Skippings Fine Arts has dated this piece to the 1940s.
Vigny had arrived in France in 1929, aged 27.

This is where the work presented here was painted, in circa 1940.
Sylvain Vigny notably exhibited in New York with Douthitt Gallery in 1938, and at at the mythical Galerie Bernheim Jeune, Paris, in 1948.

Retrospectives have been held at the Château-Musée de Cagnes-sur-Mer in 1988 and at the Petit Palais in Geneva 1989.
Mattia Melzi, who curated the exhibition "Sylvain Vigny, rediscovering a talent" in Milan et Washington in March 2014, writes about the artist:

« Vigny's works, with its strong brush strokes, are charged with pathos and mystery; in his landscapes we find seated figures on the seaside, groups of men walking with apparent no direction as a hint of uncertainty towards the future and a particular yet disturbing choice of colours. Dark skies and mud coloured seas are a surrealistic representation of reality, which takes us in parallel worlds of imagination made of distress and anxiety. The beauty of these works resides in the power they emanate, the dark charge of mystery that surrounds the canvas and the thick layer of oil applied on it. »

While Vigny's art makes us instinctively understand that the artist's haunted nature, it is also characterised by great warmth and is immensely humane.
Works by Vigny are in the collections of the National Museum of Modern Art/Pompidou Center in Paris, the Musée Massena in Nice, the Fine Arts Museum of Menton, the

Musée national d'histoire et d'art in Luxembourg and in the Lentos Kunstmuseum in Linz/Austria.
Our oil on board laid on to board measures 38 x 55 cm and is signed at the lower left. You will forgive an old vertical crack in the board at the lower left which has been restored but remains visible viewed from certain angles.
The overall size including the original wooden frame is 55 x 72 cm.
Skippings Fine Arts has dated this piece to the 1940s.
Modern french & continental pictures selected by a former french auction house expert
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