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ID #SA1194673
FOR SALE
£4,500
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Antique Old Master Drawing John Viii, Count of Nassau After Van Dyck
Cheshire Antiques Consultant Ltd
for sale €5,265     $5,715
£4,500
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

Sellingantiques Verified Since Jan 2021
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Antique Old Master Drawing John Viii, Count of Nassau After Van Dyck

19th century
Description

Baroque Nobility Portrait in Graphite — John VIII, Count of Nassau (After Van Dyck)

Antique Old Master Drawing | Continental School | Late 18th–Early 19th Century | Graphite on Paper | Framed

Bring true European aristocratic presence to your wall with this refined Old Master–style graphite drawing depicting John VIII, Count of Nassau (1583–1638)—shown half-length in ceremonial armor, with a commanding baton and formal Latin title. Created by an unknown Continental artist in the late 18th to early 19th century, the work is drawn after Sir Anthony van Dyck, following the celebrated engraved prototype by Paulus Pontius, published by Martinus van den Enden.

Artwork Details )

Title / Subject: John VIII, Count of Nassau, Lord of Cattenell and Beilstein, in Armor

After: Sir Anthony van Dyck (1599–1641)

Artist / School: Unknown Old European Master, Continental School (late 18th–early 19th century)

Medium: Graphite on paper

Type: Antique portrait drawing; Old Master after-study; cabinet-scale work on paper

Latin inscription (lower margin, recto):

Excellentissimus Dominus Dominus Ioannes, Comes Nassoviae, Dominus Cattenell et Beilstein.

Translation: “The Most Excellent Lord, Sir John, Count of Nassau, Lord of Cattenell and Beilstein.”

A prestige caption characteristic of 17th-century engraved portrait series, asserting rank, lineage, and legitimacy.

Composition & Technique

A connoisseur’s drawing: restrained, authoritative, and rewarding close viewing.

Aristocratic authority conveyed through polished armor, lace collar, and baton of command

Psychological presence achieved by nuanced graphite modeling in the eyes and mouth

Controlled tonality suggesting metallic sheen without excess

Crisp textural contrast between armor and softened background

Cabinet scale intended for private collecting and intimate contemplation

About the Sitter

John VIII (1583–1638) was a member of the powerful House of Nassau, a dynasty central to early modern European politics and warfare. Portraiture of this type functioned as a declaration of legitimacy, using codified symbols: armor for inherited martial duty, baton for authority, and lace for courtly refinement. First conceived by Van Dyck and widely disseminated through engraving, this image type balances power with psychological presence—composed, assured, and enduring.

Historical Significance

This drawing occupies a highly collectible position within European portrait culture:

Van Dyck’s aristocratic ideal that defined noble representation across Europe

Print dissemination via Paulus Pontius, spreading canonical images among elite collections

Late 18th–19th century connoisseurship preserving Old Master models for study and collecting

The work forms a tangible link between Baroque invention, engraved circulation, and later scholarly translation into graphite.

About the Artist

By an unknown Old European Master active in the late 18th to early 19th century. Academically trained, with confident contour, controlled tonal range, and a sensitive translation of the Van Dyck/Pontius model. Such works were valued for lineage, finish, and intelligible iconography rather than individual authorship.

Signature & Inscriptions

Unsigned, consistent with academically trained after Van Dyck cabinet drawings of this period.

Verso inscribed in period pencil identifying the sitter, dates (1583–1638), and attribution after Van Dyck.

Measurements

Sheet: 24.13 cm (H) × 19.05 cm (W)

Frame: 35 cm (W) × 40.3 cm (H) × 3 cm (D)

Framed

Professionally presented in a Larson Juhl decorative gilt wood frame with a crisp white mount and refined gold inner surround. Ready to hang.

Provenance

From an album assembled by Winfield S. Robbins during late 19th-century travels in Europe. Acquired from a Maryland art dealer; curated by Cheshire Antiques Consultant LTD and exhibited at the Famous Lord Hill Museum.

C

Physical Dimensions
Height
40.3cm (15.87")
Width
35cm (13.78")
Depth
3cm (1.18")
Declaration

Cheshire Antiques Consultant Ltd has dated this Old Master Portrait Drawing to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1194673
Dealers Internal Reference
776
Dealers Notes

Delivery shipping information

Cheshire Antiques Consultant LTD ship worldwide, using fully insured and online tracked delivery services like DHL, DPD, Parcelforce or Fedex also the British Shop. We offer Free national Delivery to England mainland, Wales mainland & Scottish lowland mainland areas only.

We offer Free UK mainland delivery only, international shipping to USA, Canada, Europe. All other countries rest of the world please get in touch for a shipping quote.

Great care and much time are taken over the safe transportation of the Fine Art & Antique pieces which we sell.

We bespoke pack & wrap extremely carefully, so you can rest assured that your piece will arrive with you in great as described condition.

