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Charles Beaubrun (Circle), Portrait of a Lady with a Fan, 17th-century French Portrait
Sold by Brave Fine Art
sold SA1164896
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Brave Fine Art

Brave Fine Art

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Charles Beaubrun (Circle), Portrait of a Lady with a Fan, 17th-century French Portrait

17th century
Sold 16 September 2025 · Brave Fine Art
This “Charles Beaubrun (Circle), Portrait of a Lady with a Fan, 17th-century French Portrait” found a buyer.

It was listed by Brave Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

This splendid mid-17th-century, three-quarter length, portrait depicts a lady of the French court attired in an off-the-shoulder ivory gown together with a scarf, jewellery and fan. It was produced circa 1660 by an artist working in the circle of Charles Beaubrun (1604-1692).

During the late 1650s, France dominated European fashion, led by the illustrious court of the ‘Sun King’, Louis XIV. Shimmering satin dresses, sumptuous jewellery, and timeless pearl necklaces were de rigueur, and to be seen was to be heard. This particular lady wears her hair in stylish ringlets, yet in a slightly dishevelled manner, as we see in Adriaen Hanneman’s portrait of Princess Mary (1631-1660) from 1659. It appears to have been a short-lived trend, which helps with the dating. It’s also interesting to note the elongated bodice, which forms a point. Evidently, this is a lady of status.

A label on the reverse refers to the German princess Charlotte of Hesse-Kassel (1627-1686), the first wife of Charles I Louis. However, we feel that, although there is a certain degree of similarity, it’s probably not her.

During the conservation process, when removing a layer of discoloured varnish, it became apparent that a Victorian restorer had painted the entire background black, presumably at the whims of the current owner. The sitter had also been made slimmer. Our conservator removed the overpaint to reveal a column on the right-hand side and the remnants of a landscape on the left. It’s evident that this is merely a glimpse at what was there previously, yet it conveys a sense of its history. The fan is also a later addition, as she was previously holding an apple.

Charles Beaubrun, along with his cousin Henri Beaubrun (II) (1603-1677), produced numerous portraits for the courts of Kings Louis XIII and Louis XIV. Our portrait resembles several of his works, and it’s conceivable that the artist responsible was influenced by his oeuvre.

Held in an ornate 19th-century gilt frame.

Medium: Oil on canvas

Overall size: 39” x 47” / 99cm x 119cm

Year of creation: c. 1660

Labels & Inscriptions: Reference to the German princess Charlotte of Hesse-Kassel on the reverse.

Provenance: Interiors - Masters & Makers, Christie’s, London, 30 October 2012 / Private collection, UK.

Condition: Cleaned. Revarnished. Canvas relined. Fine craquelure throughout. The paint layer is stable. Frame with various marks and showing its age. An additional piece of canvas has been attached to the lower right and blended in during a previous restoration.

Our reference: BRV2184

Date of Manufacture

Brave Fine Art has dated this 17th Century Oil Painting to the 17th Century.

Physical Dimensions
Height
119cm (46.85")
Width
99cm (38.98")
Depth
6cm (2.36")
Reference Numbers
Sellingantiques Reference
SA1164896
Dealers Internal Reference
BRV2184
Description
This splendid mid-17th-century, three-quarter length, portrait depicts a lady of the French court attired in an off-the-shoulder ivory gown together with a scarf, jewellery and fan. It was produced circa 1660 by an artist working in the circle of Charles Beaubrun (1604-1692).
“
During the late 1650s, France dominated European fashion, led by the illustrious court of the ‘Sun King’, Louis XIV.
Brave Fine Art

Shimmering satin dresses, sumptuous jewellery, and timeless pearl necklaces were de rigueur, and to be seen was to be heard. This particular lady wears her hair in stylish ringlets, yet in a slightly dishevelled manner, as we see in Adriaen Hanneman’s portrait of Princess Mary (1631-1660) from 1659. It appears to have been a short-lived trend, which helps with the dating. It’s also interesting to note the elongated bodice, which forms a point. Evidently, this is a lady of status.

fig 1. An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame.
fig 1. Charles Beaubrun (Circle), Portrait of a Lady with a Fan, 17th-century French Portrait

A label on the reverse refers to the German princess Charlotte of Hesse-Kassel (1627-1686), the first wife of Charles I Louis. However, we feel that, although there is a certain degree of similarity, it’s probably not her.

fig 2. An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame.
fig 2. Charles Beaubrun (Circle), Portrait of a Lady with a Fan, 17th-century French Portrait

