48,025  PAGES BROWSED TODAY PAGES TODAY 165 ANTIQUES UPLOADED TODAYNEW ARRIVALS
165 ITEMS ADDED TODAY
Sort Order
Items Per Page
Browse Categories
Sort order
Relevant Links
Items per page
ID #SA835825
FOR SALE
£2,850
Email Phone
Save
William Kay Blacklock. "Harvesting". Landscape Oil Painting.
For sale by William Greenwood Fine Art
Id #SA835825
PDF SHARE
SAVE

William Kay Blacklock. "Harvesting". Landscape Oil Painting.

1900 - 1920
Description

Artist: William Kay Blacklock A.R.C.A. (1872-1924).

Title: "Harvesting the Crop".

Signed. Circa 1910. Oil on canvas.

Size: 18"x 23 1/2". Framed size: 25"x 31". Now in very good ready to hang condition . Free UK delivery.

For more info please contact us at:

Tel: 01677 424830.

Mob: 07885 175279.

Email: williamgreenwoodfineart@gmail.com

Trade enquiries welcome.

William Kay BLACKLOCK (1872—1924) The artist is known to have died at Polperro and is buried there (registration district of Liskeard). He studied at the School of Art in Edinburgh, and at the Royal College of Art in London. In 1909 he married Ellen Eliza RICHARDSON (also known as 'Nellie') who was also to become his model for a series of paintings from 1910-1917, and who was an artist in her own right, painting and exhibiting her work at the RA. The couple set up their first home together in Chelsea, London, but shortly thereafter moved on to Walberswick in Suffolk where there was an active artists' community working.

W Kay Blacklock, as he signed his paintings, probably also painted in Holland as the subjects and titles of his paintings reveal, and his subject matter and style is akin, and reminds of Elizabeth FORBES. Born in Sunderland, in 1872, the artist was the second son of John Blacklock, engine fitter, and his wife Isabella née Blackett, who married at Sunderland in 1770. In the 1881 Census, William was an 8 year old living at 5 Hudson’s Buildings, Bishop Wearmouth, Sunderland with his parent’s, 39 year old John and 36 year old Isabella, and his two siblings, all born at Sunderland. His father died in 1886 and in 1891 young William was an 18 year old lithographer’s apprentice living at 10 Corporation Road, Rickersgate, Carlisle where his widowed mother was a publican. They had moved by 1901 to 4 Dixon Street, where William, still a lithographer, lived with his mother who was described as a ‘boarding house keeper’.

He then studied at the School of Art in Edinburgh and the Royal College of Art in London and became a painter in oil and watercolor. Living in London, he married at Chelsea in 1909, [Nellie] Ellen Eliza RICHARDSON. He seems to have added ‘Kay’ as his middle name when he took up as an artist.

In the 1911 Census Blacklock is listed as a 41 year old artist painter at 46 Gunder Grove, Chelsea with his wife, and a one year old daughter Eleanor Irene, who had been born in Chelsea. By 1912 they had moved to 'The Barn' Walberswick and in 1916 were still living at Walberswick but by 1922 they had moved on to Liskeard, Cornwall. He died at Polperro, Cornwall in 1924.

Physical Dimensions
Height
63.5cm (25.00")
Width
79cm (31.10")
Depth
8cm (3.15")
Declaration

William Greenwood Fine Art has dated this Edwardian Landscape Oil Painting to the 1910s.

Reference Numbers
Sellingantiques Reference
SA835825
Dealers Internal Reference
wgp
Description
Artist: William Kay Blacklock A.R.C.A. (1872-1924).

Title: "Harvesting the Crop".

Signed. Circa 1910. Oil on canvas.

Size: 18"x 23 1/2". Framed size: 25"x 31". Now in very good ready to hang condition . Free UK delivery.

fig 1. An Edwardian landscape oil painting depicting agricultural workers during harvest, housed in an ornate carved gilt wood frame.
fig 1. William Kay Blacklock. "Harvesting". Landscape Oil Painting.

For more info please contact us at:

Tel: 01677 424830.

Mob: 07885 175279.

Email: williamgreenwoodfineart@gmail.com

Trade enquiries welcome.

William Kay BLACKLOCK (1872—1924) The artist is known to have died at Polperro and is buried there (registration district of Liskeard).
William Greenwood Fine Art

He studied at the School of Art in Edinburgh, and at the Royal College of Art in London. In 1909 he married Ellen Eliza RICHARDSON (also known as 'Nellie') who was also to become his model for a series of paintings from 1910-1917, and who was an artist in her own right, painting and exhibiting her work at the RA. The couple set up their first home together in Chelsea, London, but shortly thereafter moved on to Walberswick in Suffolk where there was an active artists' community working.

fig 2. An Edwardian landscape oil painting depicting agricultural workers during harvest, housed in an ornate carved gilt wood frame.
fig 2. William Kay Blacklock. "Harvesting". Landscape Oil Painting.

