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ID #SA1103452
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£3,500
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Oil Painting Lieutenant General John Manners Marquess of Granby
Cheshire Antiques Consultant Ltd
for sale €4,095     $4,445
£3,500
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

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Oil Painting Lieutenant General John Manners Marquess of Granby

19th century
Description

1 Military British 19th Century Oil Painting Lieutenant General John Manners Marquess of Granby Up Relieving Sick Soldier After Edward Penny.

Title “Lieutenant General John Manners Marquess of Granby Relieving Sick Soldier.” After Edward Penny C19th Century.

Subject front profile view of Lieutenant General John Manners Marquess of Granby, in his dark blue military uniform and wearing tricorne hat, he is up on his horse who is slowing trotting along the path in the countryside gracefully heading towards a sick soldier who is sitting on the floor resting with his back against a dirt bank in pain, his rifle is by his side. A woman with 2 children is by him and is looking concerned. The Marquess Grandy is looking on to relieve the ill soldier from his watch duty. Above is a tree on the raised bank.

In the style of after Edward Penny.

Unsigned British school artist.

In our opinion this such a fine work.

Circa mid 19th century early Victorian era.

Medium is oil on board.

Frame is a good display size being 40.5 cm wide and 32 cm high.

Having such beautiful detail.

Set in the traditional original gilt frame.

Biography of Lieutenant-General John Manners, Marquess of Granby PC (2 January 1721 – 18 October 1770) was a British Army officer, politician and nobleman. John Manners was born in Kelham, Nottinghamshire on 2 January 1721. He was the eldest son of John Manners, 3rd Duke of Rutland and his wife, Lady Bridget Manners (née Sutton). Since he did not outlive his father and inherit the dukedom. Manners was known by his father's subsidiary title, Marquess of Granby.

Manners was educated at Eton College, graduating from there in 1732 before attending Trinity College, Cambridge, where he graduated in 1738. In 1740, Manners travelled through Europe as part of the Grand Tour, visiting Italy and the Ottoman Empire before returning in 1742. In 1741, he was elected as member of parliament for the pocket borough of Grantham. Though the municipality was a market town.

He served in the military during the Jacobite rising of 1745 and the Seven Years' War, being subsequently rewarded with the post of Commander-in-Chief of the Forces. Manners was popular with the troops who served under him and many British pubs are still named after him today. Granby died in Scarborough, North Yorkshire on 18 October 1770. The outpouring of grief was real and sustained. Source The Oxford Illustrated History of the British Army page 109.

Biography of Edward Penny RA (1 August 1714 – 16 November 1791) was an English portrait and historical painter, one of the founder members of the Royal Academy. He one of the twin elder sons of Robert Penny, surgeon, by Clare, daughter of William Trafford, of Swythamley, Staffordshire, and was born at Knutsford, Cheshire in 1714. He was sent to London and placed under the tuition of Thomas Hudson; later he went to Rome and studied under Marco Benefial.

He returned to England about 1748, and began his professional career by painting small whole-lengths; later he painted more demanding subjects. Penny appears to have joined the Incorporated Society of Artists in 1762; but with Benjamin West, Richard Wilson, and others, then withdrew because of internal frictions. In December 1768 he was nominated one of the foundation members of the Royal Academy of Arts, and its first professor of painting. He then ceased to exhibit, and was obliged by ill-health to resign the professorship of painting, in which he was succeeded by James Barry.

Penny died at Chiswick on 16 November 1791, and was buried with his wife at Chessington, Surrey. His paintings fetch up to $23,896 US Dollars & have been exhibited at galleries, museums & auction houses worldwide.

With hanging thread on the back ready for immediate home display.

We only select & sell paintings based upon subject, quality & significance.

We provide our clients with friend

Physical Dimensions
Height
32cm (12.60")
Width
40.5cm (15.94")
Depth
5cm (1.97")
Declaration

Cheshire Antiques Consultant Ltd has dated this Georgian Equestrian Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1103452
Dealers Internal Reference
619
Dealers Notes

Delivery shipping information

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Description
1 Military British 19th Century Oil Painting Lieutenant General John Manners Marquess of Granby Up Relieving Sick Soldier After Edward Penny.

Title “Lieutenant General John Manners Marquess of Granby Relieving Sick Soldier.” After Edward Penny C19th Century.

fig 1. An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame.
fig 1. Oil Painting Lieutenant General John Manners Marquess of Granby

Subject front profile view of Lieutenant General John Manners Marquess of Granby, in his dark blue military uniform and wearing tricorne hat, he is up on his horse who is slowing trotting along the path in the countryside gracefully heading towards a sick soldier who is sitting on the floor resting with his back against a dirt bank in pain, his rifle is by his side. A woman with 2 children is by him and is looking concerned. The Marquess Grandy is looking on to relieve the ill soldier from his watch duty. Above is a tree on the raised bank.

fig 2. An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame.
fig 2. Oil Painting Lieutenant General John Manners Marquess of Granby

In the style of after Edward Penny.

Unsigned British school artist.

In our opinion this such a fine work.

Circa mid 19th century early Victorian era.

Medium is oil on board.

Frame is a good display size being 40.5 cm wide and 32 cm high.

fig 3. An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame.
fig 3. Oil Painting Lieutenant General John Manners Marquess of Granby

Having such beautiful detail.

Set in the traditional original gilt frame.

