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ID #SA1193763
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Nicolas De Largillière (Circle), Portrait of Frédéric III De Saxe-gotha-altenbourg - Antique Oil Painting
For sale by Brave Fine Art
for sale €8,190     $8,890
£7,000
Brave Fine Art

Brave Fine Art

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    Exquisite antique paintings that capture the imagination.
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Nicolas De Largillière (Circle), Portrait of Frédéric III De Saxe-gotha-altenbourg - Antique Oil Painting

18th century
For Sale by Brave Fine Art
Description

This early 18th-century oil painting by an artist working in the circle of Nicolas De Largillière (1656-1746) depicts Frédéric III, Duke of Saxe-Gotha-Altenbourg (1699-1772), shown here in youth and splendour. Clad in ceremonial armour and wrapped in the scarlet of command, he gazes outward with the calm assurance of rank.

The composition is based upon an original portrait by de Largillière, painted in Paris around 1720 when Frédéric was still a young prince. Largillière, the great portraitist of the French court, was renowned for translating nobility into light, combining regal formality with human warmth. His likeness of the prince became the official image of a dynasty eager to mirror the splendour of Versailles.

This version, executed in France and likely within or near Largillière’s studio, carries the hallmarks of a courtly copy - an image created for diplomatic or dynastic circulation. During this period, portraits such as these were far more than likenesses: they were envoys in paint, dispatched across Europe to affirm alliance, kinship, and legitimacy. In an age when correspondence moved slowly, a portrait could cross borders as their silent yet eloquent representative.

Frédéric’s family, the House of Saxe-Gotha-Altenbourg, stood among the most cultured and politically astute of the German princely houses. His grandmother, Magdalena Sibylla, had cultivated a court famed for its refinement; his descendants would intermarry with European royalty, including Britain’s own Hanoverian line. Within this network of dynastic ambition, art became an instrument of diplomacy. To be painted by, or in the style of, Largillière was to claim a share in France’s cultural majesty - to declare one’s court as aligned with the rhythms of Paris.

In this portrait, Frédéric appears both martial and civil. His gleaming cuirass and plumed attire suggest the gallantry expected of a prince, yet his gentle features betray a reflective temperament. The twilight landscape behind him - clouds dissolving into gold - evokes contemplation. This was a generation of princes raised to think as well as rule, shaped as much by the salons of Paris as by the parade ground.

Copies such as this held deep significance. They allowed the image of youth to endure, even as years passed and courts changed. They carried the dignity of lineage into provincial palaces and family collections, ensuring that the face of power would never quite fade.

Held in a Louis XV-style gilt frame with a deep moulded profile, richly carved rocaille ornament, and scrolling foliage at the corners and centres.

Medium: Oil on canvas

Overall size: 32½” x 39” / 83cm x 99cm

Year of creation: c. 1730

Provenance: Private collection, France.

Condition: Cleaned. Canvas relined. Later stretcher. Very fine craquelure throughout. The paint layer is stable. Frame in excellent condition.

Our reference: BRV2224

Physical Dimensions
Height
99cm (38.98")
Width
83cm (32.68")
Depth
7cm (2.76")
Declaration

Brave Fine Art has dated this French Baroque Oil Portrait to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1193763
Dealers Internal Reference
BRV2224
Description
This early 18th-century oil painting by an artist working in the circle of Nicolas De Largillière (1656-1746) depicts Frédéric III, Duke of Saxe-Gotha-Altenbourg (1699-1772), shown here in youth and splendour.
“
Clad in ceremonial armour and wrapped in the scarlet of command, he gazes outward with the calm assurance of rank.
Brave Fine Art
fig 1. An 18th-century Baroque oil portrait on canvas depicting a nobleman in armour with a powdered wig, set inside a carved gold giltwood frame.
fig 1. Nicolas De Largillière (Circle), Portrait of Frédéric III De Saxe-gotha-altenbourg - Antique Oil Painting

The composition is based upon an original portrait by de Largillière, painted in Paris around 1720 when Frédéric was still a young prince. Largillière, the great portraitist of the French court, was renowned for translating nobility into light, combining regal formality with human warmth. His likeness of the prince became the official image of a dynasty eager to mirror the splendour of Versailles.

