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ID #SA1237562
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£8,800
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17th Century English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.
For sale by Period Portraits
for sale €10,296     $11,176
£8,800
Period Portraits

Period Portraits

Sellingantiques Verified Since Jan 2017
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    Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints
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17th Century English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.

17th century
For Sale by Period Portraits
Description

17TH CENTURY ENGLISH SCHOOL c. 1625 - OIL ON CANVAS PORTRAIT PAINTING OF A GENTLEMAN IN A DARK EMBROIDERED DOUBLET AND WHITE RUFF.

Fine quality early 17th century English school portrait of a gentleman in a dark embroidered doublet and white linen flalling band or collar.

The handsome sitter is depicted bust-length against a dark background. He is of fair complexion, with short reddish-brown hair, a prominent moustache and a neatly trimmed goatee. With a calm and confident air he gazes slightly to the right to greet the eyes of the viewer.

His richly detailed costume is characteristic of the Jacobean era and includes a dark, richly textured high collared doublet (likely made of silk or wool) which has an all over geometric decorative pattern. It is front fastening and further adorned with a row of tiny gilt buttons.

Around his neck is a prominent, wide white pleated and fan shaped collar which would have required careful laundering and starching. The fact that this highly fashionable accessory was also high maintenance is a further signal as to the sitters high status.

The restrained colours used throughout this portrait (mostly very dark or black tones) are typical of portraiture of the Jacobean and they were associated with wealth, sobriety and social status. Black dyes were expensive so clothing such as our sitter wears often indicated high social standing.

The fine weave canvas that has been chosen as the substrate for this work speaks for this portraits quality. It has allowed the artist to capture the intricate, linear details of the lace ruff and the texture of the sitters doublet.

The colour palette of this historic portrait is restrained and typical of the period as is the soft directional light he employed by the artist. It spreads across the left of the sitters face creating subtle shadows which further define his masculine features. The work has a dark background which further focusses attention entirely on the dignity and status of the sitter.

This engaging and atmospheric work is in an excellent taste of conservation and it is housed in a later baroque style shell topped carved and gilded frame which is itself a work of art.

Canvas: 20in x 15in / 50cm x 38cm.

Framed: 26.5in x 22in / 67cm x 56cm.

Price: £8800

Physical Dimensions
Height
67cm (26.38")
Width
96cm (37.80")
Depth
4cm (1.57")
Declaration

Period Portraits has dated this Jacobean Portrait Oil Painting to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA1237562
Description
17TH CENTURY ENGLISH SCHOOL c. 1625 - OIL ON CANVAS PORTRAIT PAINTING OF A GENTLEMAN IN A DARK EMBROIDERED DOUBLET AND WHITE RUFF.
“
Fine quality early 17th century English school portrait of a gentleman in a dark embroidered doublet and white linen flalling band or collar.
Period Portraits
fig 1. An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame.
fig 1. 17th Century English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.

The handsome sitter is depicted bust-length against a dark background. He is of fair complexion, with short reddish-brown hair, a prominent moustache and a neatly trimmed goatee. With a calm and confident air he gazes slightly to the right to greet the eyes of the viewer.

fig 2. An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame.
fig 2. 17th Century English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.

His richly detailed costume is characteristic of the Jacobean era and includes a dark, richly textured high collared doublet (likely made of silk or wool) which has an all over geometric decorative pattern. It is front fastening and further adorned with a row of tiny gilt buttons.

fig 3. An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame.
fig 3. 17th Century English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.

Around his neck is a prominent, wide white pleated and fan shaped collar which would have required careful laundering and starching. The fact that this highly fashionable accessory was also high maintenance is a further signal as to the sitters high status.

fig 4. An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame.
fig 4. 17th Century English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.

The restrained colours used throughout this portrait (mostly very dark or black tones) are typical of portraiture of the Jacobean and they were associated with wealth, sobriety and social status. Black dyes were expensive so clothing such as our sitter wears often indicated high social standing.

fig 5. An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame.
fig 5. 17th Century English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.

The fine weave canvas that has been chosen as the substrate for this work speaks for this portraits quality. It has allowed the artist to capture the intricate, linear details of the lace ruff and the texture of the sitters doublet.

fig 6. An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame.
fig 6. 17th Century English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.

