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ID #SA1235275
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Sir William Beechey R.A (1753-1839) - Oil on Canvas Portrait of William Perryn of Langton
For sale by Period Portraits
for sale €9,126     $9,906
£7,800
Period Portraits

Period Portraits

Sellingantiques Verified Since Jan 2017
Browse dealers 46 items
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    Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints
Id #SA1235275
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Sir William Beechey R.A (1753-1839) - Oil on Canvas Portrait of William Perryn of Langton

19th century
For Sale by Period Portraits
Description

Fine quality early 19th century portrait of William Perryn of Langton by Sir William Beechey R.A (1753-1839).

The dashing grey haired sitter is depicted half -length within an extensive landscape. He wears the traditional costume of affluent gentleman of the period, namely a dark double breasted velvet jacket over a white shirt and extravagant bowed stock. Behind him fields, trees and a river. extend into the distance, where the steeple of a church can also be glimpsed.

Sir William Beechey R. A (1753-1839)

Beechey was born in Burford, Oxfordshire. After his father’s death (1789) he was raised by his uncle and initially apprenticed to a firm of solicitors. In 1772 he moved to London to enter the Royal Academy Schools. He soon married and his children include painter and explorer Henry William. From c.1782 he worked in Norwich, returning to London in 1787. Beechey was a widow by 1793, when he married miniature painter Anne Phyllis Jessop.

In 1794 he became a member of the Royal Academy, received a knighthood and exhibited ‘His Majesty Reviewing the Third Dragoon Guards’, his most celebrated work. He was named portrait painter to the Duke and Duchess of Gloucester and Principle Portrait Painter to William IV before his death aged 85.

Beechey has a particularly refined, elegant style of neoclassicism which he evoked through his use of darker backgrounds to highlight his sitters captured in tranquil colours. The artist reached the peak of his career when he came to the attention of the royal family. Both King George III and his wife, Queen Charlotte, found Beechey’s style incredibly appealing. He was appointed portrait painter to Queen Charlotte, a promotion which in turn rewarded Beechey with membership to the Royal Academy.

The artists work under King George III is often considered his best. sadly his most famous work of King George III (for which he was knighted) was lost to the fire at Windsor Castle in 1992.

This fine portrait endures and is presented in an excellent state of conservation ready to purchase and enjoy in its fine original carved and gilded Carlo Maratta frame which has been sympathetically refinished.

Higher Resolution images on request.

Worldwide shipping available.

Canvas: 30.5" x 25.5" / 78cm x 65cm.

Frame: 36.5" x 27.5" / 92cm x 70cm

Price: £7800

Physical Dimensions
Height
93cm (36.61")
Width
80cm (31.50")
Depth
3cm (1.18")
Declaration

Period Portraits has dated this Georgian Portrait Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1235275
Description
Fine quality early 19th century portrait of William Perryn of Langton by Sir William Beechey R.A (1753-1839).

The dashing grey haired sitter is depicted half -length within an extensive landscape.

He wears the traditional costume of affluent gentleman of the period, namely a dark double breasted velvet jacket over a white shirt and extravagant bowed stock.
Period Portraits

Behind him fields, trees and a river. extend into the distance, where the steeple of a church can also be glimpsed.

fig 1. An oil painting depicting a half-length portrait of a gentleman in a dark double-breasted coat and white cravat against a cloudy sky and landscape background.
fig 1. Sir William Beechey R.A (1753-1839) - Oil on Canvas Portrait of William Perryn of Langton

Sir William Beechey R. A (1753-1839)

Beechey was born in Burford, Oxfordshire. After his father’s death (1789) he was raised by his uncle and initially apprenticed to a firm of solicitors. In 1772 he moved to London to enter the Royal Academy Schools. He soon married and his children include painter and explorer Henry William. From c.1782 he worked in Norwich, returning to London in 1787. Beechey was a widow by 1793, when he married miniature painter Anne Phyllis Jessop.

fig 2. An oil painting depicting a half-length portrait of a gentleman in a dark double-breasted coat and white cravat against a cloudy sky and landscape background.
fig 2. Sir William Beechey R.A (1753-1839) - Oil on Canvas Portrait of William Perryn of Langton

In 1794 he became a member of the Royal Academy, received a knighthood and exhibited ‘His Majesty Reviewing the Third Dragoon Guards’, his most celebrated work. He was named portrait painter to the Duke and Duchess of Gloucester and Principle Portrait Painter to William IV before his death aged 85.

