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ID #SA1157780
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Renewal, Springtime After the War, May 1919: Blossoming Trees Near the Ruined Abbey Oii on Panel
Skippings Fine Arts
for sale €866     $940
£740
Skippings Fine Arts

Skippings Fine Arts

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Renewal, Springtime After the War, May 1919: Blossoming Trees Near the Ruined Abbey Oii on Panel

1900 - 1920
Description

This scene, depicting delicate foliage and blossoms as well as a lone sculpture -in the grounds of a ruined Abbey or castle, was painted in the first spring after World War I. It is all the most poignant as artist Jean Victor Foussier (1886-1950) had experienced the war to the full.

He had graduated from the Paris Academy of Fine Arts in 1912, but hardly was given time to start his career. Right the start of the First World War, he was called up and joined the 37th Infantry Regiment in August 1914, with which he participated in the battles of Morhange, Flanders and finally Ypres, where he receives the Croix de Guerre and the Military Medal.

In November 1914, he is taken prisoner by the Germans and interned at the Salzwedel POW camp. He will spend five years there, sketching the camp, his Russian friends, prison life. Demobilised finally in January 1919, he sets off on foot, alone, taking twenty seven days to reach France. When he arrives in Paris his mother, sister and fiancée are waiting for him; but after the long absence initially do not recognise him.

The work of art presented here was painted just three months later.

Jean Foussier finally was able to dedicate himself to painting: he participated in numerous exhibitions in France as well as abroad, in Barcelona and Tel Aviv. He regularly showed his work at the Salon des Artistes Francais and also designed theatre sets for the Parisian stage as well as to murals for chapels and churches.

Measuring 27 x 22 cm, our oil on board is signed at the lower right. A dedication by the artist to the artwork's first owner on the verso was rubbed out a long time ago, certainly to protect privacy, but I was able to decipher some of it:

"A Mademoiselle Madeleine Da(......?) fait à.....mai 1911, Jean Foussier .

Presented in its original lacquered frame, the overall size is 36 x 31 cm.

Physical Dimensions
Height
27cm (10.63")
Width
22cm (8.66")
Depth
1cm (0.39")
Declaration

Skippings Fine Arts has dated this Impressionist Landscape Oil Painting to the 1910s.

Reference Numbers
Sellingantiques Reference
SA1157780
Dealers Notes

Nous parlons français, und wir sprechen auch Deutsch! Paintings may be viewed in Norwich and in Paris, as well as in London and Cambridge by appointment. Please contact us if you would like further details and images of an artwork.

Description
This scene, depicting delicate foliage and blossoms as well as a lone sculpture -in the grounds of a ruined Abbey or castle, was painted in the first spring after World War I.
It is all the most poignant as artist Jean Victor Foussier (1886-1950) had experienced the war to the full.
Skippings Fine Arts
fig 1. An impressionist oil painting on panel depicting blossoming trees and a stone statue set against the arches of a ruined abbey.
fig 1. Renewal, Springtime After the War, May 1919: Blossoming Trees Near the Ruined Abbey Oii on Panel

He had graduated from the Paris Academy of Fine Arts in 1912, but hardly was given time to start his career. Right the start of the First World War, he was called up and joined the 37th Infantry Regiment in August 1914, with which he participated in the battles of Morhange, Flanders and finally Ypres, where he receives the Croix de Guerre and the Military Medal.

fig 2. An impressionist oil painting on panel depicting blossoming trees and a stone statue set against the arches of a ruined abbey.
fig 2. Renewal, Springtime After the War, May 1919: Blossoming Trees Near the Ruined Abbey Oii on Panel

In November 1914, he is taken prisoner by the Germans and interned at the Salzwedel POW camp. He will spend five years there, sketching the camp, his Russian friends, prison life. Demobilised finally in January 1919, he sets off on foot, alone, taking twenty seven days to reach France. When he arrives in Paris his mother, sister and fiancée are waiting for him; but after the long absence initially do not recognise him.

fig 3. An impressionist oil painting on panel depicting blossoming trees and a stone statue set against the arches of a ruined abbey.
fig 3. Renewal, Springtime After the War, May 1919: Blossoming Trees Near the Ruined Abbey Oii on Panel

The work of art presented here was painted just three months later.