The colour palette of this historic portrait is restrained and typical of the period as is the soft directional light he employed by the artist. It spreads across the left of the sitters face creating subtle shadows which further define his masculine features. The work has a dark background which further focusses attention entirely on the dignity and status of the sitter.

fig 7. An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame.
fig 7. 17th Century English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.

This engaging and atmospheric work is in an excellent taste of conservation and it is housed in a later baroque style shell topped carved and gilded frame which is itself a work of art.

Canvas: 20in x 15in / 50cm x 38cm.

Framed: 26.5in x 22in / 67cm x 56cm.

Price: £8800

Height
67cm (26.38")
Width
96cm (37.80")
Depth
4cm (1.57")
Date of Manufacture

Period Portraits has dated this Jacobean Portrait Oil Painting to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA1237562
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

Dealer Profile

You can view the stock and full dealer information on the Period Portraits Profile Page

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An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame.
1 / 8
Archive I An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame.

17th Century English School C. 1625 - Oil on Canvas Portrait Painting of a Gentleman in a Dark Embroidered Doublet and White Ruff.

Archive II An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame. View II
Archive III An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame. View III
Archive IV An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame. View IV
Archive V An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame. View V
Archive VI An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame. View VI
Archive VII An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame. View VII
Archive VIII An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame. View VIII
Enlarged Archival View
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Jan 2017
Items For Sale 44
Items Sold 63
Period Portraits
Period Portraits
Verified Since Jan 2017
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Jan 2017
For Sale
44
Sold
63
An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame.
17TH CENTURY ENGLISH SCHOOL c. 1625 - OIL ON CANVAS PORTRAIT PAINTING OF A GENTLEMAN IN A DARK EMBROIDERED DOUBLET AND WHITE RUFF.
Ref: SA1237562
An oil painting depicting a seventeenth-century gentleman wearing a dark embroidered doublet and pleated white ruff, encased in a heavily carved giltwood frame.
Detail View 1
Detail View 2
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectOil Paintings
  • Period17th century
  • StyleJacobean
  • MaterialOil on Canvas, Giltwood Frame
  • ColourGold and Black
  • MotifsRuff collar, Patterned doublet, Carved scrollwork frame, Shell motif cresting
  • SizeH 67 cm (26 in) x W 96 cm (38 in) x D 4 cm (2 in)

This seventeenth-century Jacobean oil on canvas portrait depicts a gentleman in a dark black embroidered doublet with a white ruff collar against a dark background. The artwork sits inside a later baroque style giltwood frame with carved scrollwork, twist-moulded inner borders, and a shell motif cresting. The palette consists of black, gold, and white tones, highlighting the sitter with soft directional light across the left of his face. The canvas measures 67 cm high, 96 cm wide, and 4 cm deep. Ideal for a gentleman's library, this historic piece hangs well above the mantel. The sitter displays a fair complexion, short reddish-brown hair, a prominent moustache, and a goatee, wearing a front-fastening doublet adorned with a row of tiny gilt buttons. The heavily carved gilt frame complements the dignified subject, making the work suitable for traditional interior settings where period portraiture enhances the room.

Seventeenth-century British portraiture, particularly during the Jacobean and Caroline eras, emphasised detailed depictions of costume, status symbols, and realistic facial rendering. Influenced by Netherlandish artists, these works frequently featured dark background tones contrasting with elaborate attire such as embroidered doublets and stiffened linen ruffs.

Painters during this period utilised hand-ground mineral and organic pigments bound in linseed or walnut oil, applied onto coarse linen canvas or wooden panels prepared with a gesso ground. Frames were typically carved from solid timber and decorated with water gilding using gold leaf over a clay bole base.

Authentic period works display natural age-related craquelure patterns across the paint surface, structural evidence of historical lining or hand-forged canvas tacks, and natural oxidisation of the canvas fibre and wooden stretcher. Pigment analysis via X-ray fluorescence can also confirm the absence of modern synthetic binders.

Historic oil portraits can be displayed as a central statement piece above a mantelpiece or console, or integrated within a curated gallery wall alongside contemporary line drawings or architectural prints. Placing dark-toned portraiture against neutral or deeply pigmented walls enhances visual contrast.

Paintings should be kept in stable atmospheric conditions with humidity kept between 45 percent and 55 percent, away from direct sunlight and artificial heat sources. Frames and canvas surfaces require gentle dusting with a dry, soft goat-hair brush, avoiding wet cleaning agents or chemical polishes.
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