fig 3. An oil painting depicting a half-length portrait of a gentleman in a dark double-breasted coat and white cravat against a cloudy sky and landscape background.
fig 3. Sir William Beechey R.A (1753-1839) - Oil on Canvas Portrait of William Perryn of Langton

Beechey has a particularly refined, elegant style of neoclassicism which he evoked through his use of darker backgrounds to highlight his sitters captured in tranquil colours. The artist reached the peak of his career when he came to the attention of the royal family. Both King George III and his wife, Queen Charlotte, found Beechey’s style incredibly appealing. He was appointed portrait painter to Queen Charlotte, a promotion which in turn rewarded Beechey with membership to the Royal Academy.

fig 4. An oil painting depicting a half-length portrait of a gentleman in a dark double-breasted coat and white cravat against a cloudy sky and landscape background.
fig 4. Sir William Beechey R.A (1753-1839) - Oil on Canvas Portrait of William Perryn of Langton

The artists work under King George III is often considered his best. sadly his most famous work of King George III (for which he was knighted) was lost to the fire at Windsor Castle in 1992.

This fine portrait endures and is presented in an excellent state of conservation ready to purchase and enjoy in its fine original carved and gilded Carlo Maratta frame which has been sympathetically refinished.

Higher Resolution images on request.

Worldwide shipping available.

Canvas: 30.5" x 25.5" / 78cm x 65cm.

Frame: 36.5" x 27.5" / 92cm x 70cm

Price: £7800

Height
93cm (36.61")
Width
80cm (31.50")
Depth
3cm (1.18")
Date of Manufacture

Period Portraits has dated this Georgian Portrait Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1235275
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

Dealer Profile

You can view the stock and full dealer information on the Period Portraits Profile Page

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An oil painting depicting a half-length portrait of a gentleman in a dark double-breasted coat and white cravat against a cloudy sky and landscape background.
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Archive I An oil painting depicting a half-length portrait of a gentleman in a dark double-breasted coat and white cravat against a cloudy sky and landscape background.

Sir William Beechey R.A (1753-1839) - Oil on Canvas Portrait of William Perryn of Langton

Archive II An oil painting depicting a half-length portrait of a gentleman in a dark double-breasted coat and white cravat against a cloudy sky and landscape background. View II
Archive III An oil painting depicting a half-length portrait of a gentleman in a dark double-breasted coat and white cravat against a cloudy sky and landscape background. View III
Archive IV An oil painting depicting a half-length portrait of a gentleman in a dark double-breasted coat and white cravat against a cloudy sky and landscape background. View IV
Archive V An oil painting depicting a half-length portrait of a gentleman in a dark double-breasted coat and white cravat against a cloudy sky and landscape background. View V
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Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Jan 2017
Items For Sale 46
Items Sold 62
Period Portraits
Period Portraits
Verified Since Jan 2017
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Location: North Yorkshire, United Kingdom
Verified
Jan 2017
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An oil painting depicting a half-length portrait of a gentleman in a dark double-breasted coat and white cravat against a cloudy sky and landscape background.
SIR WILLIAM BEECHEY R.A (1753-1839) - OIL ON CANVAS PORTRAIT OF WILLIAM PERRYN OF LANGTON
Ref: SA1235275
An oil painting depicting a half-length portrait of a gentleman in a dark double-breasted coat and white cravat against a cloudy sky and landscape background.
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period19th century
  • StyleGeorgian / Regency
  • MaterialOil on Canvas
  • ColourDark Brown
  • MotifsWhite cravat, Double-breasted coat, Landscape background, Half-length portrait
  • SizeH 93 cm (37 in) x W 80 cm (31 in) x D 3 cm (1 in)

Portraiture from the late 18th and early 19th centuries typically emphasizes naturalism, refined costume detail, and dramatic lighting. Sitters are frequently positioned against dark tones or rural landscape settings to indicate social standing and aesthetic sensibility.

Artists utilized oil pigments suspended in linseed or walnut oil, applied directly to stretched linen canvas. Techniques involved building up glazes over underpaintings to create skin tone translucency and intricate textile textures.

Authentic period portraits show natural age-related craquelure across the paint layer, timber expansion markings on original stretchers, and typical period canvas weaves. Signature styles, brushwork technique, and provenance documentation also confirm attribution to notable artists.

Classic oil portraits can be hung as focal points above mantlepieces, sideboards, or in dark-panelled studies. Placing traditional fine art alongside contemporary furnishings creates a curated, layered interior design scheme.

Oil paintings should be displayed away from direct sunlight, dampness, and severe temperature fluctuations. Cleaning should strictly be conducted by professional conservators to avoid stripping historic varnish layers.
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