fig 2. An 18th-century Baroque oil portrait on canvas depicting a nobleman in armour with a powdered wig, set inside a carved gold giltwood frame.
fig 2. Nicolas De Largillière (Circle), Portrait of Frédéric III De Saxe-gotha-altenbourg - Antique Oil Painting

This version, executed in France and likely within or near Largillière’s studio, carries the hallmarks of a courtly copy - an image created for diplomatic or dynastic circulation. During this period, portraits such as these were far more than likenesses: they were envoys in paint, dispatched across Europe to affirm alliance, kinship, and legitimacy. In an age when correspondence moved slowly, a portrait could cross borders as their silent yet eloquent representative.

fig 3. An 18th-century Baroque oil portrait on canvas depicting a nobleman in armour with a powdered wig, set inside a carved gold giltwood frame.
fig 3. Nicolas De Largillière (Circle), Portrait of Frédéric III De Saxe-gotha-altenbourg - Antique Oil Painting

Frédéric’s family, the House of Saxe-Gotha-Altenbourg, stood among the most cultured and politically astute of the German princely houses. His grandmother, Magdalena Sibylla, had cultivated a court famed for its refinement; his descendants would intermarry with European royalty, including Britain’s own Hanoverian line. Within this network of dynastic ambition, art became an instrument of diplomacy. To be painted by, or in the style of, Largillière was to claim a share in France’s cultural majesty - to declare one’s court as aligned with the rhythms of Paris.

fig 4. An 18th-century Baroque oil portrait on canvas depicting a nobleman in armour with a powdered wig, set inside a carved gold giltwood frame.
fig 4. Nicolas De Largillière (Circle), Portrait of Frédéric III De Saxe-gotha-altenbourg - Antique Oil Painting

In this portrait, Frédéric appears both martial and civil. His gleaming cuirass and plumed attire suggest the gallantry expected of a prince, yet his gentle features betray a reflective temperament. The twilight landscape behind him - clouds dissolving into gold - evokes contemplation. This was a generation of princes raised to think as well as rule, shaped as much by the salons of Paris as by the parade ground.

fig 5. An 18th-century Baroque oil portrait on canvas depicting a nobleman in armour with a powdered wig, set inside a carved gold giltwood frame.
fig 5. Nicolas De Largillière (Circle), Portrait of Frédéric III De Saxe-gotha-altenbourg - Antique Oil Painting

Copies such as this held deep significance. They allowed the image of youth to endure, even as years passed and courts changed. They carried the dignity of lineage into provincial palaces and family collections, ensuring that the face of power would never quite fade.

fig 6. An 18th-century Baroque oil portrait on canvas depicting a nobleman in armour with a powdered wig, set inside a carved gold giltwood frame.
fig 6. Nicolas De Largillière (Circle), Portrait of Frédéric III De Saxe-gotha-altenbourg - Antique Oil Painting

Held in a Louis XV-style gilt frame with a deep moulded profile, richly carved rocaille ornament, and scrolling foliage at the corners and centres.

Medium: Oil on canvas

Overall size: 32½” x 39” / 83cm x 99cm

Year of creation: c. 1730

Provenance: Private collection, France.

Condition: Cleaned. Canvas relined. Later stretcher. Very fine craquelure throughout. The paint layer is stable. Frame in excellent condition.

Our reference: BRV2224

Height
99cm (38.98")
Width
83cm (32.68")
Depth
7cm (2.76")
Date of Manufacture

Brave Fine Art has dated this French Baroque Oil Portrait to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1193763
Dealers Internal Ref
BRV2224
Brave Fine Art
Brave Fine Art
Sellingantiques verified Since Nov 2018

Exquisite antique paintings that capture the imagination.

Dealer Profile

You can view the stock and full dealer information on the Brave Fine Art Profile Page

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An 18th-century Baroque oil portrait on canvas depicting a nobleman in armour with a powdered wig, set inside a carved gold giltwood frame.
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Archive I An 18th-century Baroque oil portrait on canvas depicting a nobleman in armour with a powdered wig, set inside a carved gold giltwood frame.