W Kay Blacklock, as he signed his paintings, probably also painted in Holland as the subjects and titles of his paintings reveal, and his subject matter and style is akin, and reminds of Elizabeth FORBES. Born in Sunderland, in 1872, the artist was the second son of John Blacklock, engine fitter, and his wife Isabella née Blackett, who married at Sunderland in 1770. In the 1881 Census, William was an 8 year old living at 5 Hudson’s Buildings, Bishop Wearmouth, Sunderland with his parent’s, 39 year old John and 36 year old Isabella, and his two siblings, all born at Sunderland. His father died in 1886 and in 1891 young William was an 18 year old lithographer’s apprentice living at 10 Corporation Road, Rickersgate, Carlisle where his widowed mother was a publican. They had moved by 1901 to 4 Dixon Street, where William, still a lithographer, lived with his mother who was described as a ‘boarding house keeper’.

fig 3. An Edwardian landscape oil painting depicting agricultural workers during harvest, housed in an ornate carved gilt wood frame.
fig 3. William Kay Blacklock. "Harvesting". Landscape Oil Painting.

He then studied at the School of Art in Edinburgh and the Royal College of Art in London and became a painter in oil and watercolor. Living in London, he married at Chelsea in 1909, [Nellie] Ellen Eliza RICHARDSON. He seems to have added ‘Kay’ as his middle name when he took up as an artist.

fig 4. An Edwardian landscape oil painting depicting agricultural workers during harvest, housed in an ornate carved gilt wood frame.
fig 4. William Kay Blacklock. "Harvesting". Landscape Oil Painting.

In the 1911 Census Blacklock is listed as a 41 year old artist painter at 46 Gunder Grove, Chelsea with his wife, and a one year old daughter Eleanor Irene, who had been born in Chelsea. By 1912 they had moved to 'The Barn' Walberswick and in 1916 were still living at Walberswick but by 1922 they had moved on to Liskeard, Cornwall. He died at Polperro, Cornwall in 1924.

Height
63.5cm (25.00")
Width
79cm (31.10")
Depth
8cm (3.15")
Date of Manufacture

William Greenwood Fine Art has dated this Edwardian Landscape Oil Painting to the 1910s.

Reference Numbers
Sellingantiques Ref
SA835825
Dealers Internal Ref
wgp
William Greenwood Fine Art
Sellingantiques verified Since Oct 2012
Dealer Profile

You can view the stock and full dealer information on the William Greenwood Fine Art Profile Page

PDF SHARE
SAVE
An Edwardian landscape oil painting depicting agricultural workers during harvest, housed in an ornate carved gilt wood frame.
1 / 6
Archive I An Edwardian landscape oil painting depicting agricultural workers during harvest, housed in an ornate carved gilt wood frame.

William Kay Blacklock. "Harvesting". Landscape Oil Painting.

Archive II An Edwardian landscape oil painting depicting agricultural workers during harvest, housed in an ornate carved gilt wood frame. View II
Archive III An Edwardian landscape oil painting depicting agricultural workers during harvest, housed in an ornate carved gilt wood frame. View III
Archive IV An Edwardian landscape oil painting depicting agricultural workers during harvest, housed in an ornate carved gilt wood frame. View IV
Archive V An Edwardian landscape oil painting depicting agricultural workers during harvest, housed in an ornate carved gilt wood frame. View V
Archive VI An Edwardian landscape oil painting depicting agricultural workers during harvest, housed in an ornate carved gilt wood frame. View VI
FURTHER BROWSING

Visitors also looked at these ⇣

Enlarged Archival View
Location
Oakdene
Church Wynd
Burneston
Bedale
DL8 2JE
United Kingdom
Verified Since Oct 2012
Items For Sale 211
Items Sold 515
William Greenwood Fine Art
Verified Since Oct 2012
View Dealer Info
Location: Oakdene, Church Wynd, Burneston, Bedale, DL8 2JE, United Kingdom
Verified
Oct 2012
For Sale
211
Sold
515
An Edwardian landscape oil painting depicting agricultural workers during harvest, housed in an ornate carved gilt wood frame.
William Kay Blacklock. "Harvesting". Landscape Oil Painting.
Ref: SA835825
An Edwardian landscape oil painting depicting agricultural workers during harvest, housed in an ornate carved gilt wood frame.
Detail View 1
Detail View 2
Detail View 3
Detail View 4
Detail View 5
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Edwardian landscape painting from the early 20th century often captured natural light, country agricultural scenes, and pastoral labor. Influenced by British Impressionism and Realism, artists focused on realistic outdoor subjects using visible brushstrokes and atmospheric colour palettes.

Paintings from this era typically utilized oil-based pigments applied to linen canvas or wooden panels. Frame construction comprised pine or hardwood moulding overlaid with decorative gesso details and finished with gold leaf or metallic gilding.

Authentic period paintings show subtle age-related cracking known as craquelure on the paint surface, historic canvas stretchers, and period-correct maker or gallery labels on the reverse. Artist signatures usually appear in lower corners alongside consistent provenance markers.

A carved gilt framed oil painting creates an anchor point when hung above a fireplace mantel or dining room sideboard. Balancing traditional artwork alongside minimalist modern furniture adds visual depth and layered texture to contemporary living spaces.

Oil paintings should be kept away from direct sunlight, radiators, and high humidity areas to prevent pigment fading and canvas warping. The gilded frame should be dusted gently with a soft dry brush, while professional conservators should handle any paint cleaning.
items
Add keywords to the filter
Price
£100
£250000
Era
Movements
Material
Origin
Stock Location
Freshness
Online Payments
Categories