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ID #SA1233574
FOR SALE
£580
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Mezzotint Portrait of Jemima ( Jones), Countess of Cornwallis by James Watson After Sir Joshua Reynolds.
The Mezzotint Man
for sale €679     $737
£580
The Mezzotint Man

The Mezzotint Man

Sellingantiques Verified Since Mar 2026
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Mezzotint Portrait of Jemima ( Jones), Countess of Cornwallis by James Watson After Sir Joshua Reynolds.

19th century
Description

MEZZOTINT PORTRAIT OF JEMIMA ( JONES), COUNTESS OF CORNWALLIS BY JAMES WATSON AFTER SIR JOSHUA REYNOLDS.

Jemima (Jones), Countess of Cornwallis, d. 1779. Wife of the 1st Marquis of Cornwallis : Sir Joshua Reynolds (1723 - 1792) seated on ledge almost whole-length in three-quarter profile to right holding papers in her lap, wearing plain dress, her hair up; landscape beyond at right.

Mezzotint

Mezzotint

Date: Published 1771

Sheet Dimensions: 64cm x 39cm.

 

Framed Dimensions: 72cm x 47cm.

 

Price: £580

 

All prices include UK mainland delivery. For other territories please ask.

Physical Dimensions
Height
72cm (28.35")
Width
47cm (18.50")
Depth
1cm (0.39")
Declaration

The Mezzotint Man has dated this Antique Portrait Mezzotint Print to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1233574
Description
MEZZOTINT PORTRAIT OF JEMIMA ( JONES), COUNTESS OF CORNWALLIS BY JAMES WATSON AFTER SIR JOSHUA REYNOLDS.

Jemima (Jones), Countess of Cornwallis, d. 1779. Wife of the 1st Marquis of Cornwallis : Sir Joshua Reynolds (1723 - 1792) seated on ledge almost whole-length in three-quarter profile to right holding papers in her lap, wearing plain dress, her hair up; landscape beyond at right.

Mezzotint

Mezzotint

Date: Published 1771

Sheet Dimensions: 64cm x 39cm.

 

Framed Dimensions: 72cm x 47cm.

 

Price: £580

 

All prices include UK mainland delivery. For other territories please ask.

Height
72cm (28.35")
Width
47cm (18.50")
Depth
1cm (0.39")
Date of Manufacture

The Mezzotint Man has dated this Antique Portrait Mezzotint Print to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1233574
The Mezzotint Man
The Mezzotint Man
Sellingantiques verified Since Mar 2026

Dealers in fine antiquarian portrait prints

Dealer Profile

You can view the stock and full dealer information on the The Mezzotint Man Profile Page

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A framed monochrome Georgian mezzotint portrait depicting a seated noblewoman with a high hairstyle holding a paper in a landscape setting.
1 / 3
Archive I A framed monochrome Georgian mezzotint portrait depicting a seated noblewoman with a high hairstyle holding a paper in a landscape setting.

Mezzotint Portrait of Jemima ( Jones), Countess of Cornwallis by James Watson After Sir Joshua Reynolds.

Archive II A framed monochrome Georgian mezzotint portrait depicting a seated noblewoman with a high hairstyle holding a paper in a landscape setting. View II
Archive III A framed monochrome Georgian mezzotint portrait depicting a seated noblewoman with a high hairstyle holding a paper in a landscape setting. View III
Enlarged Archival View
The Mezzotint Man

The Mezzotint Man
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Dealer Profile Page sellingantiques.co.uk/themezzotintman
Verified Since Mar 2026
Items For Sale 33
Items Sold 9
The Mezzotint Man
The Mezzotint Man
Verified Since Mar 2026
View Dealer Info
Location: North Yorkshire, United Kingdom
Profile: sellingantiques.co.uk/themezzotintman
Verified
Mar 2026
For Sale
33
Sold
9
A framed monochrome Georgian mezzotint portrait depicting a seated noblewoman with a high hairstyle holding a paper in a landscape setting.
MEZZOTINT PORTRAIT OF JEMIMA ( JONES), COUNTESS OF CORNWALLIS BY JAMES WATSON AFTER SIR JOSHUA REYNOLDS.
Ref: SA1233574
A framed monochrome Georgian mezzotint portrait depicting a seated noblewoman with a high hairstyle holding a paper in a landscape setting.
Detail View 1
Detail View 2
Archival Detail

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FAQs

A mezzotint is a tonal printmaking process popular during the 18th century that allowed for rich gradations of shade, frequently used to reproduce oil portraits of notable historical figures.

Mezzotints were created by rocking a copper plate to produce a rough surface, then scraping and burnishing areas to hold varying amounts of ink before printing onto laid rag paper.

Authentic pieces display distinct plate marks pressed into the paper, soft tonal transitions without modern halftone dot patterns under magnification, and characteristic period paper texture.

Hang framed historical prints as part of a gallery wall above a sideboard, or place a single print in a study setting alongside dark timber furniture.

Display prints away from direct sunlight and high humidity, ensuring they are mounted using acid-free materials behind UV-protective glass to prevent discolouration.
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