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Large 18th Century Portrait Oil Painting of a Chestnut Horse at the Entrance to Stables
Sold by Isherwood Fine Art
sold SA1024719
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Isherwood Fine Art

Isherwood Fine Art

Sellingantiques Verified Since Oct 2023
Browse dealers 38 items
  • About Us
    16th to 19th century old master, british and european paintings and sculpture, specialising in period portraiture. Member BADA, LAPADA.
  • Trade Associations
    Isherwood Fine Art is a registered member of LAPADA  BADA 
Id #SA1024719
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Large 18th Century Portrait Oil Painting of a Chestnut Horse at the Entrance to Stables

18th century
Sold 30 August 2024 · Isherwood Fine Art
This “Large 18th Century Portrait Oil Painting of a Chestnut Horse at the Entrance to Stables” found a buyer.

It was listed by Isherwood Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

A saddled chestnut hunter tethered to a post at the entrance to stables with a wooded landscape and a hill beyond. Signed and dated lower left, 'T. Beach pt., 1785'.

Provenance:

Anonymous sale, London, Christie's 28 May 1999. lot 15

Thomas Beach was essentially known as a portrait artist and the present painting is a rare example of his skill as an animal painter. His ability to convey a sense of the character of his sitters is evident here in the remarkably sensitive portrayal of the horse's expression.

Beach painted the UK's main horse auctioneer and founder of 'Tattersalls' Richard Tattersall (1724-1795) on two occasions, including one with his famous horse 'Highflyer' in the background. The horse in this particular painting could possibly have been another prize horse belonging to Tattersall or one of his close associates or patrons such as the Duke of Kingston.

Thomas Beach RA (Milton Abbas, Dorset 1738-1806 Dorchester) was a British portrait artist who studied under Joshua Reynolds. Whilst at school in Abbey Milton (now known as Milton Abbas), Beach's talent came to the attention of Lord Milton, a governor of the school, who sent him to London in 1760 to be a pupil of Joshua Reynolds and he became a student at the Academy of Painting in St Martin's Lane.

From London, he moved to Bath where he established a very successful and busy portrait practice, living and working at no.2 Westgate street. From here in 1772, he sent three portraits to the Exhibition of the Incorporated Society of Artists.

By 1785 he was back in London, living in St James' Square and he exhibited at the Royal Academy in London every year from then until 1790 and again in 1797 with a portrait of the Prince of Wales (later George IV) when he had moved to Strand on the Green near Kew. Some of Beach's well-known sitters included members of the Helyar family of Coker Court, Dorset (1760's), members of the Penruddocke family of Compton Park, Wiltshire, Elizabeth, Lady Craven with a harp (1776), Richard Tattersall, horse auctioneer and founder of 'Tattersalls' (1787), William Woodfall, the dramatic critic and parliamentary reporter (1782, now in the NPG London), and around twelve known portraits of the famous actress Mrs Siddons with whom he remained friends for the rest of his life.

Beach's last recorded work was a self-portrait painted in 1802 and with his health ailing, he retired to Dorset where he died in 1806 aged 68.

Literature:

E.S. Beach, Thomas Beach, a Dorset portrait painter, favourite pupil of Sir Joshua Reynolds, 1934.

Physical Dimensions
Height
122.7cm (48.31")
Width
150cm (59.06")
Declaration

Isherwood Fine Art has dated this 18th Century Horse Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1024719
Dealers Notes

Isherwood fine art

Description
A saddled chestnut hunter tethered to a post at the entrance to stables with a wooded landscape and a hill beyond. Signed and dated lower left, 'T. Beach pt., 1785'.

Provenance:

Anonymous sale, London, Christie's 28 May 1999. lot 15

“
Thomas Beach was essentially known as a portrait artist and the present painting is a rare example of his skill as an animal painter.
Isherwood Fine Art

His ability to convey a sense of the character of his sitters is evident here in the remarkably sensitive portrayal of the horse's expression.

fig 1. An 18th-century oil painting depicting a chestnut horse standing outside a stable, set inside a heavy gilded frame.
fig 1. Large 18th Century Portrait Oil Painting of a Chestnut Horse at the Entrance to Stables

Beach painted the UK's main horse auctioneer and founder of 'Tattersalls' Richard Tattersall (1724-1795) on two occasions, including one with his famous horse 'Highflyer' in the background. The horse in this particular painting could possibly have been another prize horse belonging to Tattersall or one of his close associates or patrons such as the Duke of Kingston.

fig 2. An 18th-century oil painting depicting a chestnut horse standing outside a stable, set inside a heavy gilded frame.
fig 2. Large 18th Century Portrait Oil Painting of a Chestnut Horse at the Entrance to Stables

Thomas Beach RA (Milton Abbas, Dorset 1738-1806 Dorchester) was a British portrait artist who studied under Joshua Reynolds. Whilst at school in Abbey Milton (now known as Milton Abbas), Beach's talent came to the attention of Lord Milton, a governor of the school, who sent him to London in 1760 to be a pupil of Joshua Reynolds and he became a student at the Academy of Painting in St Martin's Lane.

