,000
Premium examplesOver £3,000

Typical asking prices for white alabaster bust among the pieces listed under this phrase on Sellingantiques today, from the lower quarter to the upper quarter. They describe what is for sale here now, not the wider market.

From the Sellingantiques archive

Listings feature works spanning the nineteenth century, nineteen hundred, nineteen ten, and nineteen twenty, utilising alabaster, marble, and stone.

What sets them apart

Distinguishing quality

Quality rests upon the sensitivity of the carving, where depth in the facial expression and natural drape of the clothing separate superior pieces from simpler ones.

Signed works by named sculptors carry greater distinction, showing a refined mastery over the stone that brings a lifelike presence to the subject.

A Large French Carved Alabaster Sculpture Of A Female Playing A Lyre. Titled Mignon. Signed R.LUSILI
Plate III  ·  A Large French Carved Alabaster Sculpture of a Female Playing a Lyre…, 1910Burgett Langfield Decorative Antiques
Terms antiques dealers use

The White Alabaster Bust Glossary

Alabaster
A soft, fine-grained stone that allows light to penetrate slightly below the surface, making it popular for detailed portrait sculpture.
Bust
A sculpted representation of a person from the chest up, capturing the shoulders, neck, and head.
Neoclassical
A style drawing inspiration from the classical art and culture of ancient Greece and Rome, evident in French nineteenth-century works.
Art Nouveau
An international style of art and architecture characterised by intricate linear designs and flowing organic motifs, visible in pieces from nineteen hundred and nineteen ten.
Questions people ask

White Alabaster Bust: Frequently Asked Questions

How do I clean alabaster?

Alabaster is a soft and water-soluble stone that requires dry dusting with a soft brush.

Avoid using liquids, damp cloths, or chemical cleaners, as moisture permanently damages the porous surface.

Where should I place a bust?

These sculptures suit sturdy mantelpieces, pedestals, or tabletops where adequate light highlights the carved details.

Keep pieces away from direct heat sources and humid environments to protect the integrity of the stone.

How do I date a piece?

Dating relies on stylistic clues, costume details, and signatures linking the sculpture to periods like the nineteenth century or the nineteen twenties.

Art Nouveau and Arts and Crafts influences help narrow the creation window to specific decades.

Are all busts signed?

Many fine sculptures carry signatures or inscriptions left by the original carver on the base or shoulder.

Unsigned works also appear frequently, reflecting the broader output of period workshops and anonymous artisans.

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