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Gold Spelter Figure

14 items

A gold spelter figure brings the decorative energy of the early twentieth century into a room through metallic casting finished in gilt.

£580
FOR SALE
lighting
£575
FOR SALE
sculptures
£595
FOR SALE
metal
£475
FOR SALE
lighting

Listings feature periods spanning from eighteen-sixty to nineteen-thirty, with Art Deco being the most prevalent style.

£345
FOR SALE
metal
£145
FOR SALE
metal
Sellingantiques  ·  Guide 1738622026/2027 edition

Gold Spelter Figure

A gold spelter figure brings the decorative energy of the early twentieth century into a room through metallic casting finished in gilt.

Introduction

Gold Spelter Figure

A gold spelter figure encompasses decorative sculptures, table lamps, and mantel clocks finished with a gilt or bronzed surface. These pieces range from nineteenth-century revival styles to the sleek lines of the twentieth century.

The version most commonly encountered on this page is the Art Deco figure from the nineteen-thirties, often mounted on an onyx or alabaster base. These depictions frequently portray female dancers, ice skaters, or allegorical subjects.

Earlier examples span French late nineteenth-century historicism, featuring pairs of harvesters or figural lamps by noted makers. The core of what is handled here relies on zinc-alloy casting given a golden metallic appearance to mimic bronze.

What sets them apart

What varies in quality

The choice and execution of the mounting base also determine distinction, with dense onyx and carved alabaster elevating the presence of the sculpture. Integration with functional elements, such as figural lamps or clock movements, separates standard decorative castings from workshop pieces bearing attribution.

The market

Gold Spelter Figure Retail Price Guide 2026

Entry-levelUnder £500
Typical prices£500 – £600
Premium examplesOver £600

Typical asking prices for gold spelter figure among the pieces listed under this phrase on Sellingantiques today, from the lower quarter to the upper quarter. They describe what is for sale here now, not the wider market.

From the Sellingantiques archive

Materials recorded across the inventory include spelter, onyx, brass, marble, gilt metal, fabric, zinc alloy, and wood.

Notable makers of gold spelter figure

E Rousseau·L & F Moreau·Josef Lorenzl·Phillipe H. Mourey

Terms antiques dealers use

The Gold Spelter Figure Glossary

Spelter
A zinc alloy commonly used as a cost-effective alternative to bronze for decorative statues and lamps during the nineteenth and twentieth centuries. It takes patination and gilding readily.
Gilt
A thin layer of gold or golden material applied to the surface of metal objects. This finish provides the characteristic metallic gleam seen on these figures.
Onyx
A banded variety of chalcedony frequently used as a heavy foundational base for figural sculptures and table lighters. It offers a polished stone contrast to the metallic figure above.
Art Deco
A design style prevalent during the nineteen-thirties characterised by stylised geometric forms and streamlined figures. Many figures from this period depict dancers and modern women.
Alabaster
A fine-grained mineral often carved into decorative bases for statues and lamps. Its translucent quality distinguishes it from denser marbles.
Questions people ask

Gold Spelter Figure: Frequently Asked Questions

What is spelter metal?

Spelter is a zinc-based alloy utilised extensively for decorative figures and lamps because it casts intricate details easily.

It provides a lighter and softer alternative to bronze while accepting various metallic finishes.

Are these figures solid gold?

These pieces are not solid gold, but rather cast in zinc alloy with a gilt or golden surface treatment.

The underlying metal is a base alloy designed to mimic the appearance of more expensive bronze or precious metals.

Why are they mounted on stone bases?

Onyx, marble, and alabaster bases provide necessary weight and stability to support the relatively soft zinc-alloy figures.

These stone mounts also enhance the visual contrast between the metallic sculpture and the polished natural material.

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