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ID #SA1233126
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£2,250
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John Horace Hooper, on the Purley Road, Berks - Antique Oil Painting
Brave Fine Art
for sale €2,633     $2,858
£2,250
Brave Fine Art

Brave Fine Art

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John Horace Hooper, on the Purley Road, Berks - Antique Oil Painting

19th century
For Sale by Brave Fine Art
Description

This late 19th-century oil painting by English artist John Horace Hooper (1852-1906) depicts a quiet tree-lined road near Purley in Berkshire.

Beneath a dense canopy of mature trees, an old wooden cart has been left beside the track, its shafts resting on the ground and harness loosely discarded alongside. Further ahead, a solitary figure walks beside a horse, gradually disappearing towards a sunlit opening in the distance. It's an ostensibly simple view, yet Hooper has orchestrated it beautifully.

The broad road provides a natural route through the composition, beginning expansively in the foreground before narrowing and gently turning between the trees. Patches of sunlight scattered across its uneven surface draw the eye onwards, while the cart provides a rustic counterweight on the left.

Hooper evidently enjoyed the less manicured aspects of the English countryside. The trees are old and irregular, their trunks thick with growth, while the understorey is tangled and abundant. He builds the woodland through numerous broken touches of olive, ochre, russet and green, allowing individual forms to emerge from an overall impression of foliage. The cart is particularly appealing. Weathered, crooked and apparently abandoned for the moment, it seems part of the landscape itself.

Purley-on-Thames lies on the Berkshire bank of the Thames, immediately downstream from Pangbourne and close to Mapledurham. This places the painting firmly within the countryside that became central to Hooper's career. He exhibited 'Mapledurham' at the Royal Academy in 1888, followed by 'The Thames, near Pangbourne' in 1889, 'Evening on the Upper Thames' in 1892 and 'Near Sonning on Thames' in 1899.

Contemporary critics particularly admired his treatment of this landscape. Reviewing 'Summer on the Upper Thames' in 1893, the South Wales Argus praised its river, meadow, wind-blown trees and tangled vegetation, describing a scene familiar to anyone who had explored the upper reaches of the Thames. Several years later, another critic admired the "quiet reposeful beauty" of his work.

Those words seem equally appropriate here.

Signed in the lower left, further signed and titled on the reverse and held within a gilt frame with classical mouldings and a decorative inner border.

Learn more about John Horace Hooper in our directory.

Medium: Oil on canvas

Overall size: 41” x 29” / 104cm x 74cm

Year of creation: c. 1890

Labels & Inscriptions: Signed and titled on the reverse.

Provenance: Private collection, UK.

Condition: Cleaned. Revarnished. Areas of fine and settled craquelure, as you would expect. The paint layer is stable. One patched repair. Frame in good condition with minor age-related wear.

Artist’s auction maximum: £5,614 achieved in 1989 for ‘Fishing in a Mountain Stream’.

Our reference: BRV2340

Physical Dimensions
Height
74cm (29.13")
Width
104cm (40.94")
Depth
6cm (2.36")
Declaration

Brave Fine Art has dated this Victorian Landscape Oil Painting to the 1890s.

Reference Numbers
Sellingantiques Reference
SA1233126
Dealers Internal Reference
BRV2340
Description
This late 19th-century oil painting by English artist John Horace Hooper (1852-1906) depicts a quiet tree-lined road near Purley in Berkshire.
Beneath a dense canopy of mature trees, an old wooden cart has been left beside the track, its shafts resting on the ground and harness loosely discarded alongside.
Brave Fine Art

Further ahead, a solitary figure walks beside a horse, gradually disappearing towards a sunlit opening in the distance. It's an ostensibly simple view, yet Hooper has orchestrated it beautifully.

fig 1. A framed nineteenth-century oil painting depicting a dirt country road lined with trees, a horse-drawn cart, and figures under a light cloudy sky.
fig 1. John Horace Hooper, on the Purley Road, Berks - Antique Oil Painting

The broad road provides a natural route through the composition, beginning expansively in the foreground before narrowing and gently turning between the trees. Patches of sunlight scattered across its uneven surface draw the eye onwards, while the cart provides a rustic counterweight on the left.

fig 2. A framed nineteenth-century oil painting depicting a dirt country road lined with trees, a horse-drawn cart, and figures under a light cloudy sky.
fig 2. John Horace Hooper, on the Purley Road, Berks - Antique Oil Painting

Hooper evidently enjoyed the less manicured aspects of the English countryside. The trees are old and irregular, their trunks thick with growth, while the understorey is tangled and abundant. He builds the woodland through numerous broken touches of olive, ochre, russet and green, allowing individual forms to emerge from an overall impression of foliage. The cart is particularly appealing. Weathered, crooked and apparently abandoned for the moment, it seems part of the landscape itself.

fig 3. A framed nineteenth-century oil painting depicting a dirt country road lined with trees, a horse-drawn cart, and figures under a light cloudy sky.
fig 3. John Horace Hooper, on the Purley Road, Berks - Antique Oil Painting