During the conservation process, when removing a layer of discoloured varnish, it became apparent that a Victorian restorer had painted the entire background black, presumably at the whims of the current owner. The sitter had also been made slimmer. Our conservator removed the overpaint to reveal a column on the right-hand side and the remnants of a landscape on the left. It’s evident that this is merely a glimpse at what was there previously, yet it conveys a sense of its history. The fan is also a later addition, as she was previously holding an apple.

fig 3. An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame.
fig 3. Charles Beaubrun (Circle), Portrait of a Lady with a Fan, 17th-century French Portrait

Charles Beaubrun, along with his cousin Henri Beaubrun (II) (1603-1677), produced numerous portraits for the courts of Kings Louis XIII and Louis XIV. Our portrait resembles several of his works, and it’s conceivable that the artist responsible was influenced by his oeuvre.

fig 4. An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame.
fig 4. Charles Beaubrun (Circle), Portrait of a Lady with a Fan, 17th-century French Portrait

Held in an ornate 19th-century gilt frame.

Medium: Oil on canvas

Overall size: 39” x 47” / 99cm x 119cm

Year of creation: c. 1660

Labels & Inscriptions: Reference to the German princess Charlotte of Hesse-Kassel on the reverse.

fig 5. An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame.
fig 5. Charles Beaubrun (Circle), Portrait of a Lady with a Fan, 17th-century French Portrait

Provenance: Interiors - Masters & Makers, Christie’s, London, 30 October 2012 / Private collection, UK.

Condition: Cleaned. Revarnished. Canvas relined. Fine craquelure throughout. The paint layer is stable. Frame with various marks and showing its age. An additional piece of canvas has been attached to the lower right and blended in during a previous restoration.

Our reference: BRV2184

Date of Manufacture

Brave Fine Art has dated this 17th Century Oil Painting to the 17th Century.

Height
119cm (46.85")
Width
99cm (38.98")
Depth
6cm (2.36")
Reference Numbers
Sellingantiques Ref
SA1164896
Dealers Internal Ref
BRV2184
Brave Fine Art
Brave Fine Art
Sellingantiques verified Since Nov 2018

Exquisite antique paintings that capture the imagination.

Dealer Profile

You can view the stock and full dealer information on the Brave Fine Art Profile Page

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An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame. SOLD6+ MONTHS AGO
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Archive I An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame. SOLD6+ MONTHS AGO

Charles Beaubrun (Circle), Portrait of a Lady with a Fan, 17th-century French Portrait

Archive II An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame. View II
Archive III An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame. View III
Archive IV An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame. View IV
Archive V An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame. View V
Archive VI An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame. View VI
Archive VII An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame. View VII
Archive VIII An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame. View VIII
Archive IX An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame. View IX
Archive X An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame. View X
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Telephone 01684 215986
Location
21 Enterprise Way
Arle Road
Cheltenham
Cotswolds
GL51 8LZ
United Kingdom

Under appointment only.
Verified Since Nov 2018
Items For Sale 77
Items Sold 1,852
Brave Fine Art
Brave Fine Art
Verified Since Nov 2018
View Dealer Info
Location: 21 Enterprise Way, Arle Road, Cheltenham, Cotswolds, GL51 8LZ, United Kingdom, , Under appointment only.
Verified
Nov 2018
For Sale
77
Sold
1,852
An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame.
Charles Beaubrun (Circle), Portrait Of A Lady With A Fan, 17th-Century French Portrait
Ref: SA1164896
An antique oil painting depicting a woman holding a fan, encased in an ornate gilded wooden frame.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period17th century
  • StyleBaroque
  • MaterialOil paint, Canvas, Gilded wood
  • ColourGold
  • MotifsCarved acanthus corners, Gilded frame moulding, Portrait subject with fan
  • SizeH 119 cm (47 in) x W 99 cm (39 in) x D 6 cm (2 in)

Seventeenth-century French portraiture is characterised by its formal elegance, aristocratic subject matter, meticulous attention to textile details, and adherence to classical proportions influenced by the court of Louis XIV.

These works were typically painted in oil pigments on hand-woven linen canvas, housed within heavily carved and gilded wooden frames crafted from oak or pine.

Authentication involves examining canvas weave consistency, pigment chemical composition via scientific testing, stretcher frame construction, age-related craquelure patterns, and historical provenance documentation.

Pairing a historic portrait with minimalist furnishings or hanging it against a moody, saturated wall colour creates a striking visual contrast that bridges traditional and modern design.

Maintain stable room temperatures and relative humidity levels between 45% and 55%, avoid direct sunlight exposure, and protect the canvas from dust accumulation using professional conservation methods.
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