Georgian Oil Portrait Painting 18th Century

FURTHER BROWSING

Visitors also looked at these ⇣

Henry Singleton Ra 1766-1839 "The Industrious Cottage Wife"

19th Century

Francis Alleyne, 1750 - 1815 Nathaniel Clifton Md 1751-1822, & His Daughter Sophia (1779-1835) Seated at a Spinet

18th Century

Philip Mercier, 1689-1760 Portrait of a Lady in a Silver Dress with Gold Braided Tassles & a Blue Gown

18th Century

Francis Alleyne, 1750 - 1815 Portrait of an Elegant Lady in a White Dress Book and a Spaniel by Her Side

Regency

George Clint, 1770 – 854 Portrait of Edmund Kean 1787-1833 as Richard III with the Duke of Buckingham

18th Century

18th Century Portrait

18th Century

Portrait of a Servant After William Jones of Bath C.1800

1800

18th Century Horse Painting Oil on Pine Panel Signed W Williams Pinxit 1791 Attributed William Williams (1727–1791)

18th Century

Large 18th Century Portrait of a Girl

18th Century

18th Century Oil Painting Charles Stanhope Third Earl of Harrington

18th Century

William Tate 1747-1806 Boy Blowing Bladder After Joseph Wright of Derby

18th Century

Attributed to Alan Ramsay 1712-1784 Portrait of Reverend Patrick Bennet 1705-1783 , Minister of Polmont, Stirlingshire oil on Canvas 77 X 64 Cm

18th Century

Strictly Vetted Dealers

Secure Transit

Cataloguer’s Note

Sustainable Choice

Frequently Asked Questions

Strictly Vetted Dealers

Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.

Secure Transit

Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.

The Sustainable Choice

Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Cataloguer’s note

Written by Sellingantiques from the dealer’s photographs and listing

ObjectOil Painting
Period18th century
StyleGeorgian
MaterialOil on Canvas
ColourRed
MotifsArtists palette, Wide-brimmed hat, Red frock coat, White cravat
SizeH 76 cm (30 in) x W 64 cm (25 in) x D 2.5 cm (1 in)

This oil painting is an 18th-century Georgian portrait depicting a young male artist wearing a red frock coat, a white cravat, and a wide-brimmed black hat, holding a painter's palette with brushes. Rendered in oil on canvas, the piece presents a striking palette dominated by vibrant red, crisp white, and deep black tones against a dark background, showcasing visible craquelure and aged surface wear appropriate for its period. The canvas measures 76 cm high, 64 cm wide, and 2.5 cm deep. Positioned in a gentleman's library or study, this artwork hangs effectively above the mantel as a focal point. The composition captures the artist at age 23, presenting a traditional bust-length view directed toward the viewer. The subdued lighting highlights the facial features, the fabric folds of the white cravat, and the textured surface of the red coat, creating a classic display for period interiors.

FAQs

Late 18th-century British portraiture is defined by elegant draughtsmanship, rich colour palettes, and dramatic light-and-shadow techniques influence by classical European masters. Sitters were frequently rendered with personal attributes, such as artist palettes or books, signifying their status or profession.

Artists during this period primarily used hand-ground mineral and organic pigments bound in linseed oil, applied to woven linen canvases framed on timber stretchers.

Authenticity is verified through examining natural age-related craquelure, stretcher patterns, reverse side canvas oxidisation, period-appropriate pigments, and documented provenance or signatures.

A historical oil portrait creates visual contrast when hung above a modern mantelpiece or integrated into an eclectic gallery wall alongside traditional picture lighting.

Keep the painting in a climate-controlled environment away from direct sunlight, excess humidity, and direct heat sources. Surface cleaning should only be undertaken by a professional fine art conservator.

Artware Fineart

John Raphael Smith, 1752 - 1812 Self Portrait of John Raphael Smith 1752-1812 Aged 23

Visitors also looked at these ⇣

Henry Singleton Ra 1766-1839 "The Industrious Cottage Wife"

Francis Alleyne, 1750 - 1815 Nathaniel Clifton Md 1751-1822, & His Daughter Sophia (1779-1835) Seated at a Spinet

Philip Mercier, 1689-1760 Portrait of a Lady in a Silver Dress with Gold Braided Tassles & a Blue Gown

Francis Alleyne, 1750 - 1815 Portrait of an Elegant Lady in a White Dress Book and a Spaniel by Her Side