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ID #SA914134
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£950
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George Graham "Haymaking" Watercolour
McTague of Harrogate
for sale €1,112     $1,207
£950
McTague of Harrogate

McTague of Harrogate

Sellingantiques Verified Since Apr 2011
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  • About Us
    Mctague of harrogate are yorkshire based dealers in old pictures. Please see website mctague.co.uk
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    McTague of Harrogate is a registered member of BADA 
Id #SA914134
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George Graham "Haymaking" Watercolour

1900 - 1920
Description

George Graham was born in Leeds in 1881 and took drawing lessons at Leeds School of Art and later studied painting in London under Sir Frank Brangwyn and Sir William Nicholson. He exhibited oil paintings and watercolours at the Royal Academy 1908-1947, the Royal Scottish Academy from 1916, the New English Art Club from 1938 and at many other Galleries throughout the U.K.. George Graham settled at Winchelsea Beach in the early 1920s designing and building a house in 1922 that he called Salt Dykes and where he died in 1949.

"Haymaking" is a lovely example of his work. Measuring 12"x 16" the picture is signed lower right and is mounted and framed giving an overall size of 19"x 23".

Physical Dimensions
Height
49cm (19.29")
Width
60cm (23.62")
Depth
3cm (1.18")
Declaration

McTague of Harrogate has dated this George Graham Watercolour Landscape to the 1910s.

Reference Numbers
Sellingantiques Reference
SA914134
Dealers Notes

Please note the shop is now open by appointment.

Free delivery mainland UK on any item.

Please telephone Paul 07885 108190

Description
George Graham was born in Leeds in 1881 and took drawing lessons at Leeds School of Art and later studied painting in London under Sir Frank Brangwyn and Sir William Nicholson.
He exhibited oil paintings and watercolours at the Royal Academy 1908-1947, the Royal Scottish Academy from 1916, the New English Art Club from 1938 and at many other Galleries throughout the U.
McTague of Harrogate

K.. George Graham settled at Winchelsea Beach in the early 1920s designing and building a house in 1922 that he called Salt Dykes and where he died in 1949.

"Haymaking" is a lovely example of his work. Measuring 12"x 16" the picture is signed lower right and is mounted and framed giving an overall size of 19"x 23".

Height
49cm (19.29")
Width
60cm (23.62")
Depth
3cm (1.18")
Date of Manufacture

McTague of Harrogate has dated this George Graham Watercolour Landscape to the 1910s.

Reference Numbers
Sellingantiques Ref
SA914134
McTague of Harrogate
McTague of Harrogate
Sellingantiques verified Since Apr 2011

Mctague of harrogate are yorkshire based dealers in old pictures. Please see website mctague.co.uk

Dealer Profile

You can view the stock and full dealer information on the McTague of Harrogate Profile Page

Trade Associations

McTague of Harrogate is a registered member of BADA 

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A 1920s watercolour painting depicting agricultural workers and horses in a field framed by large leafy trees under a cloudy sky.
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Archive I A 1920s watercolour painting depicting agricultural workers and horses in a field framed by large leafy trees under a cloudy sky.

George Graham "Haymaking" watercolour

Archive II A 1920s watercolour painting depicting agricultural workers and horses in a field framed by large leafy trees under a cloudy sky. View II
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Telephone 07885 108190
Location
North Yorkshire
United Kingdom

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Verified Since Apr 2011
Items For Sale 255
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McTague of Harrogate
McTague of Harrogate
Verified Since Apr 2011
View Dealer Info
Location: North Yorkshire, United Kingdom, , Viewing by appointment.,
Verified
Apr 2011
For Sale
255
Sold
1,179
A 1920s watercolour painting depicting agricultural workers and horses in a field framed by large leafy trees under a cloudy sky.
George Graham "Haymaking" watercolour
Ref: SA914134
A 1920s watercolour painting depicting agricultural workers and horses in a field framed by large leafy trees under a cloudy sky.
Detail View 1
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Early twentieth-century British watercolour landscapes often combined impressionistic brushwork with traditional pastoral subject matter. Artists focused on atmospheric light, rapid plein-air execution, and depicting working rural life before widespread industrialisation.

Artists utilised water-based pigments suspended in gum arabic applied to heavy cotton rag or cellulose paper. The natural texture and tone of the paper provided the light background, with washes layered from light to dark tones.

Authentic works typically feature hand signatures and dates near the bottom edges, period-appropriate paper age showing subtle uniform toning, and fluid brushwork without mechanical dot patterns or modern synthetic pigment brightness.

Mount the artwork inside a clean-lined wooden or gilt frame with an acid-free double mount. Placing the piece above contemporary low-profile furniture creates a balanced contrast between historic artwork and modern lines.

Display the artwork away from direct sunlight and high humidity. Frame the piece using UV-protective museum glass and 100% acid-free backing materials to prevent fading and foxing over time.
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