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Portrait of Marjorie Mcinnes 1921 by Cowan Dobson Rba, Rp.
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Portrait of Marjorie Mcinnes 1921 by Cowan Dobson Rba, Rp.

1900 - 1920
For Sale by Roy Precious - Antiques & Fine Art (Reserved for a buyer)
Description

Oil on canvas board in a glazed modern gilt frame.

Signed and dated.

A charming portrait of Marjorie McInnies,a pretty young girl, painted in 1921, when she was four, by David Cowan Dobson.

MARJORIE MARY MCINNES OBE, (1917-2015) Marjorie was the daughter of Robert and Nettie McInnes. She had an older sister, Eileen, and a younger brother, Roy. They were born into a wealthy timber merchant family which fell upon hard times in the late 1920s. Her father died when she was ten. While she began her education at Craigholme School she completed it through a bursary at Hutcheson Girls Grammar School in 1934.

Initially she found work in a publishing house, and on leaving that got a job as a bank clerk. Her teenage years were beset by illnesses which she finally overcame.

Marjorie obtained the Diploma in Social Services from Glasgow University in 1939, there being no degree course at that time, and proceeded to train as an almoner (later called medical social worker) at the Institute of Almoners in London. She qualified in 1940. Her first posts were in 1941-42 working as an almoner at Hull Royal Infirmary, Stafford Royal Infirmary and as a caseworker at Greenock Social Services Council. These were all locum posts.

For a brief period in 1942-43 she worked in Southport, but on hearing that her brother, who was in the RAF, had been killed over France she returned to Scotland. From November 1943 to May 1948 Marjorie was almoner at Hairmyres Hospital, East Kilbride. She was exempt from war service as this hospital had a military wing but she was active as a volunteer in civil defence.

One of Marjorie’s great achievements was the work she undertook between the years 1949-52 as one of the social work representatives on the Cope Report, set up to establish a register for all medical auxiliaries. Marjorie and her colleague objected vehemently to almoners being included as auxiliaries and were finally successful in the establishment of social work as a separate profession.

During the years 1948-1953 Marjorie held the post of Head Almoner at the Victoria Infirmary in Glasgow and from 1954-57 was Head Almoner at Western Infirmary, Glasgow. During this period she also had a part-time teaching post in the University Department of Public Health and Social Medicine.

In 1969 Marjorie was appointed Deputy Chief Social Work Adviser within the Central Advisory Service of Social Work Services Group.

She held this post with great distinction and was held in the highest regard by all her ?colleagues throughout the Scottish Office.

Her retirement at the age of 61 in 1978 was the commencement of a new career serving within the Scottish voluntary sector. She contributed another two decades of guidance and oversight to many major Scottish charities. It was the recognition of her work as Convener of the Scottish Council on Disability which led to her being honoured by the Queen in the New Year’s Honours List for 1982.

Marjorie’s Christian faith enriched everything she did and achieved. She was a lifelong member of Adelaide Place Baptist Church – where she served as Deacon and subsequently Honorary Deacon – and also the wider denomination of the Baptist Union of Scotland through the Scottish Baptist College. In 1990 she was elected President of the Union – the only woman to have achieved this position.

(Our thanks to Patricia Leary for information on Marjorie)

DAVID COWAN DOBSON (1894–1980), referred to as 'Cowan' Dobson, Associate of the Society of Royal British Artists (1919),Member of the Society of Royal British Artists (1922), Member of the Royal Society of Portrait Sainters (1963); he was a leading Scottish portrait artist who painted with bravado and style, and in this intimate portrait there is a painterly delight in the handling of the medium - the brushwork to the dress very fast and impressionistic.

SIZE:25 x 21 inches inc. frame.

PROVENANCE: Scottish Private Collection.

Declaration

Roy Precious - Antiques & Fine Art has dated this 1920s Oil Portrait Painting to the 1920s.

Reference Numbers
Sellingantiques Reference
SA217011
Dealers Internal Reference
8735
Description
Oil on canvas board in a glazed modern gilt frame.

Signed and dated.

A charming portrait of Marjorie McInnies,a pretty young girl, painted in 1921, when she was four, by David Cowan Dobson.
Roy Precious - Antiques & Fine Art

MARJORIE MARY MCINNES OBE, (1917-2015) Marjorie was the daughter of Robert and Nettie McInnes. She had an older sister, Eileen, and a younger brother, Roy. They were born into a wealthy timber merchant family which fell upon hard times in the late 1920s. Her father died when she was ten. While she began her education at Craigholme School she completed it through a bursary at Hutcheson Girls Grammar School in 1934.

fig 1. A 1921 oil portrait painting depicting a young girl with long wavy hair wearing a teal garment against a dark background.
fig 1. Portrait of Marjorie Mcinnes 1921 by Cowan Dobson Rba, Rp.

Initially she found work in a publishing house, and on leaving that got a job as a bank clerk. Her teenage years were beset by illnesses which she finally overcame.

