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C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting
Titan Fine Art
sold SA1122990
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C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

18th century
Description

This work formed part of the collection of paintings and family heirlooms of Baron Hugues Alfred Frèdéric de Cabrol de Moute (1909-1997) and his wife, Baroness Marguerite (1915-2011). The couple had unimpeachable and enviable family backgrounds, and were descendants of ancient princelings; together they were one of the most prominent high-society couples of the twentieth century, and counted the Duke of Duchess of Windsor amongst their closest friends.

The sitter is Marie-Madeleine de Chamillart (died 28 May 1751) nee Nicolas de Lusse. She had a daughter, Anne, in 1692. In 1700 she married Clément Chamillart (1663-1708), President of the Accounts of the King's Chamber. The couple had a daughter, Madeleine (born 1701), who married Louis, the only son of Guillaume de Guitaut and Antoinette de Vertamont in 1719. Guillaume de Guitaut resided at Château d'Époisses in Burgundy France and his descendants still live today. A portrait of our sitter is still held at the Château.

Clément Chamillart died in 1708 and our sitter remarried Jean-Baptiste de Johanne de la Carre (1678-1726), marquis de Saumery, maréchal de camp, in 1713. This marriage produced two daughters, Marguerite (died 1729) and Marie Madeleine (born 1720).

Baron Hugues Alfred Frèdéric de Cabrol de Moute (1909-1997) was one of the more engaging personages in that delightful social constellation of social figures who animated what has become known as "Cafe Society" which was international but predominantly in Paris from the 1920's until the 1960's. He married Marguerite d'Harcourt (1915-2011), known as Daisy, in Paris in 1937. The Harcourt family belongs to the circle of the oldest families in France; the founder of the family, Bernard le Danois, received the seigniory of Harcourt in the tenth century. In the 11th century, his descendants took part in the conquest of England alongside William the Conqueror. Later, the Harcourt family was divided into a French branch and an English branch (the titles of barons, viscounts, and counts). Daisy descended from Nicolas Soult, one of Napoleon's Marshals and three times Prime Minister of France.

The couple became friends of the Duke and Duchess of Windsor in 1947, and were invited to the Chateau de la Croë, their rented house on Cap d'Antibes. She and Fred were among the few allowed to see the Duchess laid out after her death in 1986.

Daisy was a considerable hostess, giving a ball every year for her charity, L'Essor. At one, she entertained Charlie Chaplin, the Begum Aga Khan, and the Windsors. According to Nancy Mitford, the guests all wore £1,000 dresses and leant forward, "bottoms out, arms wildly waving", as they skated on the ice ring, which at the end of the evening was scattered with stray diamonds.

She moved in the world of Marie-Hélène de Rothschild, wife of Baron Guy de Rothschild. She felt trapped when on Niarchos's yacht, alongside Douglas Fairbanks Jr., when Niarcho refused to moor the yacht for bathing, while serving daily rations of caviar. "Nobody can eat caviar for eight days in a row," she said of the voyage. Fred and Daisy are remembered for the extraordinary scrapbooks in which they created of the balls and house parties they gave and attended; one resplendent photo is Fred alongside Elizabeth Taylor.

The couple's Paris residence was “one of the most beautiful residences in Paris” alongside the Rothschilds, and the Marquis and Marquise de Boisgelin. At their house in Grosrouvre, south-west of Paris, were two flagpoles flying her arms and those of Fred.

Our portrait was consigned to a sale upon the Baronne de Cabrol’s death.

With special thanks to Beatrix de Guitaut, Château d'Époisses, for her assistance with the identification of the sitter and biography.

More info at: wwww.titanfineart.com

Physical Dimensions
Height
169.5cm (66.73")
Width
132cm (51.97")
Depth
8cm (3.15")
Declaration

Titan Fine Art has dated this piece to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1122990
Dealers Notes

Much more info about this item at: www.titanfineart.com

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With over 20 years of expertise and 1,000+ works placed with collectors and institutions, we are one of the most prolific specialists in 17th and 18th-century portraiture. We combine a scholarly approach with museum-level rigor to replace the uncertainty of the open market with absolute confidence.

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Description
This work formed part of the collection of paintings and family heirlooms of Baron Hugues Alfred Frèdéric de Cabrol de Moute (1909-1997) and his wife, Baroness Marguerite (1915-2011). The couple had unimpeachable and enviable family backgrounds, and were descendants of ancient princelings; together they were one of the most prominent high-society couples of the twentieth century, and counted the Duke of Duchess of Windsor amongst their closest friends.

The sitter is Marie-Madeleine de Chamillart (died 28 May 1751) nee Nicolas de Lusse. She had a daughter, Anne, in 1692. In 1700 she married Clément Chamillart (1663-1708), President of the Accounts of the King's Chamber.