For larger paintings, antique furniture pieces, and fragile items which can not be sent via the normal postal services, we use professional door-to-door delivery providers, who will always strive to deliver your piece promptly, within approximate. 2-5 working days for the United Kingdom mainland & International delivery between 5-14 working days.

Returns Policy

We offer a 14-day money-back refund policy

(excluding the cost of Postage & Packaging costs & any duties, taxes customs charges paid on buyers behalf or buy the buyer direct ).

CONTACT US:

Please feel free to call us.

We have a friendly & professional team on hand who are here to help you with any queries you may have.

Tel: 07494763382

Outside the UK:

Phone or text: 0044 7494763382

PAYMENT:

Our primary payment method is by (BACS) & International bank wire transfer, we can email you an invoice with our banking details upon request. We no longer accept any Online Card or in person card payments due to payment providers charging us and not returning the processing transaction fee even if an order is fraudulent, cancelled or returned. All Item(s) will need to be settled by bank transfer only. We will email you a proforma invoice with our bank details.

Customs Payment & Brexit

Cheshire Antiques Consultant LTD operates on a Delivery Duty Unpaid (DDU) basis which means that the International buyer is responsible for any import duties, taxes & customs clearance charges and any other customs charges which may be necessary to release an order from international customs.

Following the UK leaving the EU on 1st January 2021 (BREXIT) there have been some changes to customs & duty charges for EU customers. Tax and import duty varies from country to country so we recommend you check with your local tax office to see if any fees will be payable.

If the customer refuses to pay any duty and customs charges and the parcel is returned to sender all shipping charges will be deducted from any refund.

Description
Baroque Nobility Portrait in Graphite — John VIII, Count of Nassau (After Van Dyck)
“
Antique Old Master Drawing | Continental School | Late 18th–Early 19th Century | Graphite on Paper | Framed.
Cheshire Antiques Consultant Ltd

Bring true European aristocratic presence to your wall with this refined Old Master–style graphite drawing depicting John VIII, Count of Nassau (1583–1638)—shown half-length in ceremonial armor, with a commanding baton and formal Latin title. Created by an unknown Continental artist in the late 18th to early 19th century, the work is drawn after Sir Anthony van Dyck, following the celebrated engraved prototype by Paulus Pontius, published by Martinus van den Enden.

fig 1. A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame.
fig 1. Antique Old Master Drawing John Viii, Count of Nassau After Van Dyck

Artwork Details )

Title / Subject: John VIII, Count of Nassau, Lord of Cattenell and Beilstein, in Armor

After: Sir Anthony van Dyck (1599–1641)

Artist / School: Unknown Old European Master, Continental School (late 18th–early 19th century)

fig 2. A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame.
fig 2. Antique Old Master Drawing John Viii, Count of Nassau After Van Dyck

Medium: Graphite on paper

Type: Antique portrait drawing; Old Master after-study; cabinet-scale work on paper

Latin inscription (lower margin, recto):

Excellentissimus Dominus Dominus Ioannes, Comes Nassoviae, Dominus Cattenell et Beilstein.

fig 3. A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame.
fig 3. Antique Old Master Drawing John Viii, Count of Nassau After Van Dyck

Translation: “The Most Excellent Lord, Sir John, Count of Nassau, Lord of Cattenell and Beilstein.”

A prestige caption characteristic of 17th-century engraved portrait series, asserting rank, lineage, and legitimacy.

fig 4. A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame.
fig 4. Antique Old Master Drawing John Viii, Count of Nassau After Van Dyck

Composition & Technique

A connoisseur’s drawing: restrained, authoritative, and rewarding close viewing.

Aristocratic authority conveyed through polished armor, lace collar, and baton of command

Psychological presence achieved by nuanced graphite modeling in the eyes and mouth

fig 5. A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame.
fig 5. Antique Old Master Drawing John Viii, Count of Nassau After Van Dyck

Controlled tonality suggesting metallic sheen without excess

Crisp textural contrast between armor and softened background

Cabinet scale intended for private collecting and intimate contemplation

About the Sitter

fig 6. A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame.
fig 6. Antique Old Master Drawing John Viii, Count of Nassau After Van Dyck

John VIII (1583–1638) was a member of the powerful House of Nassau, a dynasty central to early modern European politics and warfare. Portraiture of this type functioned as a declaration of legitimacy, using codified symbols: armor for inherited martial duty, baton for authority, and lace for courtly refinement. First conceived by Van Dyck and widely disseminated through engraving, this image type balances power with psychological presence—composed, assured, and enduring.

fig 7. A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame.
fig 7. Antique Old Master Drawing John Viii, Count of Nassau After Van Dyck

Historical Significance

This drawing occupies a highly collectible position within European portrait culture:

Van Dyck’s aristocratic ideal that defined noble representation across Europe

Print dissemination via Paulus Pontius, spreading canonical images among elite collections

fig 8. A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame.
fig 8. Antique Old Master Drawing John Viii, Count of Nassau After Van Dyck