Nicolas De Largillière (Circle), Portrait of Frédéric III De Saxe-gotha-altenbourg - Antique Oil Painting

Archive II An 18th-century Baroque oil portrait on canvas depicting a nobleman in armour with a powdered wig, set inside a carved gold giltwood frame. View II
Archive III An 18th-century Baroque oil portrait on canvas depicting a nobleman in armour with a powdered wig, set inside a carved gold giltwood frame. View III
Archive IV An 18th-century Baroque oil portrait on canvas depicting a nobleman in armour with a powdered wig, set inside a carved gold giltwood frame. View IV
Archive V An 18th-century Baroque oil portrait on canvas depicting a nobleman in armour with a powdered wig, set inside a carved gold giltwood frame. View V
Archive VI An 18th-century Baroque oil portrait on canvas depicting a nobleman in armour with a powdered wig, set inside a carved gold giltwood frame. View VI
Archive VII An 18th-century Baroque oil portrait on canvas depicting a nobleman in armour with a powdered wig, set inside a carved gold giltwood frame. View VII
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Telephone 01684 215986
Location
21 Enterprise Way
Arle Road
Cheltenham
Cotswolds
GL51 8LZ
United Kingdom

Under appointment only.
Verified Since Nov 2018
Items For Sale 80
Items Sold 1,846
Brave Fine Art
Brave Fine Art
Verified Since Nov 2018
View Dealer Info
Location: 21 Enterprise Way, Arle Road, Cheltenham, Cotswolds, GL51 8LZ, United Kingdom, , Under appointment only.
Verified
Nov 2018
For Sale
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An 18th-century Baroque oil portrait on canvas depicting a nobleman in armour with a powdered wig, set inside a carved gold giltwood frame.
Nicolas De Largillière (Circle), Portrait of Frédéric III De Saxe-Gotha-Altenbourg - Antique Oil Painting
Ref: SA1193763
An 18th-century Baroque oil portrait on canvas depicting a nobleman in armour with a powdered wig, set inside a carved gold giltwood frame.
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectOil Paintings
  • Period18th century
  • StyleFrench Baroque
  • MaterialOil on Canvas, Giltwood
  • ColourGold and Red
  • MotifsPowdered wig, Plate armour, Lace cravat, Carved acanthus frame
  • SizeH 99 cm (39 in) x W 83 cm (33 in) x D 7 cm (3 in)

This eighteenth-century oil painting on canvas depicts Frédéric III, Duke of Saxe-Gotha-Altenbourg in youth, shown in the circle of Nicolas De Largilliere. The French Baroque artwork presents the subject wearing a powdered wig, a lace cravat, and plate armour under a red garment, set against a twilight landscape background. The composition is housed within a gold giltwood frame featuring carved acanthus motifs, a deep moulded profile, richly carved rocaille ornament, and scrolling foliage at the corners and centres. The physical dimensions measure 99 cm high, 83 cm wide, and 7 cm deep. Conservation reports note that the canvas has been relined and cleaned, supported by a later stretcher, and exhibits very fine craquelure throughout alongside a stable paint layer, while the frame remains in excellent condition. Placement suits installation above the mantel in a traditional living room, study, or drawing room setting designed with a French Chateau style. The historic portrait introduces period character to an interior wall when hung securely using appropriate fixings for heavy framed artwork. Lighting positioned above the canvas highlights the metallic sheen of the armour, the vivid red fabric tones, and the intricate details of the giltwood frame decoration. The artwork coordinates effectively with period furniture, wood panelling, and neutral or richly coloured wall finishes, serving as a formal focal point within the chosen domestic space.

French Baroque portraiture from this era is characterised by dramatic lighting, rich colour palettes, elaborate drapery, and formal idealisation of aristocratic subjects, often depicting sitters in armour or opulent garments to signal status.

Painters typically applied oil pigments onto stretched linen canvas, with completed works housed in hand-carved wooden frames finished with gold leaf gilding over a prepared gesso layer.

Authentic Baroque oil paintings generally display fine age craquelure across the paint film, hand-forged frame construction, and natural oxidation on the canvas reverse and wooden stretcher bars.

A formal oil portrait serves as an anchor piece above a fireplace mantel or contemporary console table, creating an engaging juxtaposition when set against minimalist walls or architectural mouldings.

Dust the surface lightly with a dry, soft camel-hair brush, avoid chemical solvents or water, and display the painting away from direct sunlight, dampness, and active heating sources.
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