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ID #SA1231607
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£580
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Mezzotint Portrait of Princess Augusta of Brunswick and Lunenberg - By Purcell After Reynolds.
The Mezzotint Man
for sale €679     $737
£580
The Mezzotint Man

The Mezzotint Man

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Mezzotint Portrait of Princess Augusta of Brunswick and Lunenberg - By Purcell After Reynolds.

18th century
Description

PRINCESS AUGUSTA OF BRUNSWICK AND LUNENBERG - BY PURCELL AFTER REYNOLDS.

Her Royal Highness Augusta, Hereditary Princess of Brunswick & Lunenberg.

Mezzotint, engraved by Purcell after the work by Reynolds, published by Robert Sayer, Map & Printseller, London.

Charlotte Augusta, Princess of Brunswick-Wolfenbüttell (1737-1813) was a daughter of Frederick Lewis, Prince of Wales, and the elder sister of George III. In 1764 she married Charles William Ferdinand, Duke of Brunswick at St. James’s Palace. In 1806, when France declared war on Prussia , the Duke was appointed commander-in-chief of the Prussian army. Within a few months he dies from serious injuries received at the Battle of Auerstadt and the princess returns to Britain, granted protection by her brother, King George III. One of her daughters, Caroline, was to become Queen to George IV.

It is thought that almost all of Purcell's mezzotints were piracies of other people’s mezzotints and it is difficult to understand how Sayer and Purcell avoided prosecution for breaching copyright. Clearly Purcell's frequent use of pseudonyms should be considered an effective smokescreen. He seems to have used around five; perhaps Johnson, definitely Charles Corbutt, Charles Corbett, Philip Corbutt (as in this case) and Patrick Purcell.

Within a high quality later eighteenth century style print frame.

Mezzotint

Sheet: 51cm x 36cm

Framed: 60cm x 44cm

Price: £580

Physical Dimensions
Height
60cm (23.62")
Width
44cm (17.32")
Depth
2cm (0.79")
Declaration

The Mezzotint Man has dated this Georgian Mezzotint Portrait Print to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1231607
Description
PRINCESS AUGUSTA OF BRUNSWICK AND LUNENBERG - BY PURCELL AFTER REYNOLDS.

Her Royal Highness Augusta, Hereditary Princess of Brunswick & Lunenberg.

Mezzotint, engraved by Purcell after the work by Reynolds, published by Robert Sayer, Map & Printseller, London.
The Mezzotint Man
fig 1. A framed monochrome Georgian mezzotint portrait depicting Princess Augusta of Brunswick, encased in a black ebonised frame with a gilded inner sight edge.
fig 1. Mezzotint Portrait of Princess Augusta of Brunswick and Lunenberg - By Purcell After Reynolds.

Charlotte Augusta, Princess of Brunswick-Wolfenbüttell (1737-1813) was a daughter of Frederick Lewis, Prince of Wales, and the elder sister of George III. In 1764 she married Charles William Ferdinand, Duke of Brunswick at St. James’s Palace. In 1806, when France declared war on Prussia , the Duke was appointed commander-in-chief of the Prussian army. Within a few months he dies from serious injuries received at the Battle of Auerstadt and the princess returns to Britain, granted protection by her brother, King George III. One of her daughters, Caroline, was to become Queen to George IV.

fig 2. A framed monochrome Georgian mezzotint portrait depicting Princess Augusta of Brunswick, encased in a black ebonised frame with a gilded inner sight edge.
fig 2. Mezzotint Portrait of Princess Augusta of Brunswick and Lunenberg - By Purcell After Reynolds.

It is thought that almost all of Purcell's mezzotints were piracies of other people’s mezzotints and it is difficult to understand how Sayer and Purcell avoided prosecution for breaching copyright. Clearly Purcell's frequent use of pseudonyms should be considered an effective smokescreen. He seems to have used around five; perhaps Johnson, definitely Charles Corbutt, Charles Corbett, Philip Corbutt (as in this case) and Patrick Purcell.

fig 3. A framed monochrome Georgian mezzotint portrait depicting Princess Augusta of Brunswick, encased in a black ebonised frame with a gilded inner sight edge.
fig 3. Mezzotint Portrait of Princess Augusta of Brunswick and Lunenberg - By Purcell After Reynolds.

