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Mezzotint Portrait of Oliver Cromwell (1599-1648) - By John Bowles After Sir Peter Lely, After Samuel Cooper
For sale by The Mezzotint Man
for sale €842     $914
£720
The Mezzotint Man

The Mezzotint Man

Sellingantiques Verified Since Mar 2026
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Mezzotint Portrait of Oliver Cromwell (1599-1648) - By John Bowles After Sir Peter Lely, After Samuel Cooper

17th century
Description

OLIVER CROMWELL (1599-1648) - BY JOHN BOWLES AFTER SIR PETER LELY, AFTER SAMUEL COOPER

OLIVER CROMWELL (1599-1648) - BY JOHN BOWLES AFTER SIR PETER LELY, AFTER SAMUEL COOPER

Fine and comparatively rare mezzotint portrait of Oliver Cromwell (1599-1648) by John Bowles after Sir Peter Lely, after Samuel Cooper. Oliver Cromwell, the English statesman, politician and soldier, widely regarded as one of the most important figures in the history of the British Isles. One of three mezzotints of the sitter that we are currently offering, and each depicts the sitter bust length in armour.

Oliver Cromwell is one of the most famous figures in British history. For some he provokes strong emotions, even more than 350 years after his death. He is known throughout the world, and was voted one of the ten most important figures in British history in 2001.

There are a number of reasons why Cromwell is significant and is worthy of focus today:

Cromwell was from a relatively humble background, born and brought up in relative obscurity from a ‘middling sort’ family in Huntingdon. He rose to become the first commoner to become Head of State in British history.

Cromwell divides opinions: partly this is down to those after the Restoration who wanted blacken his name, partly because some of his actions, such as his Irish campaign, were controversial even during his lifetime and continue to cause discussion and debate even today. Some love him; others loathe him – either way he is impossible to ignore.

He was one of the key figures in the Civil Wars that tore the country apart in the 1640s, and one of the main architects of Parliament’s victory in this bloody conflict.

The modern British army was founded from the New Modelled Army that Cromwell helped found and led so effectively. The red coat still worn as the dress uniform by regiments today was derived from that of Cromwell’s regiments.

Cromwell was a key figure in the trial and execution of King Charles I. This was the first time that a monarch had been deposed and put on trial by his own people, as opposed to being simply deposed by a rival royal. It has been argued that this helped establish a legal precedent that heads of state were answerable to the law and their people – an important principle that led to the existence of the International Criminal Court and War Crimes Tribunals today.

The Protectorate over which Cromwell presided was the first government in British history to have a written constitution - indeed the first such document in a modern nation state - a document that set out the rules for how the country should be governed, and enshrined the principle of freedom of religious conscience. For a time in the 1650s there was the greatest period of religious toleration there had yet been in England, or would be again for over a century.

Cromwell as a person is contradictory, paradoxical, fascinating and often misunderstood. The popular image of him is as a dour, humourless individual, dressed in black. His portraits show him actually in fine clothes; he seems to have been a devoted husband and father, enjoyed music, dancing and horse racing and had a good sense of humour. He could be a commanding and energetic figure, but also battled with depression and periods of melancholy. He is often quoted; from “warts and all” to “keeping your powder dry”.

The period that Cromwell lived through led to the foundation of our modern parliamentary democracy; people then raised questions about the nature of freedom, government, religion and equality that we still wrestle with today. ( The Cromwell Museum)

This mezzotint is in a fine state of conservation and is housed in a quality ebonised frame with museum quality mount.

Provenance: The historic Heydon Grange in Norfolk

Framed Dimensions: 49cm x 39cm

Price: £720

All prices include UK mainland delivery

Physical Dimensions
Height
49cm (19.29")
Width
39cm (15.35")
Depth
1cm (0.39")
Declaration

The Mezzotint Man has dated this Framed Oliver Cromwell Mezzotint to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA1233571
Description
OLIVER CROMWELL (1599-1648) - BY JOHN BOWLES AFTER SIR PETER LELY, AFTER SAMUEL COOPER

OLIVER CROMWELL (1599-1648) - BY JOHN BOWLES AFTER SIR PETER LELY, AFTER SAMUEL COOPER

“
Fine and comparatively rare mezzotint portrait of Oliver Cromwell (1599-1648) by John Bowles after Sir Peter Lely, after Samuel Cooper.
The Mezzotint Man

Oliver Cromwell, the English statesman, politician and soldier, widely regarded as one of the most important figures in the history of the British Isles. One of three mezzotints of the sitter that we are currently offering, and each depicts the sitter bust length in armour.

fig 1. A monochrome framed mezzotint portrait depicting Oliver Cromwell in armour within an oval border, presented in a black wooden frame.
fig 1. Mezzotint Portrait of Oliver Cromwell (1599-1648) - By John Bowles After Sir Peter Lely, After Samuel Cooper

Oliver Cromwell is one of the most famous figures in British history. For some he provokes strong emotions, even more than 350 years after his death. He is known throughout the world, and was voted one of the ten most important figures in British history in 2001.

fig 2. A monochrome framed mezzotint portrait depicting Oliver Cromwell in armour within an oval border, presented in a black wooden frame.
fig 2. Mezzotint Portrait of Oliver Cromwell (1599-1648) - By John Bowles After Sir Peter Lely, After Samuel Cooper

There are a number of reasons why Cromwell is significant and is worthy of focus today:

Cromwell was from a relatively humble background, born and brought up in relative obscurity from a ‘middling sort’ family in Huntingdon. He rose to become the first commoner to become Head of State in British history.

fig 3. A monochrome framed mezzotint portrait depicting Oliver Cromwell in armour within an oval border, presented in a black wooden frame.
fig 3. Mezzotint Portrait of Oliver Cromwell (1599-1648) - By John Bowles After Sir Peter Lely, After Samuel Cooper

Cromwell divides opinions: partly this is down to those after the Restoration who wanted blacken his name, partly because some of his actions, such as his Irish campaign, were controversial even during his lifetime and continue to cause discussion and debate even today. Some love him; others loathe him – either way he is impossible to ignore.

