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A Sleeping Spaniel - Oil on Cavas Study of a Dog Attributed to Sir Edwin Henry Landseer (1802-1873)
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A Sleeping Spaniel - Oil on Cavas Study of a Dog Attributed to Sir Edwin Henry Landseer (1802-1873)

19th century
Sold 6 May 2025 · Period Portraits
This “Sleeping Spaniel - Oil on Cavas Study of a Dog Attributed to Sir Edwin Henry Landseer (1802-1873)” found a buyer.

It was listed by Period Portraits. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

A study of a sleeping King Charles spaniel attributed to Sir Henry Edwin Landseer (1802 - 1873).

This rare and recently rediscovered 19th century study in oil reveals why Landseer was so very popular in Victorian Britain, and why his reputation as an animal painter was unrivalled. In this fine and rapidly executed work with bravura brushstrokes, not only does the artist manage to capture the animals physique, he also manages to reveal a little of its character.

In fact so popular and influential were Landseer’s paintings of dogs in the service of humanity, and so talented was he in imbuing them with human characteristics, that the name Landseer came to be the official name for a variety of Newfoundland dog

Oil on canvas in a later giltwood frame.

Sir Edwin Henry Landseer RA (7 March 1802 – 1 October 1873) Sir Edwin Landseer was an English painter and sculptor, that was specifically celebrated for his paintings of animals, particularly dogs. The artist was celebrated in his lifetime and his appeal crossed the class boundaries with engravings of his work common in working and middle-class homes, while his paintings were popular with the wealthy and the aristocracy.

Queen Victoria and Albert commissioned numerous pictures from the artist, and Landseer became a frequent guest at Court. He began initially by painting various royal pets, (some of the most well-known are the painting of 'Eos' in 1841 and 'Her majesty's favourite pets' in 1837/8), followed later by portraits of ghillies and gamekeepers. He taught both Victoria and Albert to etch, and made portraits of Victoria's children as babies, usually in the company of a dog. He also made two portraits of Victoria and Albert dressed for costume balls, at which he was a guest himself. One of his last paintings was a life-size equestrian portrait of the Queen, shown at the Royal Academy in 1873, made from earlier sketches.

Landseer loved Scotland and it provided the subjects and settings for many of his most recignised paintings including 'The Hunting of Chevy Chase' (1825–26), 'An Illicit Whisky Still in the Highlands' (1826–1829), the majestic stag study 'The Monarch of the Glen' (1851) (now in the Scottish National Gallery) and 'Rent Day in the Wilderness' (1855–1868). In 1828, he was commissioned to produce illustrations for the Waverley Edition of Sir Walter Scott's novels.

Provenance: Private collection Switzerland until 2024. See images of verso for stencils.

Higher resolution images on request.

Worldwide shipping available.

Canvas: 13.5” x 9.5" / 34.5cm x 24cm.

Framed: 10" x 19" / 26cm x 49cm.

Price: £8800

Date of Manufacture

Period Portraits has dated this Antique Oil Painting to the 19th Century.

Physical Dimensions
Height
26cm (10.24")
Width
49cm (19.29")
Depth
2cm (0.79")
Reference Numbers
Sellingantiques Reference
SA1123049
Description
A study of a sleeping King Charles spaniel attributed to Sir Henry Edwin Landseer (1802 - 1873).
“
This rare and recently rediscovered 19th century study in oil reveals why Landseer was so very popular in Victorian Britain, and why his reputation as an animal painter was unrivalled.
Period Portraits

In this fine and rapidly executed work with bravura brushstrokes, not only does the artist manage to capture the animals physique, he also manages to reveal a little of its character.

fig 1. An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background.
fig 1. A Sleeping Spaniel - Oil on Cavas Study of a Dog Attributed to Sir Edwin Henry Landseer (1802-1873)

In fact so popular and influential were Landseer’s paintings of dogs in the service of humanity, and so talented was he in imbuing them with human characteristics, that the name Landseer came to be the official name for a variety of Newfoundland dog

fig 2. An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background.
fig 2. A Sleeping Spaniel - Oil on Cavas Study of a Dog Attributed to Sir Edwin Henry Landseer (1802-1873)

Oil on canvas in a later giltwood frame.