Within a high quality later eighteenth century style print frame.

Mezzotint

Sheet: 51cm x 36cm

Framed: 60cm x 44cm

Price: £580

Height
60cm (23.62")
Width
44cm (17.32")
Depth
2cm (0.79")
Date of Manufacture

The Mezzotint Man has dated this Georgian Mezzotint Portrait Print to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1231607
The Mezzotint Man
The Mezzotint Man
Sellingantiques verified Since Mar 2026

Dealers in fine antiquarian portrait prints

Dealer Profile

You can view the stock and full dealer information on the The Mezzotint Man Profile Page

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A framed monochrome Georgian mezzotint portrait depicting Princess Augusta of Brunswick, encased in a black ebonised frame with a gilded inner sight edge.
1 / 6
Archive I A framed monochrome Georgian mezzotint portrait depicting Princess Augusta of Brunswick, encased in a black ebonised frame with a gilded inner sight edge.

Mezzotint Portrait of Princess Augusta of Brunswick and Lunenberg - By Purcell After Reynolds.

Archive II A framed monochrome Georgian mezzotint portrait depicting Princess Augusta of Brunswick, encased in a black ebonised frame with a gilded inner sight edge. View II
Archive III A framed monochrome Georgian mezzotint portrait depicting Princess Augusta of Brunswick, encased in a black ebonised frame with a gilded inner sight edge. View III
Archive IV A framed monochrome Georgian mezzotint portrait depicting Princess Augusta of Brunswick, encased in a black ebonised frame with a gilded inner sight edge. View IV
Archive V A framed monochrome Georgian mezzotint portrait depicting Princess Augusta of Brunswick, encased in a black ebonised frame with a gilded inner sight edge. View V
Archive VI A framed monochrome Georgian mezzotint portrait depicting Princess Augusta of Brunswick, encased in a black ebonised frame with a gilded inner sight edge. View VI
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The Mezzotint Man
The Mezzotint Man
Verified Since Mar 2026
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Mar 2026
For Sale
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A framed monochrome Georgian mezzotint portrait depicting Princess Augusta of Brunswick, encased in a black ebonised frame with a gilded inner sight edge.
MEZZOTINT PORTRAIT OF PRINCESS AUGUSTA OF BRUNSWICK AND LUNENBERG - BY PURCELL AFTER REYNOLDS.
Ref: SA1231607
A framed monochrome Georgian mezzotint portrait depicting Princess Augusta of Brunswick, encased in a black ebonised frame with a gilded inner sight edge.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Mezzotint is an intaglio printmaking technique from the copperplate family that achieved widespread popularity during the eighteenth century. The process enables continuous tonal gradation and subtle light effects without the use of line hatching, making it ideal for reproducing oil portraits.

Eighteenth-century mezzotints were produced using copper plates prepared with a metal rocker tool, inked with carbon-based pigments, and pressed onto rag paper. Frames from this period often incorporate carved wood, ebonised finishes, and gold leaf gilding.

Authentic period mezzotints display an indented plate impression along the outer border where the copper plate pressed into the paper. Under magnification, the image shows soft tonal transitions and small dot patterns created by the rocker tool rather than grid dots from photomechanical reproduction.

Monochrome portrait prints can be styled within gallery walls alongside contemporary linear artwork or monochrome photography. Mounting a framed historical portrait above a sideboard or inside a painted wall alcove provides a structured visual focal point.

Position antique paper prints away from direct sunlight, moisture, and heat sources to prevent foxing and discolouration. Housing prints behind UV-filtering glass with acid-free backing boards protects the paper fibers from degradation over time.
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