He was one of the key figures in the Civil Wars that tore the country apart in the 1640s, and one of the main architects of Parliament’s victory in this bloody conflict.

The modern British army was founded from the New Modelled Army that Cromwell helped found and led so effectively. The red coat still worn as the dress uniform by regiments today was derived from that of Cromwell’s regiments.

Cromwell was a key figure in the trial and execution of King Charles I. This was the first time that a monarch had been deposed and put on trial by his own people, as opposed to being simply deposed by a rival royal. It has been argued that this helped establish a legal precedent that heads of state were answerable to the law and their people – an important principle that led to the existence of the International Criminal Court and War Crimes Tribunals today.

The Protectorate over which Cromwell presided was the first government in British history to have a written constitution - indeed the first such document in a modern nation state - a document that set out the rules for how the country should be governed, and enshrined the principle of freedom of religious conscience. For a time in the 1650s there was the greatest period of religious toleration there had yet been in England, or would be again for over a century.

Cromwell as a person is contradictory, paradoxical, fascinating and often misunderstood. The popular image of him is as a dour, humourless individual, dressed in black. His portraits show him actually in fine clothes; he seems to have been a devoted husband and father, enjoyed music, dancing and horse racing and had a good sense of humour. He could be a commanding and energetic figure, but also battled with depression and periods of melancholy. He is often quoted; from “warts and all” to “keeping your powder dry”.

The period that Cromwell lived through led to the foundation of our modern parliamentary democracy; people then raised questions about the nature of freedom, government, religion and equality that we still wrestle with today. ( The Cromwell Museum)

This mezzotint is in a fine state of conservation and is housed in a quality ebonised frame with museum quality mount.

Provenance: The historic Heydon Grange in Norfolk

Framed Dimensions: 49cm x 39cm

Price: £720

All prices include UK mainland delivery

Height
49cm (19.29")
Width
39cm (15.35")
Depth
1cm (0.39")
Date of Manufacture

The Mezzotint Man has dated this Framed Oliver Cromwell Mezzotint to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA1233571
The Mezzotint Man
The Mezzotint Man
Sellingantiques verified Since Mar 2026

Dealers in fine antiquarian portrait prints

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A monochrome framed mezzotint portrait depicting Oliver Cromwell in armour within an oval border, presented in a black wooden frame.
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Archive I A monochrome framed mezzotint portrait depicting Oliver Cromwell in armour within an oval border, presented in a black wooden frame.

Mezzotint Portrait of Oliver Cromwell (1599-1648) - By John Bowles After Sir Peter Lely, After Samuel Cooper

Archive II A monochrome framed mezzotint portrait depicting Oliver Cromwell in armour within an oval border, presented in a black wooden frame. View II
Archive III A monochrome framed mezzotint portrait depicting Oliver Cromwell in armour within an oval border, presented in a black wooden frame. View III
Archive IV A monochrome framed mezzotint portrait depicting Oliver Cromwell in armour within an oval border, presented in a black wooden frame. View IV
Enlarged Archival View
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Mar 2026
Items For Sale 37
Items Sold 10
The Mezzotint Man
The Mezzotint Man
Verified Since Mar 2026
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Mar 2026
For Sale
37
Sold
10
A monochrome framed mezzotint portrait depicting Oliver Cromwell in armour within an oval border, presented in a black wooden frame.
MEZZOTINT PORTRAIT OF OLIVER CROMWELL (1599-1648) - BY JOHN BOWLES AFTER SIR PETER LELY, AFTER SAMUEL COOPER
Ref: SA1233571
A monochrome framed mezzotint portrait depicting Oliver Cromwell in armour within an oval border, presented in a black wooden frame.
Detail View 1
Detail View 2
Detail View 3
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectFramed Print
  • Period17th century
  • Style18th Century British
  • MaterialPaper, Ink, Wood, Glass
  • ColourBlack & White
  • MotifsOval cartouche frame, Armour detailing, Inscription panel, Black wooden frame
  • SizeH 49 cm (19 in) x W 39 cm (15 in) x D 1 cm (0 in)

This framed mezzotint portrait depicts Oliver Cromwell in armour within an oval border, presented in a black wooden frame with a white card mount. Dating from the 17th century in an 18th century British style, the piece is made from paper, ink, wood, and glass, rendered in a monochrome black and white palette. Visible details include the dark wooden moulding of the outer frame, the engraved text panel beneath the oval cartouche detailing the sitter as Lord Protector, and the detailed armour and facial features within the bust-length portrait. The physical dimensions measure 49 cm high, 39 cm wide, and 1 cm deep. Suitable for a gentleman's library aesthetic, it is designed for placement on a wall above a sideboard in a home interior today.

Mezzotint is a tonal printmaking process popular in the seventeenth and eighteenth centuries that allows for subtle gradations of light and shadow without relying on line hatching.

Mezzotints were created by roughening a copper plate with a curved serrated tool called a rocker, inking the plate, and pressing it onto laid paper to transfer the detailed tonal impression.

Authentic antique mezzotints exhibit rich velvety blacks, soft tonal transitions, distinct plate mark impressions around the border, and period-correct laid paper texture.

Position a monochrome historical portrait in a study, library, or hallway gallery wall alongside minimalist modern artwork to create striking visual contrast.

Display framed prints away from direct sunlight and moisture, maintaining stable humidity levels and using acid-free mounting materials alongside UV-filtering glass.
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