Purley-on-Thames lies on the Berkshire bank of the Thames, immediately downstream from Pangbourne and close to Mapledurham. This places the painting firmly within the countryside that became central to Hooper's career. He exhibited 'Mapledurham' at the Royal Academy in 1888, followed by 'The Thames, near Pangbourne' in 1889, 'Evening on the Upper Thames' in 1892 and 'Near Sonning on Thames' in 1899.

fig 4. A framed nineteenth-century oil painting depicting a dirt country road lined with trees, a horse-drawn cart, and figures under a light cloudy sky.
fig 4. John Horace Hooper, on the Purley Road, Berks - Antique Oil Painting

Contemporary critics particularly admired his treatment of this landscape. Reviewing 'Summer on the Upper Thames' in 1893, the South Wales Argus praised its river, meadow, wind-blown trees and tangled vegetation, describing a scene familiar to anyone who had explored the upper reaches of the Thames. Several years later, another critic admired the "quiet reposeful beauty" of his work.

fig 5. A framed nineteenth-century oil painting depicting a dirt country road lined with trees, a horse-drawn cart, and figures under a light cloudy sky.
fig 5. John Horace Hooper, on the Purley Road, Berks - Antique Oil Painting

Those words seem equally appropriate here.

Signed in the lower left, further signed and titled on the reverse and held within a gilt frame with classical mouldings and a decorative inner border.

Learn more about John Horace Hooper in our directory.

fig 6. A framed nineteenth-century oil painting depicting a dirt country road lined with trees, a horse-drawn cart, and figures under a light cloudy sky.
fig 6. John Horace Hooper, on the Purley Road, Berks - Antique Oil Painting

Medium: Oil on canvas

Overall size: 41” x 29” / 104cm x 74cm

Year of creation: c. 1890

Labels & Inscriptions: Signed and titled on the reverse.

Provenance: Private collection, UK.

Condition: Cleaned. Revarnished. Areas of fine and settled craquelure, as you would expect. The paint layer is stable. One patched repair. Frame in good condition with minor age-related wear.

Artist’s auction maximum: £5,614 achieved in 1989 for ‘Fishing in a Mountain Stream’.

Our reference: BRV2340

Height
74cm (29.13")
Width
104cm (40.94")
Depth
6cm (2.36")
Date of Manufacture

Brave Fine Art has dated this Victorian Landscape Oil Painting to the 1890s.

Reference Numbers
Sellingantiques Ref
SA1233126
Dealers Internal Ref
BRV2340
Brave Fine Art
Brave Fine Art
Sellingantiques verified Since Nov 2018

Exquisite antique paintings that capture the imagination.

Dealer Profile

You can view the stock and full dealer information on the Brave Fine Art Profile Page

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A framed nineteenth-century oil painting depicting a dirt country road lined with trees, a horse-drawn cart, and figures under a light cloudy sky.
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Archive I A framed nineteenth-century oil painting depicting a dirt country road lined with trees, a horse-drawn cart, and figures under a light cloudy sky.

John Horace Hooper, on the Purley Road, Berks - Antique Oil Painting

Archive II A framed nineteenth-century oil painting depicting a dirt country road lined with trees, a horse-drawn cart, and figures under a light cloudy sky. View II
Archive III A framed nineteenth-century oil painting depicting a dirt country road lined with trees, a horse-drawn cart, and figures under a light cloudy sky. View III
Archive IV A framed nineteenth-century oil painting depicting a dirt country road lined with trees, a horse-drawn cart, and figures under a light cloudy sky. View IV
Archive V A framed nineteenth-century oil painting depicting a dirt country road lined with trees, a horse-drawn cart, and figures under a light cloudy sky. View V
Archive VI A framed nineteenth-century oil painting depicting a dirt country road lined with trees, a horse-drawn cart, and figures under a light cloudy sky. View VI
Archive VII A framed nineteenth-century oil painting depicting a dirt country road lined with trees, a horse-drawn cart, and figures under a light cloudy sky. View VII
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Location
21 Enterprise Way
Arle Road
Cheltenham
Cotswolds
GL51 8LZ
United Kingdom

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Brave Fine Art
Brave Fine Art
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Location: 21 Enterprise Way, Arle Road, Cheltenham, Cotswolds, GL51 8LZ, United Kingdom, , Under appointment only.
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A framed nineteenth-century oil painting depicting a dirt country road lined with trees, a horse-drawn cart, and figures under a light cloudy sky.
John Horace Hooper, On The Purley Road, Berks - Antique Oil Painting
Ref: SA1233126
A framed nineteenth-century oil painting depicting a dirt country road lined with trees, a horse-drawn cart, and figures under a light cloudy sky.
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Victorian landscape painting depicted pastoral scenes, rural working life, and natural scenery with an emphasis on realism, atmosphere, and the changing light of the British countryside.

Paintings were typically executed using oil pigments applied to stretched cotton or linen canvas, often presented in carved wood or plaster frames finished with gold leaf.

Authentic works display age-appropriate craquelure across the paint layer, natural oxidisation on the wooden stretcher bars, and era-typical signatures and framing techniques.

Position the painting as a focal point above a fireplace or console table, pairing its earthy tones against contemporary neutral walls for a balanced aesthetic.

Keep the artwork away from direct heat sources and sunlight, dusting the gilt frame lightly with a soft, dry brush without applying liquid cleaners.
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