Late 18th–19th century connoisseurship preserving Old Master models for study and collecting

The work forms a tangible link between Baroque invention, engraved circulation, and later scholarly translation into graphite.

fig 9. A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame.
fig 9. Antique Old Master Drawing John Viii, Count of Nassau After Van Dyck

About the Artist

By an unknown Old European Master active in the late 18th to early 19th century. Academically trained, with confident contour, controlled tonal range, and a sensitive translation of the Van Dyck/Pontius model. Such works were valued for lineage, finish, and intelligible iconography rather than individual authorship.

fig 10. A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame.
fig 10. Antique Old Master Drawing John Viii, Count of Nassau After Van Dyck

Signature & Inscriptions

Unsigned, consistent with academically trained after Van Dyck cabinet drawings of this period.

Verso inscribed in period pencil identifying the sitter, dates (1583–1638), and attribution after Van Dyck.

fig 11. A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame.
fig 11. Antique Old Master Drawing John Viii, Count of Nassau After Van Dyck

Measurements

Sheet: 24.13 cm (H) × 19.05 cm (W)

Frame: 35 cm (W) × 40.3 cm (H) × 3 cm (D)

Framed

Professionally presented in a Larson Juhl decorative gilt wood frame with a crisp white mount and refined gold inner surround. Ready to hang.

fig 12. A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame.
fig 12. Antique Old Master Drawing John Viii, Count of Nassau After Van Dyck

Provenance

From an album assembled by Winfield S. Robbins during late 19th-century travels in Europe. Acquired from a Maryland art dealer; curated by Cheshire Antiques Consultant LTD and exhibited at the Famous Lord Hill Museum.

C

Height
40.3cm (15.87")
Width
35cm (13.78")
Depth
3cm (1.18")
Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Old Master Portrait Drawing to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1194673
Dealers Internal Ref
776
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame.
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Archive I A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame.

Antique Old Master Drawing John Viii, Count of Nassau After Van Dyck

Archive II A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View II
Archive III A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View III
Archive IV A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View IV
Archive V A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View V
Archive VI A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View VI
Archive VII A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View VII
Archive VIII A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View VIII
Archive IX A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View IX
Archive X A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View X
Archive XI A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XI
Archive XII A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XII
Archive XIII A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XIII
Archive XIV A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XIV
Archive XV A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XV
Archive XVI A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XVI
Archive XVII A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XVII
Archive XVIII A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XVIII
Archive XIX A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XIX
Archive XX A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XX
Archive XXI A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XXI
Archive XXII A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XXII
Archive XXIII A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XXIII
Archive XXIV A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XXIV
Archive XXV A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XXV
Archive XXVI A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XXVI
Archive XXVII A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XXVII
Archive XXVIII A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XXVIII
Archive XXIX A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XXIX
Archive XXX A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XXX
Archive XXXI A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame. View XXXI
Enlarged Archival View
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd
Telephone 07494 763 382
Location
71-75 Shelton Street
Covent Garden
London
WC2H 9JQ
United Kingdom

By appointment
Dealer Profile Page sellingantiques.co.uk/cheshireantiques
Verified Since Jan 2021
Items For Sale 247
Items Sold 218
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Verified Since Jan 2021
View Dealer Info
Location: 71-75 Shelton Street, Covent Garden, London, WC2H 9JQ, United Kingdom, , By appointment
Profile: sellingantiques.co.uk/cheshireantiques
Verified
Jan 2021
For Sale
247
Sold
218
A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame.
Antique Old Master Drawing John VIII, Count of Nassau After Van Dyck
Ref: SA1194673
A framed monochrome portrait drawing depicting a 17th-century nobleman in full plate armour with a lace collar and baton, set within a beaded wooden frame.
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FAQs

Old Master drawings after Anthony van Dyck typically reflect the elegance, fluid linework, and formal portrait conventions of the 17th-century Baroque period. Artists and students frequently copied or engraved Van Dycks aristocratic portraits to disseminate his aesthetic across Europe.

Drawings from this era were commonly created on hand-made laid paper using materials such as iron gall ink, sepia wash, charcoal, or graphite. Framing typically incorporated timber mouldings, glass, and protective backing to shield the delicate paper fibres.

Authentic works on paper from the Baroque period often feature distinct chain and laid lines in the paper, natural age-related toning, foxing, and collector marks or inscriptions along the lower margin. Magnification helps determine whether a portrait is an original hand-drawn study or a period engraving.

A framed Old Master drawing provides a focal point when hung above a console table or integrated into an eclectic gallery wall. Pairing dark historic portraiture with clean modern furniture highlights the contrast between traditional craft and contemporary design.

To protect antique paper from fading and deterioration, display the artwork away from direct sunlight and high-humidity areas. Ensure the work is mounted using acid-free materials and UV-filtering glass to prevent light damage and paper discolouration.
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