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ID #SA430224
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£3,900
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Portrait of Sir Robert Williames Vaughan of Nannau, by Samuel Drummond, 1825
WelshAntiques
for sale €4,563     $4,953
£3,900
WelshAntiques

WelshAntiques

Sellingantiques Verified Since May 2011
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Portrait of Sir Robert Williames Vaughan of Nannau, by Samuel Drummond, 1825

19th century
For Sale by WelshAntiques
Description

Half-length portrait of Sir Robert Williames Vaughan, Baronet (1804-1859), oil on canvas, in the original gesso moulded frame.

Sir Robert is holding a letter dated March 16th 1825 addressed to him at Balliol, Oxford. The college is shown to one side of the background with a classic column to the other.

(A companion painting in the National Library of Wales shows his father holding a letter bearing a Member of Parliament free stamp.).

The painting is signed on the front: "S. Drummond. Pinxit. 1825", and on the reverse: "Samuel Drummond ARA 1825".

The printed label of the artist (1785-1844), attached from the frame across to the stretcher, gives his address in soho as well as his scale of charges.

The painting has been re-lined. There is a small piece of plaster embellishment missing.

Height of frame: 45.75 inches; 116 cms. Height of image: 34.75 inches; 88 cms.

Width of frame: 37.75 inches; 97 cms. Width of image: 26.75 inches; 68 cms.

Depth of frame: 4.5 inches; 11.5 cms

THE VAUGHANS OF NANNAU

Nannau, near Dolgellau, was the home of one of the leading native Welsh gentry families in the Tudor period and an important centre of bardic patronage.

In 1719, after the death of Colonel Huw Nannau, his elder daughter Janet married her cousin Robert Vaughan of Hengwrt, establishing the pre-eminent family in Meirionydd. Their son, Hugh, lived a lavish lifestyle in London and at his mansion, virtually bankrupting the estate before fleeing his creditors. He was succeeded by his brother whose son, Sir Robert Willames Vaughan re-built the mansion and continued the family occupation of Member of Parliament, representing the county on fourteen successive occassions. His son, also Sir Robert Williames Vaughan (the subject of this painting) married Frances Lloyd of Rhagett in 1835. One of the guests, W.W.E. Wynne of Peniarth wrote to the groom of the occassion:

“The feeling manifested in the neighbourhood was really worthy of old times when the words Radical and Reform were unknown.”

Physical Dimensions
Height
116cm (45.67")
Width
97cm (38.19")
Depth
11cm (4.33")
Declaration

WelshAntiques has dated this Regency Oil Portrait Painting to the 1850s.

Reference Numbers
Sellingantiques Reference
SA430224
Dealers Notes

Items purchased can be stored and collected by mutual agreement, although we are always happy to help with delivery arrangements (just email us at with your postcode or country & zip code to obtain a competitive quote).

Please click on the 'About Us' button on the top left hand side of the screen for more information, including Terms and Conditions of sale.

Description
Half-length portrait of Sir Robert Williames Vaughan, Baronet (1804-1859), oil on canvas, in the original gesso moulded frame.

Sir Robert is holding a letter dated March 16th 1825 addressed to him at Balliol, Oxford. The college is shown to one side of the background with a classic column to the other.

(A companion painting in the National Library of Wales shows his father holding a letter bearing a Member of Parliament free stamp.
WelshAntiques

).

fig 1. An 1825 Regency oil painting on canvas depicting a dark-haired gentleman set within an ornate gilded frame.
fig 1. Portrait of Sir Robert Williames Vaughan of Nannau, by Samuel Drummond, 1825

The painting is signed on the front: "S. Drummond. Pinxit. 1825", and on the reverse: "Samuel Drummond ARA 1825".

The printed label of the artist (1785-1844), attached from the frame across to the stretcher, gives his address in soho as well as his scale of charges.

fig 2. An 1825 Regency oil painting on canvas depicting a dark-haired gentleman set within an ornate gilded frame.
fig 2. Portrait of Sir Robert Williames Vaughan of Nannau, by Samuel Drummond, 1825

The painting has been re-lined. There is a small piece of plaster embellishment missing.

Height of frame: 45.75 inches; 116 cms. Height of image: 34.75 inches; 88 cms.

