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ID #SA1233968
FOR SALE
£800
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Mezzotint Portrait of Sir Charles Napier 2nd Baronet (1673-1743) - By John Smith After J Sommer.
The Mezzotint Man
for sale €936     $1,016
£800
The Mezzotint Man

The Mezzotint Man

Sellingantiques Verified Since Mar 2026
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Mezzotint Portrait of Sir Charles Napier 2nd Baronet (1673-1743) - By John Smith After J Sommer.

18th century
Description

SIR CHARLES NAPIER 2ND BARONET (1673-1743) - BY JOHN SMITH AFTER J SOMMER

Fine and comparatively rare mezzotint portrait of Sir Charles Napier 2nd Baronet (1673-1743) and an unknown boy, by John Smith, after J Sommer.

A print of Sir Charles Napier, 2nd Baronet, wearing armour, with a Black page holding a plumed helmet his sword hilt shaped like a lion’s head. They stand by a tent in a military encampment with a battle scene in the background.

The Black servant or page wears a pearl earring and he is unlikely to represent an identifiable individual. Instead, the inclusion of Black figures as servants, attendants, or enslaved people in portraits of European sitters was a common visual motif in the 17th and 18th centuries.

The submissive presence of such figures (often shown in acts of service such as holding clothes, umbrellas or trays) was deployed as a visual status symbol. The Black figures often emphasise the status of the main sitter by being positioned behind or looking up to them, establishing a physical as well as a racial hierarchy.

These figures are often dressed in clothing considered ‘exotic’ by contemporary Europeans such as turbans, silks, and caftans, further representing the luxurious fantasy and wealth that was felt to be embodied by the Black presence.

This mezzotint is in a fine state of conservation and is housed in a quality ebonised frame with museum quality mount.

Date: c.1700

Framed Dimensions: 49cm x 39cm

Price: £800

All prices include UK mainland delivery. For other territories please ask.

Physical Dimensions
Height
49cm (19.29")
Width
39cm (15.35")
Depth
2cm (0.79")
Declaration

The Mezzotint Man has dated this Antique Mezzotint Portrait Print to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1233968
Description
SIR CHARLES NAPIER 2ND BARONET (1673-1743) - BY JOHN SMITH AFTER J SOMMER
Fine and comparatively rare mezzotint portrait of Sir Charles Napier 2nd Baronet (1673-1743) and an unknown boy, by John Smith, after J Sommer.
The Mezzotint Man
fig 1. Framed monochrome mezzotint print depicting a seventeenth-century nobleman in full armour with a long wig, holding a helmet beside an attendant.
fig 1. Mezzotint Portrait of Sir Charles Napier 2nd Baronet (1673-1743) - By John Smith After J Sommer.

A print of Sir Charles Napier, 2nd Baronet, wearing armour, with a Black page holding a plumed helmet his sword hilt shaped like a lion’s head. They stand by a tent in a military encampment with a battle scene in the background.

fig 2. Framed monochrome mezzotint print depicting a seventeenth-century nobleman in full armour with a long wig, holding a helmet beside an attendant.
fig 2. Mezzotint Portrait of Sir Charles Napier 2nd Baronet (1673-1743) - By John Smith After J Sommer.

The Black servant or page wears a pearl earring and he is unlikely to represent an identifiable individual. Instead, the inclusion of Black figures as servants, attendants, or enslaved people in portraits of European sitters was a common visual motif in the 17th and 18th centuries.

fig 3. Framed monochrome mezzotint print depicting a seventeenth-century nobleman in full armour with a long wig, holding a helmet beside an attendant.
fig 3. Mezzotint Portrait of Sir Charles Napier 2nd Baronet (1673-1743) - By John Smith After J Sommer.

The submissive presence of such figures (often shown in acts of service such as holding clothes, umbrellas or trays) was deployed as a visual status symbol. The Black figures often emphasise the status of the main sitter by being positioned behind or looking up to them, establishing a physical as well as a racial hierarchy.

These figures are often dressed in clothing considered ‘exotic’ by contemporary Europeans such as turbans, silks, and caftans, further representing the luxurious fantasy and wealth that was felt to be embodied by the Black presence.

This mezzotint is in a fine state of conservation and is housed in a quality ebonised frame with museum quality mount.

Date: c.1700

Framed Dimensions: 49cm x 39cm

Price: £800

All prices include UK mainland delivery. For other territories please ask.

Height
49cm (19.29")
Width
39cm (15.35")
Depth
2cm (0.79")
Date of Manufacture

The Mezzotint Man has dated this Antique Mezzotint Portrait Print to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1233968
The Mezzotint Man
The Mezzotint Man
Sellingantiques verified Since Mar 2026

Dealers in fine antiquarian portrait prints

Dealer Profile

You can view the stock and full dealer information on the The Mezzotint Man Profile Page

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Framed monochrome mezzotint print depicting a seventeenth-century nobleman in full armour with a long wig, holding a helmet beside an attendant.
1 / 4
Archive I Framed monochrome mezzotint print depicting a seventeenth-century nobleman in full armour with a long wig, holding a helmet beside an attendant.

Mezzotint Portrait of Sir Charles Napier 2nd Baronet (1673-1743) - By John Smith After J Sommer.

Archive II Framed monochrome mezzotint print depicting a seventeenth-century nobleman in full armour with a long wig, holding a helmet beside an attendant. View II
Archive III Framed monochrome mezzotint print depicting a seventeenth-century nobleman in full armour with a long wig, holding a helmet beside an attendant. View III
Archive IV Framed monochrome mezzotint print depicting a seventeenth-century nobleman in full armour with a long wig, holding a helmet beside an attendant. View IV
Enlarged Archival View
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Mar 2026
Items For Sale 33
Items Sold 9
The Mezzotint Man
The Mezzotint Man
Verified Since Mar 2026
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Mar 2026
For Sale
33
Sold
9
Framed monochrome mezzotint print depicting a seventeenth-century nobleman in full armour with a long wig, holding a helmet beside an attendant.
MEZZOTINT PORTRAIT OF SIR CHARLES NAPIER 2ND BARONET (1673-1743) - BY JOHN SMITH AFTER J SOMMER.
Ref: SA1233968
Framed monochrome mezzotint print depicting a seventeenth-century nobleman in full armour with a long wig, holding a helmet beside an attendant.
Detail View 1
Detail View 2
Detail View 3
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

A mezzotint is a tonal printmaking process popular in the seventeenth and eighteenth centuries that enables rich gradations of shade without cross-hatching lines.

Craftspeople used a rocker tool to roughen a copper plate entirely, then smoothed and scraped areas to create light and dark tones before pressing ink onto paper.

Authentic period mezzotints feature visible indentation from the copper plate edge, soft velvety tones, handmade rag paper, and publisher or artist inscriptions along the lower margin.

Position a monochrome portrait print above a dark timber console table or incorporate it into a gallery wall alongside brass sconces and classical architectural drawings.

Display paper prints behind protective glass using acid-free mounting board, and position them away from direct sunlight, moisture, and fluctuating temperatures.
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