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C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting
Sold by Titan Fine Art
sold SA1122990
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Titan Fine Art

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C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

18th century
Sold 13 May 2025 · Titan Fine Art
This “C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting” found a buyer.

It was listed by Titan Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

This work formed part of the collection of paintings and family heirlooms of Baron Hugues Alfred Frèdéric de Cabrol de Moute (1909-1997) and his wife, Baroness Marguerite (1915-2011). The couple had unimpeachable and enviable family backgrounds, and were descendants of ancient princelings; together they were one of the most prominent high-society couples of the twentieth century, and counted the Duke of Duchess of Windsor amongst their closest friends.

The sitter is Marie-Madeleine de Chamillart (died 28 May 1751) nee Nicolas de Lusse. She had a daughter, Anne, in 1692. In 1700 she married Clément Chamillart (1663-1708), President of the Accounts of the King's Chamber. The couple had a daughter, Madeleine (born 1701), who married Louis, the only son of Guillaume de Guitaut and Antoinette de Vertamont in 1719. Guillaume de Guitaut resided at Château d'Époisses in Burgundy France and his descendants still live today. A portrait of our sitter is still held at the Château.

Clément Chamillart died in 1708 and our sitter remarried Jean-Baptiste de Johanne de la Carre (1678-1726), marquis de Saumery, maréchal de camp, in 1713. This marriage produced two daughters, Marguerite (died 1729) and Marie Madeleine (born 1720).

Baron Hugues Alfred Frèdéric de Cabrol de Moute (1909-1997) was one of the more engaging personages in that delightful social constellation of social figures who animated what has become known as "Cafe Society" which was international but predominantly in Paris from the 1920's until the 1960's. He married Marguerite d'Harcourt (1915-2011), known as Daisy, in Paris in 1937. The Harcourt family belongs to the circle of the oldest families in France; the founder of the family, Bernard le Danois, received the seigniory of Harcourt in the tenth century. In the 11th century, his descendants took part in the conquest of England alongside William the Conqueror. Later, the Harcourt family was divided into a French branch and an English branch (the titles of barons, viscounts, and counts). Daisy descended from Nicolas Soult, one of Napoleon's Marshals and three times Prime Minister of France.

The couple became friends of the Duke and Duchess of Windsor in 1947, and were invited to the Chateau de la Croë, their rented house on Cap d'Antibes. She and Fred were among the few allowed to see the Duchess laid out after her death in 1986.

Daisy was a considerable hostess, giving a ball every year for her charity, L'Essor. At one, she entertained Charlie Chaplin, the Begum Aga Khan, and the Windsors. According to Nancy Mitford, the guests all wore £1,000 dresses and leant forward, "bottoms out, arms wildly waving", as they skated on the ice ring, which at the end of the evening was scattered with stray diamonds.

She moved in the world of Marie-Hélène de Rothschild, wife of Baron Guy de Rothschild. She felt trapped when on Niarchos's yacht, alongside Douglas Fairbanks Jr., when Niarcho refused to moor the yacht for bathing, while serving daily rations of caviar. "Nobody can eat caviar for eight days in a row," she said of the voyage. Fred and Daisy are remembered for the extraordinary scrapbooks in which they created of the balls and house parties they gave and attended; one resplendent photo is Fred alongside Elizabeth Taylor.

The couple's Paris residence was “one of the most beautiful residences in Paris” alongside the Rothschilds, and the Marquis and Marquise de Boisgelin. At their house in Grosrouvre, south-west of Paris, were two flagpoles flying her arms and those of Fred.

Our portrait was consigned to a sale upon the Baronne de Cabrol’s death.

With special thanks to Beatrix de Guitaut, Château d'Époisses, for her assistance with the identification of the sitter and biography.

More info at: wwww.titanfineart.com

Physical Dimensions
Height
169.5cm (66.73")
Width
132cm (51.97")
Depth
8cm (3.15")
Declaration

Titan Fine Art has dated this 18th Century Oil Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1122990
Dealers Notes

Much more info about this item at: www.titanfineart.com

In a market saturated with available paintings, Titan Fine Art offers a specially curated selection. Each piece is meticulously chosen based on technical merit, provenance, and decorative appeal, professionally conserved and researched, ensuring our clients view only the finest examples of British and European art.

With over 20 years of expertise and 1,000+ works placed with collectors and institutions, we are one of the most prolific specialists in 17th and 18th-century portraiture. We combine a scholarly approach with museum-level rigor to replace the uncertainty of the open market with absolute confidence.

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Description
This work formed part of the collection of paintings and family heirlooms of Baron Hugues Alfred Frèdéric de Cabrol de Moute (1909-1997) and his wife, Baroness Marguerite (1915-2011). The couple had unimpeachable and enviable family backgrounds, and were descendants of ancient princelings; together they were one of the most prominent high-society couples of the twentieth century, and counted the Duke of Duchess of Windsor amongst their closest friends.

The sitter is Marie-Madeleine de Chamillart (died 28 May 1751) nee Nicolas de Lusse. She had a daughter, Anne, in 1692. In 1700 she married Clément Chamillart (1663-1708), President of the Accounts of the King's Chamber.