Width of frame: 37.75 inches; 97 cms. Width of image: 26.75 inches; 68 cms.

fig 3. An 1825 Regency oil painting on canvas depicting a dark-haired gentleman set within an ornate gilded frame.
fig 3. Portrait of Sir Robert Williames Vaughan of Nannau, by Samuel Drummond, 1825

Depth of frame: 4.5 inches; 11.5 cms

THE VAUGHANS OF NANNAU

Nannau, near Dolgellau, was the home of one of the leading native Welsh gentry families in the Tudor period and an important centre of bardic patronage.

fig 4. An 1825 Regency oil painting on canvas depicting a dark-haired gentleman set within an ornate gilded frame.
fig 4. Portrait of Sir Robert Williames Vaughan of Nannau, by Samuel Drummond, 1825

In 1719, after the death of Colonel Huw Nannau, his elder daughter Janet married her cousin Robert Vaughan of Hengwrt, establishing the pre-eminent family in Meirionydd. Their son, Hugh, lived a lavish lifestyle in London and at his mansion, virtually bankrupting the estate before fleeing his creditors. He was succeeded by his brother whose son, Sir Robert Willames Vaughan re-built the mansion and continued the family occupation of Member of Parliament, representing the county on fourteen successive occassions. His son, also Sir Robert Williames Vaughan (the subject of this painting) married Frances Lloyd of Rhagett in 1835. One of the guests, W.W.E. Wynne of Peniarth wrote to the groom of the occassion:

“The feeling manifested in the neighbourhood was really worthy of old times when the words Radical and Reform were unknown.”

Height
116cm (45.67")
Width
97cm (38.19")
Depth
11cm (4.33")
Date of Manufacture

WelshAntiques has dated this Regency Oil Portrait Painting to the 1850s.

Reference Numbers
Sellingantiques Ref
SA430224
WelshAntiques
WelshAntiques
Sellingantiques verified Since May 2011

Leading specialist in welsh furniture and folk art for 56 years

Dealer Profile

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An 1825 Regency oil painting on canvas depicting a dark-haired gentleman set within an ornate gilded frame.
1 / 10
Archive I An 1825 Regency oil painting on canvas depicting a dark-haired gentleman set within an ornate gilded frame.

Portrait of Sir Robert Williames Vaughan of Nannau, by Samuel Drummond, 1825

Archive II An 1825 Regency oil painting on canvas depicting a dark-haired gentleman set within an ornate gilded frame. View II
Archive III An 1825 Regency oil painting on canvas depicting a dark-haired gentleman set within an ornate gilded frame. View III
Archive IV An 1825 Regency oil painting on canvas depicting a dark-haired gentleman set within an ornate gilded frame. View IV
Archive V An 1825 Regency oil painting on canvas depicting a dark-haired gentleman set within an ornate gilded frame. View V
Archive VI An 1825 Regency oil painting on canvas depicting a dark-haired gentleman set within an ornate gilded frame. View VI
Archive VII An 1825 Regency oil painting on canvas depicting a dark-haired gentleman set within an ornate gilded frame. View VII
Archive VIII An 1825 Regency oil painting on canvas depicting a dark-haired gentleman set within an ornate gilded frame. View VIII
Archive IX An 1825 Regency oil painting on canvas depicting a dark-haired gentleman set within an ornate gilded frame. View IX
Archive X An 1825 Regency oil painting on canvas depicting a dark-haired gentleman set within an ornate gilded frame. View X
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Location
WelshAntiques
Castle Mill
Kidwelly
Carmarthenshire
SA17 5AJ
United Kingdom
Dealer Profile Page sellingantiques.co.uk/welsh
Verified Since May 2011
Items For Sale 143
Items Sold 114
WelshAntiques
WelshAntiques
Verified Since May 2011
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Location: WelshAntiques, Castle Mill, Kidwelly, Carmarthenshire, SA17 5AJ, United Kingdom
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An 1825 Regency oil painting on canvas depicting a dark-haired gentleman set within an ornate gilded frame.
Portrait of Sir Robert Williames Vaughan of Nannau, by Samuel Drummond, 1825
Ref: SA430224
An 1825 Regency oil painting on canvas depicting a dark-haired gentleman set within an ornate gilded frame.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Regency portraiture, dating from the early 19th century, typically depicts sitters in structured period attire set against architectural or atmospheric background elements. Artists employed oil pigments on canvas, focusing on realistic facial features, subtle lighting contrasts, and formal poses.

These artworks were composed of oil-based paints applied to hand-stretched linen or cotton canvas, mounted on wooden stretcher bars. Frames were crafted from carved wood or molded plaster with gold leaf gilding applied to the surface.

Authentic period paintings show fine age-related surface cracking known as craquelure, natural darkening of varnish, and evidence of hand-carved or molded gilt frames. Examining the canvas reverse often reveals age-toned fabric, original stretcher keys, and historic framer labels.

Display the framed portrait as a focal point above a sideboard, mantelpiece, or console table. Blending historical portraiture with contemporary furniture creates visual contrast and adds depth to traditional, eclectic, or dark academia interior schemes.

Keep the painting away from direct sunlight, excess humidity, and direct heat sources to prevent cracking or warping. Dust the gilt frame gently with a soft, dry brush, and avoid applying water or chemical cleaners directly to the painted surface.
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