Sir Edwin Henry Landseer RA (7 March 1802 – 1 October 1873) Sir Edwin Landseer was an English painter and sculptor, that was specifically celebrated for his paintings of animals, particularly dogs. The artist was celebrated in his lifetime and his appeal crossed the class boundaries with engravings of his work common in working and middle-class homes, while his paintings were popular with the wealthy and the aristocracy.

fig 3. An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background.
fig 3. A Sleeping Spaniel - Oil on Cavas Study of a Dog Attributed to Sir Edwin Henry Landseer (1802-1873)

Queen Victoria and Albert commissioned numerous pictures from the artist, and Landseer became a frequent guest at Court. He began initially by painting various royal pets, (some of the most well-known are the painting of 'Eos' in 1841 and 'Her majesty's favourite pets' in 1837/8), followed later by portraits of ghillies and gamekeepers. He taught both Victoria and Albert to etch, and made portraits of Victoria's children as babies, usually in the company of a dog. He also made two portraits of Victoria and Albert dressed for costume balls, at which he was a guest himself. One of his last paintings was a life-size equestrian portrait of the Queen, shown at the Royal Academy in 1873, made from earlier sketches.

fig 4. An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background.
fig 4. A Sleeping Spaniel - Oil on Cavas Study of a Dog Attributed to Sir Edwin Henry Landseer (1802-1873)

Landseer loved Scotland and it provided the subjects and settings for many of his most recignised paintings including 'The Hunting of Chevy Chase' (1825–26), 'An Illicit Whisky Still in the Highlands' (1826–1829), the majestic stag study 'The Monarch of the Glen' (1851) (now in the Scottish National Gallery) and 'Rent Day in the Wilderness' (1855–1868). In 1828, he was commissioned to produce illustrations for the Waverley Edition of Sir Walter Scott's novels.

fig 5. An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background.
fig 5. A Sleeping Spaniel - Oil on Cavas Study of a Dog Attributed to Sir Edwin Henry Landseer (1802-1873)

Provenance: Private collection Switzerland until 2024. See images of verso for stencils.

Higher resolution images on request.

Worldwide shipping available.

Canvas: 13.5” x 9.5" / 34.5cm x 24cm.

Framed: 10" x 19" / 26cm x 49cm.

Price: £8800

Date of Manufacture

Period Portraits has dated this Antique Oil Painting to the 19th Century.

Height
26cm (10.24")
Width
49cm (19.29")
Depth
2cm (0.79")
Reference Numbers
Sellingantiques Ref
SA1123049
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

Dealer Profile

You can view the stock and full dealer information on the Period Portraits Profile Page

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An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background. SOLD6+ MONTHS AGO
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Archive I An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background. SOLD6+ MONTHS AGO

A Sleeping Spaniel - Oil on Cavas Study of a Dog Attributed to Sir Edwin Henry Landseer (1802-1873)

Archive II An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background. View II
Archive III An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background. View III
Archive IV An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background. View IV
Archive V An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background. View V
Archive VI An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background. View VI
Archive VII An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background. View VII
Archive VIII An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background. View VIII
Archive IX An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background. View IX
Archive X An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background. View X
Archive XI An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background. View XI
Archive XII An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background. View XII
Archive XIII An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background. View XIII
Archive XIV An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background. View XIV
Archive XV An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background. View XV
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An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background.
A SLEEPING SPANIEL - OIL ON CAVAS STUDY OF A DOG ATTRIBUTED TO SIR EDWIN HENRY LANDSEER (1802-1873)
Ref: SA1123049
An oil painting study on canvas depicting a sleeping black and white spaniel curled up against a dark background.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectFine Art
  • Period19th century
  • StyleVictorian & Gothic
  • MaterialOil on canvas
  • ColourMonochrome
  • MotifsLoose brushwork, Chiaroscuro lighting, Naturalistic canine anatomy
  • SizeH 26 cm (10 in) x W 49 cm (19 in) x D 2 cm (1 in)

Nineteenth-century animal painting frequently focused on realistic anatomy, emotional expression in animals, and subdued, moody backgrounds reminiscent of academic studio practices.

These works were typically executed using oil paints applied to stretched linen or canvas, often supported by wooden stretcher frames and finished with natural resin varnishes.

Authentication involves examining the canvas weave, craquelure patterns, pigment composition under magnification, and checking the stretcher frames and historical stamps or signatures.

Hanging such works against moody, dark-painted walls or displaying them within traditional gilt or wood frames creates an effective bridge between historical gravitas and modern decor.

Paintings on canvas should be kept away from direct sunlight and excessive humidity fluctuations, and cleaned only by professional conservators using specialised solvents.
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