“
The couple had a daughter, Madeleine (born 1701), who married Louis, the only son of Guillaume de Guitaut and Antoinette de Vertamont in 1719.
Titan Fine Art

Guillaume de Guitaut resided at Château d'Époisses in Burgundy France and his descendants still live today. A portrait of our sitter is still held at the Château.

fig 1. An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame.
fig 1. C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

Clément Chamillart died in 1708 and our sitter remarried Jean-Baptiste de Johanne de la Carre (1678-1726), marquis de Saumery, maréchal de camp, in 1713. This marriage produced two daughters, Marguerite (died 1729) and Marie Madeleine (born 1720).

fig 2. An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame.
fig 2. C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

Baron Hugues Alfred Frèdéric de Cabrol de Moute (1909-1997) was one of the more engaging personages in that delightful social constellation of social figures who animated what has become known as "Cafe Society" which was international but predominantly in Paris from the 1920's until the 1960's. He married Marguerite d'Harcourt (1915-2011), known as Daisy, in Paris in 1937. The Harcourt family belongs to the circle of the oldest families in France; the founder of the family, Bernard le Danois, received the seigniory of Harcourt in the tenth century. In the 11th century, his descendants took part in the conquest of England alongside William the Conqueror. Later, the Harcourt family was divided into a French branch and an English branch (the titles of barons, viscounts, and counts). Daisy descended from Nicolas Soult, one of Napoleon's Marshals and three times Prime Minister of France.

fig 3. An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame.
fig 3. C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

The couple became friends of the Duke and Duchess of Windsor in 1947, and were invited to the Chateau de la Croë, their rented house on Cap d'Antibes. She and Fred were among the few allowed to see the Duchess laid out after her death in 1986.

fig 4. An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame.
fig 4. C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

Daisy was a considerable hostess, giving a ball every year for her charity, L'Essor. At one, she entertained Charlie Chaplin, the Begum Aga Khan, and the Windsors. According to Nancy Mitford, the guests all wore £1,000 dresses and leant forward, "bottoms out, arms wildly waving", as they skated on the ice ring, which at the end of the evening was scattered with stray diamonds.

fig 5. An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame.
fig 5. C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

She moved in the world of Marie-Hélène de Rothschild, wife of Baron Guy de Rothschild. She felt trapped when on Niarchos's yacht, alongside Douglas Fairbanks Jr., when Niarcho refused to moor the yacht for bathing, while serving daily rations of caviar. "Nobody can eat caviar for eight days in a row," she said of the voyage. Fred and Daisy are remembered for the extraordinary scrapbooks in which they created of the balls and house parties they gave and attended; one resplendent photo is Fred alongside Elizabeth Taylor.

fig 6. An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame.
fig 6. C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

The couple's Paris residence was “one of the most beautiful residences in Paris” alongside the Rothschilds, and the Marquis and Marquise de Boisgelin. At their house in Grosrouvre, south-west of Paris, were two flagpoles flying her arms and those of Fred.

fig 7. An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame.
fig 7. C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

Our portrait was consigned to a sale upon the Baronne de Cabrol’s death.

With special thanks to Beatrix de Guitaut, Château d'Époisses, for her assistance with the identification of the sitter and biography.

More info at: wwww.titanfineart.com

Height
169.5cm (66.73")
Width
132cm (51.97")
Depth
8cm (3.15")
Date of Manufacture

Titan Fine Art has dated this 18th Century Oil Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1122990
Titan Fine Art
Titan Fine Art
Sellingantiques verified Since Jul 2016

Specialist in 17th & 18thc portraits. Highly curated selection, museum-level research & pro conservation. Exceptional art, expertly vetted.

Dealer Profile

You can view the stock and full dealer information on the Titan Fine Art Profile Page

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An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. SOLD6+ MONTHS AGO
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Archive I An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. SOLD6+ MONTHS AGO

C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

Archive II An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View II
Archive III An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View III
Archive IV An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View IV
Archive V An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View V
Archive VI An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View VI
Archive VII An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View VII
Archive VIII An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View VIII
Archive IX An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View IX
Archive X An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View X
Archive XI An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View XI
Archive XII An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View XII
Archive XIII An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View XIII
Archive XIV An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View XIV
Archive XV An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View XV
Archive XVI An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View XVI
Archive XVII An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View XVII
Archive XVIII An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View XVIII
Archive XIX An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame. View XIX
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Dealer Profile Page sellingantiques.co.uk/titan
Verified Since Jul 2016
Items For Sale 24
Items Sold 402
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Titan Fine Art
Verified Since Jul 2016
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Location: London, United Kingdom
Verified
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An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame.
c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting
Ref: SA1122990
An 18th-century oil painting depicting a noblewoman in a blue dress, enclosed within an ornate gilded wooden frame.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period18th century
  • StyleBaroque
  • MaterialOil paint, canvas, wood, gold leaf
  • ColourGold
  • MotifsGilded frame, Carved acanthus scrolls, Figurative portraiture
  • SizeH 169.5 cm (67 in) x W 132 cm (52 in) x D 8 cm (3 in)

Eighteenth-century portraiture is characterised by refined realism, sophisticated lighting techniques often influenced by the Baroque tradition, and formal composition reflecting the status of the subject.

These paintings were typically executed using oil-based pigments applied to stretched linen canvas, housed within hand-carved and gilded wooden frames.

Authentication involves examining canvas age, craquelure patterns, pigment composition via scientific testing, stretcher frame construction, and provenance documentation.

An antique portrait serves as a striking focal point when hung against contemporary neutral walls, bridging historical depth with modern minimalism.

Preservation requires maintaining stable temperature and humidity levels, avoiding direct sunlight exposure, and periodically consulting a professional conservator for cleaning.
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