William Morris Antiques has dated this piece to the 1920s.
HMS Victory under Restoration, Portsmouth Docks.
Limited edition etching.

The restoration of HMS victory began in portsmouth in 1922 and was completed in 1927. it is believed the Artist Borlase Smart visited the restoration during this period.
Borlase Smart studied at Plymouth Art College between 1897 and 1900,[2] and obtained, after a further year's study, a first class honours certificate in teaching from the Royal College of Art in 1901.

Smart worked as an art editor and critic at the Western Morning News which, while he was there, became the Illustrated Western Weekly News, from 1901 to 1913.[2] During this time he continued to paint.

In 1912 his painting ‘Moonlight on the Cornish Riviera’[4] made it through the selection process and was hung in the Royal Academy Summer Show. Following this recognition of his abilities he decided to become a professional artist and he gave up his post as a journalist and moved to St Ives, Cornwall in 1913 to study seascape painting. He became a student at the School of Painting which had been established by Julius Olsson in 1895.

During the First World War he served with the Artists Rifles, the Machine Gun Corps, the London Regiment and the Queen’s Regiment. During the conflict he made charcoal and wash drawings which illustrated the conditions that the soldiers endured at the front and the destruction of towns and villages on the Somme, at Arras and at Ypres. These drawings were exhibited at the Fine Art Society in London in 1917, The Harris Galleries in Plymouth and Lanham’s Gallery in St Ives in 1919. In 1916 he met and established a lifelong friendship with Leonard Fuller while they were producing illustrations of the Lewis gun.[5]

In 1919, Smart, now married, moved to St Ives to occupy the Ocean Wave Studio. With an abundance of energy and enthusiasm, Smart began, in the three decades that followed, to gain a reputation as a fine painter and an organiser and promoter of the St Ives artistic community.[1]

He was considered a man of vision and highly regarded within the West Cornwall art community as someone with a readiness to accept and encourage emerging talent.[1]
He exhibited at the first exhibition of the Society of Graphic Art in London in 1921.[6]
Print-Multiple
Etching
William Morris Antiques has dated this piece to the 1920s.
Jess william morris established himself in the antiques business in 1999 after being awarded an rics accredited fine art valuation degree
You can view the stock and full dealer information on the William Morris Antiques Profile Page