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ID #SA1226425
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Charles Stuart Forbes the Letter
Darnley Fine Art
for sale €7,605     $8,255
£6,500

Darnley Fine Art

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Charles Stuart Forbes the Letter

1900 - 1920
For Sale by Darnley Fine Art
Description

Oil on canvas, signed and dated '1916' top right

Image size: 29 1/2 x 68 3/4 inches (74.8 x 174.9 cm)

Original frame

This painting depicts a lady in a beautiful green dress as she reads a letter, concentration evident upon her face. Her face remains impassive, but the hand on the table suggests an emotional reaction, as she is leaning towards an object for stability. Her appearance is modest - she is well dressed and her hair is styled into a perfect updo, but she is not garish or gaudy. 

The artwork is painted with a modest and subdued palette, only adding to the notion of the lady being a modest and reserved character. Apart from the lady’s soft skin, the only other area that stands out is the blue orchid on the table behind her. The loose brushstrokes indicate a lowly lit scene, and create a sense of spontaneity that lends itself to the quotidian subject matter. 

Charles Stuart Forbes

Forbes was born in Geneva in 1865, the son of American parents. He studied with Carolus-Duran in Paris in 1887, where he met John Singer Sargent. During this time, Forbes exhibited at the Paris Salon and the Salon of the Societe Natonale des Beaux Arts, and won a medal at the Exposition Universelle de Paris in 1889. Forbes is best known for being one of five artists - with the other four being Sargent, Julian Pennington, Ralph Wormley Curtis and Julian Story - invited to paint poet Robert Browning’s portrait at Browning’s son’s Palazzo Rezzonico home in Venice. Forbes stayed in Venice for a period, where he painted the above painting, before relocating to America. He spent time in Boston and was part of the Boston Art Club, before settling in New York.

As a token of their friendship, Singer painted a portrait of Forbes in 1889, which can be found in the Henry E Huntington Library and Art Gallery in San Marino, California. Forbes passed away in 1926.

Physical Dimensions
Height
174.9cm (68.86")
Width
74.8cm (29.45")
Declaration

Darnley Fine Art has dated this Antique Portrait Oil Painting to the 1910s.

Reference Numbers
Sellingantiques Reference
SA1226425
Description
Oil on canvas, signed and dated '1916' top right

Image size: 29 1/2 x 68 3/4 inches (74.8 x 174.9 cm)

Original frame

This painting depicts a lady in a beautiful green dress as she reads a letter, concentration evident upon her face.
Darnley Fine Art

Her face remains impassive, but the hand on the table suggests an emotional reaction, as she is leaning towards an object for stability. Her appearance is modest - she is well dressed and her hair is styled into a perfect updo, but she is not garish or gaudy. 

The artwork is painted with a modest and subdued palette, only adding to the notion of the lady being a modest and reserved character. Apart from the lady’s soft skin, the only other area that stands out is the blue orchid on the table behind her. The loose brushstrokes indicate a lowly lit scene, and create a sense of spontaneity that lends itself to the quotidian subject matter. 

Charles Stuart Forbes

Forbes was born in Geneva in 1865, the son of American parents. He studied with Carolus-Duran in Paris in 1887, where he met John Singer Sargent. During this time, Forbes exhibited at the Paris Salon and the Salon of the Societe Natonale des Beaux Arts, and won a medal at the Exposition Universelle de Paris in 1889. Forbes is best known for being one of five artists - with the other four being Sargent, Julian Pennington, Ralph Wormley Curtis and Julian Story - invited to paint poet Robert Browning’s portrait at Browning’s son’s Palazzo Rezzonico home in Venice. Forbes stayed in Venice for a period, where he painted the above painting, before relocating to America. He spent time in Boston and was part of the Boston Art Club, before settling in New York.

As a token of their friendship, Singer painted a portrait of Forbes in 1889, which can be found in the Henry E Huntington Library and Art Gallery in San Marino, California. Forbes passed away in 1926.

Height
174.9cm (68.86")
Width
74.8cm (29.45")
Date of Manufacture

Darnley Fine Art has dated this Antique Portrait Oil Painting to the 1910s.

Reference Numbers
Sellingantiques Ref
SA1226425
Darnley Fine Art
Sellingantiques verified Since Jul 2026
Dealer Profile

You can view the stock and full dealer information on the Darnley Fine Art Profile Page

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An oil painting depicting a woman standing in a long emerald green dress reading a letter beside a table with a green glass bottle holding blue irises.
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Archive I An oil painting depicting a woman standing in a long emerald green dress reading a letter beside a table with a green glass bottle holding blue irises.

Charles Stuart Forbes The Letter

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Darnley Fine Art
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Location: 2-4 Cecil Court, London, WC2N 4HE, United Kingdom, , Opening Times, Monday to Saturday: 10:30 - 5:30, (excluding Bank Holidays)
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An oil painting depicting a woman standing in a long emerald green dress reading a letter beside a table with a green glass bottle holding blue irises.
Charles Stuart Forbes The Letter
Ref: SA1226425
An oil painting depicting a woman standing in a long emerald green dress reading a letter beside a table with a green glass bottle holding blue irises.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Turn-of-the-century impressionist portraiture focuses on capturing quiet, reflective moments and atmospheric light rather than formal, staged poses. Artists employed looser brushwork, rich colour palettes, and natural compositions to convey emotion and mood.

Oil paintings from this period were typically executed using ground mineral pigments bound in linseed oil, applied onto natural linen or cotton canvas stretched over wooden frames. These materials provided durability and allowed for layered glazes.

Authentic paintings usually exhibit period-correct craquelure patterns in the varnish layer, natural oxidisation on the canvas back, and period signatures or gallery labels. Inspection under ultraviolet light often reveals original paint layers versus later restorations.

A narrative portrait adds depth when placed above a sideboard or mantelpiece, serving as a focal point within minimalist or transitional rooms. Framing the artwork in a understated moulding allows the rich colours to bridge modern furniture with historical art.

Keep oil paintings away from direct sunlight, excess humidity, and sudden temperature shifts to prevent canvas distortion or paint flaking. Surface dust should be removed gently using a soft, dry camel-hair brush rather than liquid cleaners.
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