Biography of Lieutenant-General John Manners, Marquess of Granby PC (2 January 1721 – 18 October 1770) was a British Army officer, politician and nobleman.
Cheshire Antiques Consultant Ltd

John Manners was born in Kelham, Nottinghamshire on 2 January 1721. He was the eldest son of John Manners, 3rd Duke of Rutland and his wife, Lady Bridget Manners (née Sutton). Since he did not outlive his father and inherit the dukedom. Manners was known by his father's subsidiary title, Marquess of Granby.

fig 4. An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame.
fig 4. Oil Painting Lieutenant General John Manners Marquess of Granby

Manners was educated at Eton College, graduating from there in 1732 before attending Trinity College, Cambridge, where he graduated in 1738. In 1740, Manners travelled through Europe as part of the Grand Tour, visiting Italy and the Ottoman Empire before returning in 1742. In 1741, he was elected as member of parliament for the pocket borough of Grantham. Though the municipality was a market town.

fig 5. An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame.
fig 5. Oil Painting Lieutenant General John Manners Marquess of Granby

He served in the military during the Jacobite rising of 1745 and the Seven Years' War, being subsequently rewarded with the post of Commander-in-Chief of the Forces. Manners was popular with the troops who served under him and many British pubs are still named after him today. Granby died in Scarborough, North Yorkshire on 18 October 1770. The outpouring of grief was real and sustained. Source The Oxford Illustrated History of the British Army page 109.

fig 6. An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame.
fig 6. Oil Painting Lieutenant General John Manners Marquess of Granby

Biography of Edward Penny RA (1 August 1714 – 16 November 1791) was an English portrait and historical painter, one of the founder members of the Royal Academy. He one of the twin elder sons of Robert Penny, surgeon, by Clare, daughter of William Trafford, of Swythamley, Staffordshire, and was born at Knutsford, Cheshire in 1714. He was sent to London and placed under the tuition of Thomas Hudson; later he went to Rome and studied under Marco Benefial.

fig 7. An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame.
fig 7. Oil Painting Lieutenant General John Manners Marquess of Granby

He returned to England about 1748, and began his professional career by painting small whole-lengths; later he painted more demanding subjects. Penny appears to have joined the Incorporated Society of Artists in 1762; but with Benjamin West, Richard Wilson, and others, then withdrew because of internal frictions. In December 1768 he was nominated one of the foundation members of the Royal Academy of Arts, and its first professor of painting. He then ceased to exhibit, and was obliged by ill-health to resign the professorship of painting, in which he was succeeded by James Barry.

fig 8. An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame.
fig 8. Oil Painting Lieutenant General John Manners Marquess of Granby

Penny died at Chiswick on 16 November 1791, and was buried with his wife at Chessington, Surrey. His paintings fetch up to $23,896 US Dollars & have been exhibited at galleries, museums & auction houses worldwide.

With hanging thread on the back ready for immediate home display.

We only select & sell paintings based upon subject, quality & significance.

We provide our clients with friend

Height
32cm (12.60")
Width
40.5cm (15.94")
Depth
5cm (1.97")
Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Georgian Equestrian Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1103452
Dealers Internal Ref
619
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame.
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Archive I An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame.

Oil Painting Lieutenant General John Manners Marquess of Granby

Archive II An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View II
Archive III An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View III
Archive IV An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View IV
Archive V An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View V
Archive VI An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View VI
Archive VII An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View VII
Archive VIII An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View VIII
Archive IX An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View IX
Archive X An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View X
Archive XI An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XI
Archive XII An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XII
Archive XIII An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XIII
Archive XIV An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XIV
Archive XV An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XV
Archive XVI An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XVI
Archive XVII An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XVII
Archive XVIII An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XVIII
Archive XIX An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XIX
Archive XX An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XX
Archive XXI An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XXI
Archive XXII An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XXII
Archive XXIII An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XXIII
Archive XXIV An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XXIV
Archive XXV An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XXV
Archive XXVI An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XXVI
Archive XXVII An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XXVII
Archive XXVIII An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XXVIII
Archive XXIX An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XXIX
Archive XXX An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame. View XXX
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Cheshire Antiques Consultant Ltd
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Location: 71-75 Shelton Street, Covent Garden, London, WC2H 9JQ, United Kingdom, , By appointment
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An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame.
Oil Painting Lieutenant General John Manners Marquess of Granby
Ref: SA1103452
An eighteenth-century style oil painting depicting a military equestrian rider and figures in an expansive countryside landscape, framed in a heavy gilded frame.
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Georgian equestrian portraiture arose in the eighteenth century, focusing on detailed depictions of horses, military figures, and nobility set against countryside landscapes. These works reflected status, military prestige, and country pursuits through formal composition and naturalistic lighting.

Paintings from this era typically utilized oil pigments mixed with natural drying oils, applied onto linen canvas or timber panels. Frames were constructed from carved timber and composition plaster, finished with hand-applied gold leaf over a clay bole ground.

Authentic period works display age-appropriate craquelure patterns across the varnish and paint layers, hand-cut timber stretcher frames, and natural oxidisation on the canvas reverse. Gilded frames often show red bole undercoats emerging through high-point wear on the gold leaf.

Mount the artwork above a mantelpiece or dark timber sideboard to create a focal point within a room. Combine with classic architectural elements, muted wall tones, or traditional furniture to complement the historic nature of the piece.

Display the painting away from direct sunlight, dampness, and localized heat sources to prevent cracking or warping. Dust the frame gently with a soft dry brush and avoid using chemical liquids or water on the painted surface or gilded frame.
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