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ID #SA1226464
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After Peter Lely James, Duke of York, (Later James Ii) and Anne Hyde, Duchess of York
Darnley Fine Art
for sale €4,680     $5,080
£4,000

Darnley Fine Art

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After Peter Lely James, Duke of York, (Later James Ii) and Anne Hyde, Duchess of York

17th century
For Sale by Darnley Fine Art
Description

Pencil, ink and white chalk on paper,

Image size: 10 x 8 inches (25.5 x 20.5 cm)

Early frame

This drawing is based upon the double portrait by Sir Peter Lely’s of Anne Hyde, the Duchess of York, and James II, currently on view in the National Portrait Gallery. This sketch is fairly similar to the original composition, notably with both figures sat in the same positions. The use of white chalk by the artist effectively evokes the details and highlights found in the original.

Lely produced a number of likenesses of the king’s brother, James Duke of York, and his first wife, Anne Hyde, over several years. Commissioned by the Earl of Clarendon, the first portrait was most probably painted after the marriage in 1660. This sketch, however, arguably matches the composition of a slightly later group portrait of the couple by Lely, which is held in the collection at Petworth House. 

Peter Lely

Born in Soest in 1618, Lely trained in Haarlem before travelling to London in 1634. He had painted the children of Charles I in 1647, whilst the king was in custody during the Civil War. After the return of Charles II and the restoration of the monarchy, Lely was appointed Principal Painter to the king and enjoyed a highly successful career at court, producing portraits of the leading figures of the day.

Peter Lely would make a number of studies when preparing a composition. Indeed, according to Oliver Millar, he was ‘a more prolific draughtsman, and made more preparatory studies in the course of his practice, than any other professional portrait-painter in London’. He clearly appreciated the value of drawings, whether as a commodity in themselves, or as a part of the artistic process.

Literature– Millar, O. Sir Peter Lely 1618-80, exhibition catalogue, 17th November 1978 – 18th March 1979

Physical Dimensions
Height
20.5cm (8.07")
Width
25.5cm (10.04")
Declaration

Darnley Fine Art has dated this 17th Century Portrait Drawing to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA1226464
Description
Pencil, ink and white chalk on paper,

Image size: 10 x 8 inches (25.5 x 20.5 cm)

Early frame

This drawing is based upon the double portrait by Sir Peter Lely’s of Anne Hyde, the Duchess of York, and James II, currently on view in the National Portrait Gallery.
Darnley Fine Art

This sketch is fairly similar to the original composition, notably with both figures sat in the same positions. The use of white chalk by the artist effectively evokes the details and highlights found in the original.

fig 1. A 17th-century style portrait drawing rendered in brown chalk and white heightening on toned paper depicting a seated noble couple.
fig 1. After Peter Lely James, Duke of York, (Later James Ii) and Anne Hyde, Duchess of York

Lely produced a number of likenesses of the king’s brother, James Duke of York, and his first wife, Anne Hyde, over several years. Commissioned by the Earl of Clarendon, the first portrait was most probably painted after the marriage in 1660. This sketch, however, arguably matches the composition of a slightly later group portrait of the couple by Lely, which is held in the collection at Petworth House. 

Peter Lely

Born in Soest in 1618, Lely trained in Haarlem before travelling to London in 1634. He had painted the children of Charles I in 1647, whilst the king was in custody during the Civil War. After the return of Charles II and the restoration of the monarchy, Lely was appointed Principal Painter to the king and enjoyed a highly successful career at court, producing portraits of the leading figures of the day.

Peter Lely would make a number of studies when preparing a composition. Indeed, according to Oliver Millar, he was ‘a more prolific draughtsman, and made more preparatory studies in the course of his practice, than any other professional portrait-painter in London’. He clearly appreciated the value of drawings, whether as a commodity in themselves, or as a part of the artistic process.

Literature– Millar, O. Sir Peter Lely 1618-80, exhibition catalogue, 17th November 1978 – 18th March 1979

Height
20.5cm (8.07")
Width
25.5cm (10.04")
Date of Manufacture

Darnley Fine Art has dated this 17th Century Portrait Drawing to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA1226464
Darnley Fine Art
Sellingantiques verified Since Jul 2026
Dealer Profile

You can view the stock and full dealer information on the Darnley Fine Art Profile Page

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A 17th-century style portrait drawing rendered in brown chalk and white heightening on toned paper depicting a seated noble couple.
1 / 2
Archive I A 17th-century style portrait drawing rendered in brown chalk and white heightening on toned paper depicting a seated noble couple.

After Peter Lely James, Duke of York, (Later James Ii) and Anne Hyde, Duchess of York

Archive II A 17th-century style portrait drawing rendered in brown chalk and white heightening on toned paper depicting a seated noble couple. View II
Enlarged Archival View
Telephone 0207 379 0499
Location
2-4 Cecil Court
London
WC2N 4HE
United Kingdom

Opening Times
Monday to Saturday: 10:30 - 5:30
(excluding Bank Holidays)
Dealer Profile Page sellingantiques.co.uk/dfa
Verified Since Jul 2026
Items For Sale 76
Darnley Fine Art
Verified Since Jul 2026
View Dealer Info
Location: 2-4 Cecil Court, London, WC2N 4HE, United Kingdom, , Opening Times, Monday to Saturday: 10:30 - 5:30, (excluding Bank Holidays)
Verified
Jul 2026
For Sale
76
A 17th-century style portrait drawing rendered in brown chalk and white heightening on toned paper depicting a seated noble couple.
After Peter Lely James, Duke of York, (later James II) and Anne Hyde, Duchess of York
Ref: SA1226464
A 17th-century style portrait drawing rendered in brown chalk and white heightening on toned paper depicting a seated noble couple.
Detail View 1
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Portraits from the Restoration period frequently feature formal aristocratic poses, elaborate drapery, and soft facial modelling. Artists often used chalk with white heightening to capture light and fabric texture.

Artists typically used black, red, or brown chalk on toned handmade rag paper. Highlights were applied using white chalk or bodycolour to create depth and dimension.

Authentic period drawings display natural age-related paper tone, historic laid paper lines or watermarks, and fine cross-hatching techniques consistent with early drawing methods.

These works suit classic gallery walls, traditional study spaces, or modern minimalist interiors where framed antique paper art provides textual contrast.

Frame the artwork using acid-free museum-grade mountboard and UV-filtering glass. Store or display in a climate-controlled room away from direct sunlight and high humidity.
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