Marjorie obtained the Diploma in Social Services from Glasgow University in 1939, there being no degree course at that time, and proceeded to train as an almoner (later called medical social worker) at the Institute of Almoners in London. She qualified in 1940. Her first posts were in 1941-42 working as an almoner at Hull Royal Infirmary, Stafford Royal Infirmary and as a caseworker at Greenock Social Services Council. These were all locum posts.

fig 2. A 1921 oil portrait painting depicting a young girl with long wavy hair wearing a teal garment against a dark background.
fig 2. Portrait of Marjorie Mcinnes 1921 by Cowan Dobson Rba, Rp.

For a brief period in 1942-43 she worked in Southport, but on hearing that her brother, who was in the RAF, had been killed over France she returned to Scotland. From November 1943 to May 1948 Marjorie was almoner at Hairmyres Hospital, East Kilbride. She was exempt from war service as this hospital had a military wing but she was active as a volunteer in civil defence.

fig 3. A 1921 oil portrait painting depicting a young girl with long wavy hair wearing a teal garment against a dark background.
fig 3. Portrait of Marjorie Mcinnes 1921 by Cowan Dobson Rba, Rp.

One of Marjorie’s great achievements was the work she undertook between the years 1949-52 as one of the social work representatives on the Cope Report, set up to establish a register for all medical auxiliaries. Marjorie and her colleague objected vehemently to almoners being included as auxiliaries and were finally successful in the establishment of social work as a separate profession.

fig 4. A 1921 oil portrait painting depicting a young girl with long wavy hair wearing a teal garment against a dark background.
fig 4. Portrait of Marjorie Mcinnes 1921 by Cowan Dobson Rba, Rp.

During the years 1948-1953 Marjorie held the post of Head Almoner at the Victoria Infirmary in Glasgow and from 1954-57 was Head Almoner at Western Infirmary, Glasgow. During this period she also had a part-time teaching post in the University Department of Public Health and Social Medicine.

In 1969 Marjorie was appointed Deputy Chief Social Work Adviser within the Central Advisory Service of Social Work Services Group.

She held this post with great distinction and was held in the highest regard by all her ?colleagues throughout the Scottish Office.

Her retirement at the age of 61 in 1978 was the commencement of a new career serving within the Scottish voluntary sector. She contributed another two decades of guidance and oversight to many major Scottish charities. It was the recognition of her work as Convener of the Scottish Council on Disability which led to her being honoured by the Queen in the New Year’s Honours List for 1982.

Marjorie’s Christian faith enriched everything she did and achieved. She was a lifelong member of Adelaide Place Baptist Church – where she served as Deacon and subsequently Honorary Deacon – and also the wider denomination of the Baptist Union of Scotland through the Scottish Baptist College. In 1990 she was elected President of the Union – the only woman to have achieved this position.

(Our thanks to Patricia Leary for information on Marjorie)

DAVID COWAN DOBSON (1894–1980), referred to as 'Cowan' Dobson, Associate of the Society of Royal British Artists (1919),Member of the Society of Royal British Artists (1922), Member of the Royal Society of Portrait Sainters (1963); he was a leading Scottish portrait artist who painted with bravado and style, and in this intimate portrait there is a painterly delight in the handling of the medium - the brushwork to the dress very fast and impressionistic.

SIZE:25 x 21 inches inc. frame.

PROVENANCE: Scottish Private Collection.

Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this 1920s Oil Portrait Painting to the 1920s.

Reference Numbers
Sellingantiques Ref
SA217011
Dealers Internal Ref
8735
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

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A 1921 oil portrait painting depicting a young girl with long wavy hair wearing a teal garment against a dark background.
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Archive I A 1921 oil portrait painting depicting a young girl with long wavy hair wearing a teal garment against a dark background.

Portrait of Marjorie McInnes 1921 by Cowan Dobson RBA, RP.

Archive II A 1921 oil portrait painting depicting a young girl with long wavy hair wearing a teal garment against a dark background. View II
Archive III A 1921 oil portrait painting depicting a young girl with long wavy hair wearing a teal garment against a dark background. View III
Archive IV A 1921 oil portrait painting depicting a young girl with long wavy hair wearing a teal garment against a dark background. View IV
Archive V A 1921 oil portrait painting depicting a young girl with long wavy hair wearing a teal garment against a dark background. View V
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Wiltshire
United Kingdom
Dealer Profile Page sellingantiques.co.uk/rp
Verified Since Mar 2003
Items For Sale 95
Items Sold 679
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Verified Since Mar 2003
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Location: Wiltshire, United Kingdom
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Mar 2003
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A 1921 oil portrait painting depicting a young girl with long wavy hair wearing a teal garment against a dark background.
Portrait of Marjorie McInnes 1921 by Cowan Dobson RBA, RP.
Ref: SA217011
A 1921 oil portrait painting depicting a young girl with long wavy hair wearing a teal garment against a dark background.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Early 20th-century portraiture often features realistic depictions focusing on subtle lighting, painterly brushwork, and classic figurative studies against muted backgrounds.

Traditional oil pigments applied to stretched linen canvas or wooden panels were standard during this period, often finished with protective varnish layers.

Look for artist signatures, natural surface craquelure, period-appropriate canvas weave, and historical inscriptions or exhibition labels on the reverse.

Displaying a classic figurative portrait against a neutral or contemporary backdrop creates a focused focal point and adds historical texture to modern rooms.

Keep the painting away from direct sunlight and humidity fluctuations, dusting gently with a soft dry brush and avoiding liquid chemical cleaners.
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