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18th Century Portrait Painting of a Young Lady Attributed to Thomas Hudson (1701-1779)
Sold by Isherwood Fine Art
sold SA1064731
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Isherwood Fine Art

Isherwood Fine Art

Sellingantiques Verified Since Oct 2023
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  • About Us
    16th to 19th century old master, british and european paintings and sculpture, specialising in period portraiture. Member BADA, LAPADA.
  • Trade Associations
    Isherwood Fine Art is a registered member of LAPADA  BADA 
Id #SA1064731
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18th Century Portrait Painting of a Young Lady Attributed to Thomas Hudson (1701-1779)

18th century
Sold 16 September 2024 · Isherwood Fine Art
This “18th Century Portrait Painting of a Young Lady Attributed to Thomas Hudson (1701-1779)” found a buyer.

It was listed by Isherwood Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

Portrait of a young lady. wearing an ivory silk gown with gold brocade trim and a blue silk cloak, painted c. 1747. Circle of Thomas Hudson (1701-1779).

Oval oil on canvas laid on to board in a giltwood frame.

Provenance:

Frost & Reed Ltd, June 1958

Private collection, Somerset UK

The beautifully painted silk gown worn by the sitter bears the characteristics of the talented drapery painter Joseph Van Aken (c.1699-1749). Artists such as Thomas Hudson, Allan Ramsay, Henry Pickering, George Knapton and Joseph Highmore all used Aken’s exceptional talents in painting the silk clothes and accessories of their sitters after completing the faces and hands themselves.

Aken is believed to have been born in Antwerp but spent most of his career in England, initially specialising in genre scenes and ‘conversation pieces’ and gradually moving into drapery painting as demand grew for his services by important portraitists of the time. He became known as one of the foremost drapery painters in mid 18th century England.

Thomas Hudson was born in Exeter, Devon in 1701. He was a pupil of the artist Jonathan Richardson and married Richardson's daughter Mary in the early 1720's. Until Richardson`s retirement, Hudson painted portraits mainly in the west country, including Devon and Bath. His earliest portraits are documented in the accounts of the Courtenay family of Devon for 1728. On Richardson`s retirement, Hudson gained a number of his master`s clients and became more prominent in London. He collaborated with the Flemish artist Joseph Van Aken as his drapery painter and his work soon showed the influence of the portraits of Van Dyck. Hudson painted around 4,000 portraits during his career but only around 80 are known to be signed. Among his best-known portraits are 'Theodore Jacobsen' (1746, Thomas Coram Foundation, London', Lady Mary Andover' (1746, Ranger's House, Blackheath, London), 'Charles Spencer, 3rd Duke of Marlborough and his family'(c.1755, Blenheim Palace, Oxfordshire) and two portraits of George Frederic Handel (1748, Universitatbibliothek, Hamburg and NPG, London). His success attracted many apprentices, including Joshua Reynolds and Joseph Wright of Derby.

In 1770 after his retirement to Twickenham and the death of his wife he married Mary Fynes. He died in January 1779.

Physical Dimensions
Height
70cm (27.56")
Width
61cm (24.02")
Declaration

Isherwood Fine Art has dated this 18th Century Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1064731
Dealers Notes

Isherwood fine art

Description
Portrait of a young lady. wearing an ivory silk gown with gold brocade trim and a blue silk cloak, painted c. 1747. Circle of Thomas Hudson (1701-1779).

Oval oil on canvas laid on to board in a giltwood frame.

fig 1. An 18th-century oval oil portrait of a young lady in a white dress and blue wrap, set within a carved giltwood frame.
fig 1. 18th Century Portrait Painting of a Young Lady Attributed to Thomas Hudson (1701-1779)

Provenance:

Frost & Reed Ltd, June 1958

Private collection, Somerset UK

“
The beautifully painted silk gown worn by the sitter bears the characteristics of the talented drapery painter Joseph Van Aken (c.
Isherwood Fine Art

1699-1749). Artists such as Thomas Hudson, Allan Ramsay, Henry Pickering, George Knapton and Joseph Highmore all used Aken’s exceptional talents in painting the silk clothes and accessories of their sitters after completing the faces and hands themselves.

fig 2. An 18th-century oval oil portrait of a young lady in a white dress and blue wrap, set within a carved giltwood frame.
fig 2. 18th Century Portrait Painting of a Young Lady Attributed to Thomas Hudson (1701-1779)

Aken is believed to have been born in Antwerp but spent most of his career in England, initially specialising in genre scenes and ‘conversation pieces’ and gradually moving into drapery painting as demand grew for his services by important portraitists of the time. He became known as one of the foremost drapery painters in mid 18th century England.

