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ID #SA1244285
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£350
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A Set of 6 Large Mezzotints Signed Thomas G Appleton 1812-1884
For sale by Junk Antiques & Interiors
for sale €410     $445
£350
Junk Antiques & Interiors

Junk Antiques & Interiors

Sellingantiques Verified Since Dec 2020
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Id #SA1244285
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A Set of 6 Large Mezzotints Signed Thomas G Appleton 1812-1884

19th century
Description

A lovely set of large framed mezzotints of the Cries of London by Thomas Gold Appleton

Each signed in Pencil Thomas G Appleton

68 cm x 54 cm including the frames

In good condtion. Slight foxing to the mounts on 3

Mounted in Hogarth style frames

Date of Manufacture

Junk Antiques & Interiors has dated these Antique Framed Mezzotint Prints to the 19th Century.

Physical Dimensions
Height
68cm (26.77")
Width
54cm (21.26")
Reference Numbers
Sellingantiques Reference
SA1244285
Description
A lovely set of large framed mezzotints of the Cries of London by Thomas Gold Appleton

Each signed in Pencil Thomas G Appleton

68 cm x 54 cm including the frames

In good condtion. Slight foxing to the mounts on 3

Mounted in Hogarth style frames

Date of Manufacture

Junk Antiques & Interiors has dated these Antique Framed Mezzotint Prints to the 19th Century.

Height
68cm (26.77")
Width
54cm (21.26")
Reference Numbers
Sellingantiques Ref
SA1244285
Junk Antiques & Interiors
Junk Antiques & Interiors
Sellingantiques verified Since Dec 2020

Purveyors & collectors of decorative antiques

Dealer Profile

You can view the stock and full dealer information on the Junk Antiques & Interiors Profile Page

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A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings.
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Archive I A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings.

A Set of 6 Large Mezzotints Signed Thomas G Appleton 1812-1884

Archive II A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings. View II
Archive III A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings. View III
Archive IV A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings. View IV
Archive V A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings. View V
Archive VI A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings. View VI
Archive VII A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings. View VII
Archive VIII A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings. View VIII
Archive IX A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings. View IX
Archive X A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings. View X
Archive XI A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings. View XI
Archive XII A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings. View XII
Archive XIII A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings. View XIII
Archive XIV A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings. View XIV
Archive XV A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings. View XV
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Telephone 07772 579011
Location
Top floor
The Apiary
38 Borough Street
Castle Donington
Leicestershire
DE74 2LA
United Kingdom
Verified Since Dec 2020
Items For Sale 122
Junk Antiques & Interiors
Junk Antiques & Interiors
Verified Since Dec 2020
View Dealer Info
Location: Top floor, The Apiary, 38 Borough Street, Castle Donington, Leicestershire, DE74 2LA, United Kingdom
Verified
Dec 2020
For Sale
122
A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings.
A Set of 6 Large Mezzotints Signed Thomas G Appleton 1812-1884
Ref: SA1244285
A set of six uniformly framed 19th-century mezzotint prints depicting figurative scenes, mounted in wide cream passe-partouts within dark mouldings.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectFramed Art
  • Period19th century
  • StyleVictorian
  • MaterialPaper, Wood, Glass
  • ColourMonochrome and Cream
  • MotifsPlatemark impressions, Pencil signatures, Cream matting, Dark timber moulding
  • SizeH 68 cm (27 in) x W 54 cm (21 in)

This set of six 19th-century mezzotint prints depicts figurative Cries of London scenes after Francis Wheatley, each signed in pencil by Thomas Gold Appleton. The Victorian works are executed in monochrome ink on paper with platemark impressions, presented behind glass within wide cream passe-partout mounts showing slight foxing on three examples. They are housed in dark timber Hogarth-style moulding frames with visible corner mitres and subtle hanging wire suspension. Each framed picture measures 68 cm high by 54 cm wide. The arrangement is suited for display in an English Country House style interior, typically hung above a sideboard or along a hallway wall to bring period character to a traditional living space.

Mezzotint is an intaglio printmaking process that produces smooth tonal gradations without cross-hatching. Developed in the 17th century and widely refined during the 18th and 19th centuries, it allowed printmakers to reproduce oil paintings with subtle shading and deep shadow tones.

Historically, mezzotints were executed on copper or steel plates rocked with a serrated metal tool to create a burr. Ink was then applied and selectively wiped before being pressed onto heavy cotton rag paper, often framed under glass with protective matting.

Authentic period mezzotints display a distinct indented platemark around the image perimeter, velvety depth in shadow areas, fine paper grain, and sometimes pencil signatures or publisher details printed along the lower margin.

A set of six uniform prints is typically arranged in a structured two-by-three or three-by-two grid to create visual symmetry. This configuration works well above a sideboard, along a hallway, or framing a central architectural feature.

To preserve antique paper art, display prints away from direct sunlight and high humidity. Use acid-free mounting board and UV-filtering glass to prevent foxing, yellowing, and image fading over time.
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