Jean Foussier finally was able to dedicate himself to painting: he participated in numerous exhibitions in France as well as abroad, in Barcelona and Tel Aviv. He regularly showed his work at the Salon des Artistes Francais and also designed theatre sets for the Parisian stage as well as to murals for chapels and churches.

fig 4. An impressionist oil painting on panel depicting blossoming trees and a stone statue set against the arches of a ruined abbey.
fig 4. Renewal, Springtime After the War, May 1919: Blossoming Trees Near the Ruined Abbey Oii on Panel

Measuring 27 x 22 cm, our oil on board is signed at the lower right. A dedication by the artist to the artwork's first owner on the verso was rubbed out a long time ago, certainly to protect privacy, but I was able to decipher some of it:

"A Mademoiselle Madeleine Da(......?) fait à.....mai 1911, Jean Foussier .

Presented in its original lacquered frame, the overall size is 36 x 31 cm.

Height
27cm (10.63")
Width
22cm (8.66")
Depth
1cm (0.39")
Date of Manufacture

Skippings Fine Arts has dated this Impressionist Landscape Oil Painting to the 1910s.

Reference Numbers
Sellingantiques Ref
SA1157780
Skippings Fine Arts
Skippings Fine Arts
Sellingantiques verified Since Feb 2018

Modern french & continental pictures selected by a former french auction house expert

Dealer Profile

You can view the stock and full dealer information on the Skippings Fine Arts Profile Page

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An impressionist oil painting on panel depicting blossoming trees and a stone statue set against the arches of a ruined abbey.
1 / 6
Archive I An impressionist oil painting on panel depicting blossoming trees and a stone statue set against the arches of a ruined abbey.

Renewal, Springtime After the War, May 1919: Blossoming Trees Near the Ruined Abbey Oii on Panel

Archive II An impressionist oil painting on panel depicting blossoming trees and a stone statue set against the arches of a ruined abbey. View II
Archive III An impressionist oil painting on panel depicting blossoming trees and a stone statue set against the arches of a ruined abbey. View III
Archive IV An impressionist oil painting on panel depicting blossoming trees and a stone statue set against the arches of a ruined abbey. View IV
Archive V An impressionist oil painting on panel depicting blossoming trees and a stone statue set against the arches of a ruined abbey. View V
Archive VI An impressionist oil painting on panel depicting blossoming trees and a stone statue set against the arches of a ruined abbey. View VI
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Telephone 0747 257 2398
Location
Norfolk
United Kingdom

By appointment
Verified Since Feb 2018
Items For Sale 168
Items Sold 685
Skippings Fine Arts
Skippings Fine Arts
Verified Since Feb 2018
View Dealer Info
Location: Norfolk, United Kingdom, , By appointment
Verified
Feb 2018
For Sale
168
Sold
685
An impressionist oil painting on panel depicting blossoming trees and a stone statue set against the arches of a ruined abbey.
Renewal, Springtime after the War, May 1919: blossoming trees near the ruined abbey oii on panel
Ref: SA1157780
An impressionist oil painting on panel depicting blossoming trees and a stone statue set against the arches of a ruined abbey.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Impressionist landscape painting from the early 20th century focuses on capturing atmospheric light, seasonal shifts, and natural color variations through visible, energetic brushwork. Artists often painted en plein air, recording moments of historical or emotional significance using a lighter, more vibrant colour palette.

Painters typically applied oil-based pigments mixed with linseed oil onto seasoned wooden panels made from oak, mahogany, or pine. The wooden support was prepared with layers of gesso ground to provide a smooth, rigid surface that prevents paint cracking.

Authentic period works feature physical evidence of age, such as natural craquelure, oxidation of the paint layers, and wear along the panel edges. Examining the back of the wooden panel for aged grain, artist stamps, or contemporary inscriptions also helps verify date and attribution.

Display the painting as a focal point above a mantelpiece or sideboard, pairing it with neutral wall paint to complement its colour palette. Mixing early 20th-century artwork with contemporary furniture creates a balanced, curated aesthetic across different design eras.

Keep the panel away from direct sunlight, radiators, and fluctuating humidity, which can cause wood warping or paint flaking. Dust the surface lightly with a dry, soft brush, and consult a professional conservator for varnish removal or structural repairs.
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