Thomas Hudson was born in Exeter, Devon in 1701. He was a pupil of the artist Jonathan Richardson and married Richardson's daughter Mary in the early 1720's. Until Richardson`s retirement, Hudson painted portraits mainly in the west country, including Devon and Bath. His earliest portraits are documented in the accounts of the Courtenay family of Devon for 1728. On Richardson`s retirement, Hudson gained a number of his master`s clients and became more prominent in London. He collaborated with the Flemish artist Joseph Van Aken as his drapery painter and his work soon showed the influence of the portraits of Van Dyck. Hudson painted around 4,000 portraits during his career but only around 80 are known to be signed. Among his best-known portraits are 'Theodore Jacobsen' (1746, Thomas Coram Foundation, London', Lady Mary Andover' (1746, Ranger's House, Blackheath, London), 'Charles Spencer, 3rd Duke of Marlborough and his family'(c.1755, Blenheim Palace, Oxfordshire) and two portraits of George Frederic Handel (1748, Universitatbibliothek, Hamburg and NPG, London). His success attracted many apprentices, including Joshua Reynolds and Joseph Wright of Derby.

In 1770 after his retirement to Twickenham and the death of his wife he married Mary Fynes. He died in January 1779.

Height
70cm (27.56")
Width
61cm (24.02")
Date of Manufacture

Isherwood Fine Art has dated this 18th Century Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1064731
Isherwood Fine Art
Isherwood Fine Art
Sellingantiques verified Since Oct 2023

16th to 19th century old master, british and european paintings and sculpture, specialising in period portraiture. Member BADA, LAPADA.

Dealer Profile

You can view the stock and full dealer information on the Isherwood Fine Art Profile Page

Trade Associations

Isherwood Fine Art is a registered member of LAPADA  BADA 

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An 18th-century oval oil portrait of a young lady in a white dress and blue wrap, set within a carved giltwood frame. SOLD6+ MONTHS AGO
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Archive I An 18th-century oval oil portrait of a young lady in a white dress and blue wrap, set within a carved giltwood frame. SOLD6+ MONTHS AGO

18th Century Portrait Painting of a Young Lady Attributed to Thomas Hudson (1701-1779)

Archive II An 18th-century oval oil portrait of a young lady in a white dress and blue wrap, set within a carved giltwood frame. View II
Archive III An 18th-century oval oil portrait of a young lady in a white dress and blue wrap, set within a carved giltwood frame. View III
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Telephone 07984 699799
Location
Bath
Somerset
United Kingdom

By appointment only.

Viewing in London by appointment.
Verified Since Oct 2023
Items For Sale 38
Items Sold 37
Isherwood Fine Art
Isherwood Fine Art
Verified Since Oct 2023
View Dealer Info
Location: Bath, Somerset, United Kingdom, , By appointment only., , Viewing in London by appointment.
Verified
Oct 2023
For Sale
38
Sold
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An 18th-century oval oil portrait of a young lady in a white dress and blue wrap, set within a carved giltwood frame.
18th century portrait painting of a young lady attributed to Thomas Hudson (1701-1779)
Ref: SA1064731
An 18th-century oval oil portrait of a young lady in a white dress and blue wrap, set within a carved giltwood frame.
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period18th century
  • StyleGeorgian
  • MaterialOil on canvas, gilt wood
  • ColourGold
  • MotifsOval canvas format, Carved gilt frame, Period costume attire
  • SizeH 70 cm (28 in) x W 61 cm (24 in)

Eighteenth-century British portraiture is characterised by a focus on realism, elegance, and social status, heavily influenced by portraitists like Sir Joshua Reynolds and Thomas Hudson.

These works were typically executed in oil paint applied to stretched linen canvas, housed within carved and gilded wooden frames.

Authentication involves examining the canvas weave, craquelure patterns, pigment composition under analysis, and stretcher construction, alongside provenance research.

Pairing historical oil paintings with contemporary furnishings creates a sophisticated juxtaposition that adds depth and character to modern spaces.

Keep paintings away from direct sunlight and dramatic fluctuations in temperature and humidity, and avoid touching the canvas surface.
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