fig 3. An 18th-century oil painting depicting a chestnut horse standing outside a stable, set inside a heavy gilded frame.
fig 3. Large 18th Century Portrait Oil Painting of a Chestnut Horse at the Entrance to Stables

From London, he moved to Bath where he established a very successful and busy portrait practice, living and working at no.2 Westgate street. From here in 1772, he sent three portraits to the Exhibition of the Incorporated Society of Artists.

fig 4. An 18th-century oil painting depicting a chestnut horse standing outside a stable, set inside a heavy gilded frame.
fig 4. Large 18th Century Portrait Oil Painting of a Chestnut Horse at the Entrance to Stables

By 1785 he was back in London, living in St James' Square and he exhibited at the Royal Academy in London every year from then until 1790 and again in 1797 with a portrait of the Prince of Wales (later George IV) when he had moved to Strand on the Green near Kew. Some of Beach's well-known sitters included members of the Helyar family of Coker Court, Dorset (1760's), members of the Penruddocke family of Compton Park, Wiltshire, Elizabeth, Lady Craven with a harp (1776), Richard Tattersall, horse auctioneer and founder of 'Tattersalls' (1787), William Woodfall, the dramatic critic and parliamentary reporter (1782, now in the NPG London), and around twelve known portraits of the famous actress Mrs Siddons with whom he remained friends for the rest of his life.

fig 5. An 18th-century oil painting depicting a chestnut horse standing outside a stable, set inside a heavy gilded frame.
fig 5. Large 18th Century Portrait Oil Painting of a Chestnut Horse at the Entrance to Stables

Beach's last recorded work was a self-portrait painted in 1802 and with his health ailing, he retired to Dorset where he died in 1806 aged 68.

Literature:

E.S. Beach, Thomas Beach, a Dorset portrait painter, favourite pupil of Sir Joshua Reynolds, 1934.

Height
122.7cm (48.31")
Width
150cm (59.06")
Date of Manufacture

Isherwood Fine Art has dated this 18th Century Horse Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1024719
Isherwood Fine Art
Isherwood Fine Art
Sellingantiques verified Since Oct 2023

16th to 19th century old master, british and european paintings and sculpture, specialising in period portraiture. Member BADA, LAPADA.

Dealer Profile

You can view the stock and full dealer information on the Isherwood Fine Art Profile Page

Trade Associations

Isherwood Fine Art is a registered member of LAPADA  BADA 

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An 18th-century oil painting depicting a chestnut horse standing outside a stable, set inside a heavy gilded frame. SOLD6+ MONTHS AGO
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Archive I An 18th-century oil painting depicting a chestnut horse standing outside a stable, set inside a heavy gilded frame. SOLD6+ MONTHS AGO

Large 18th Century Portrait Oil Painting of a Chestnut Horse at the Entrance to Stables

Archive II An 18th-century oil painting depicting a chestnut horse standing outside a stable, set inside a heavy gilded frame. View II
Archive III An 18th-century oil painting depicting a chestnut horse standing outside a stable, set inside a heavy gilded frame. View III
Archive IV An 18th-century oil painting depicting a chestnut horse standing outside a stable, set inside a heavy gilded frame. View IV
Archive V An 18th-century oil painting depicting a chestnut horse standing outside a stable, set inside a heavy gilded frame. View V
Archive VI An 18th-century oil painting depicting a chestnut horse standing outside a stable, set inside a heavy gilded frame. View VI
Enlarged Archival View
Telephone 07984 699799
Location
Bath
Somerset
United Kingdom

By appointment only.

Viewing in London by appointment.
Verified Since Oct 2023
Items For Sale 38
Items Sold 37
Isherwood Fine Art
Isherwood Fine Art
Verified Since Oct 2023
View Dealer Info
Location: Bath, Somerset, United Kingdom, , By appointment only., , Viewing in London by appointment.
Verified
Oct 2023
For Sale
38
Sold
37
An 18th-century oil painting depicting a chestnut horse standing outside a stable, set inside a heavy gilded frame.
Large 18th century portrait oil painting of a chestnut horse at the entrance to stables
Ref: SA1024719
An 18th-century oil painting depicting a chestnut horse standing outside a stable, set inside a heavy gilded frame.
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period18th century
  • StyleGeorgian
  • MaterialOil paint, linen canvas, carved wood, gilt gesso
  • ColourWarm Brown
  • MotifsEquestrian subject, Stable backdrop, Gilded frame, Pastoral landscape
  • SizeH 122.7 cm (48 in) x W 150 cm (59 in)

Eighteenth-century equestrian art typically focuses on realistic portrayals of prized horses, often depicted in pastoral landscapes or stable settings with meticulous attention to anatomical detail and noble posture.

Authentic period pieces were executed using oil paints on stretched linen canvas, housed within heavy, hand-carved and gilded wooden frames.

Authentication involves examining the canvas weave, craquelure patterns in the oil paint, stretcher frame construction, and artist signatures or historical gallery labels on the reverse.

This artwork can serve as a striking focal point above a fireplace mantelpiece or within a traditional study, creating contrast when paired with minimalist modern furnishings.

Preservation requires maintaining stable temperature and humidity levels, avoiding direct sunlight to prevent fading, and dusting gently with a soft, dry brush without applying chemical cleaners.
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