The couple had a daughter, Madeleine (born 1701), who married Louis, the only son of Guillaume de Guitaut and Antoinette de Vertamont in 1719.
Titan Fine Art

Guillaume de Guitaut resided at Château d'Époisses in Burgundy France and his descendants still live today. A portrait of our sitter is still held at the Château.

fig 1. c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting
fig 1. C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

Clément Chamillart died in 1708 and our sitter remarried Jean-Baptiste de Johanne de la Carre (1678-1726), marquis de Saumery, maréchal de camp, in 1713. This marriage produced two daughters, Marguerite (died 1729) and Marie Madeleine (born 1720).

fig 2. c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting
fig 2. C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

Baron Hugues Alfred Frèdéric de Cabrol de Moute (1909-1997) was one of the more engaging personages in that delightful social constellation of social figures who animated what has become known as "Cafe Society" which was international but predominantly in Paris from the 1920's until the 1960's. He married Marguerite d'Harcourt (1915-2011), known as Daisy, in Paris in 1937. The Harcourt family belongs to the circle of the oldest families in France; the founder of the family, Bernard le Danois, received the seigniory of Harcourt in the tenth century. In the 11th century, his descendants took part in the conquest of England alongside William the Conqueror. Later, the Harcourt family was divided into a French branch and an English branch (the titles of barons, viscounts, and counts). Daisy descended from Nicolas Soult, one of Napoleon's Marshals and three times Prime Minister of France.

fig 3. c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting
fig 3. C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

The couple became friends of the Duke and Duchess of Windsor in 1947, and were invited to the Chateau de la Croë, their rented house on Cap d'Antibes. She and Fred were among the few allowed to see the Duchess laid out after her death in 1986.

fig 4. c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting
fig 4. C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

Daisy was a considerable hostess, giving a ball every year for her charity, L'Essor. At one, she entertained Charlie Chaplin, the Begum Aga Khan, and the Windsors. According to Nancy Mitford, the guests all wore £1,000 dresses and leant forward, "bottoms out, arms wildly waving", as they skated on the ice ring, which at the end of the evening was scattered with stray diamonds.

fig 5. c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting
fig 5. C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

She moved in the world of Marie-Hélène de Rothschild, wife of Baron Guy de Rothschild. She felt trapped when on Niarchos's yacht, alongside Douglas Fairbanks Jr., when Niarcho refused to moor the yacht for bathing, while serving daily rations of caviar. "Nobody can eat caviar for eight days in a row," she said of the voyage. Fred and Daisy are remembered for the extraordinary scrapbooks in which they created of the balls and house parties they gave and attended; one resplendent photo is Fred alongside Elizabeth Taylor.

fig 6. c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting
fig 6. C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

The couple's Paris residence was “one of the most beautiful residences in Paris” alongside the Rothschilds, and the Marquis and Marquise de Boisgelin. At their house in Grosrouvre, south-west of Paris, were two flagpoles flying her arms and those of Fred.

fig 7. c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting
fig 7. C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

Our portrait was consigned to a sale upon the Baronne de Cabrol’s death.

With special thanks to Beatrix de Guitaut, Château d'Époisses, for her assistance with the identification of the sitter and biography.

More info at: wwww.titanfineart.com

Height
169.5cm (66.73")
Width
132cm (51.97")
Depth
8cm (3.15")
Date of Manufacture

Titan Fine Art has dated this piece to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1122990
Titan Fine Art
Titan Fine Art
Sellingantiques verified Since Jul 2016

Specialist in 17th & 18thc portraits. Highly curated selection, museum-level research & pro conservation. Exceptional art, expertly vetted.

Dealer Profile

You can view the stock and full dealer information on the Titan Fine Art Profile Page

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c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting
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Archive I c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting

C.1720 Portrait of a Lady in Blue Holding a Flower, Marie-madeleine De Chamillart; Studio of Robert Levrac-tournières (1667-1752), Oil on Canvas Painting

Archive II c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View II
Archive III c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View III
Archive IV c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View IV
Archive V c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View V
Archive VI c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View VI
Archive VII c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View VII
Archive VIII c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View VIII
Archive IX c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View IX
Archive X c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View X
Archive XI c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View XI
Archive XII c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View XII
Archive XIII c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View XIII
Archive XIV c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View XIV
Archive XV c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View XV
Archive XVI c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View XVI
Archive XVII c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View XVII
Archive XVIII c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View XVIII
Archive XIX c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting View XIX
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Titan Fine Art
Titan Fine Art
Verified Since Jul 2016
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Location: London, United Kingdom
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c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting
c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting
Ref: SA1122990
c.1720 Portrait of a Lady in Blue Holding a Flower, Marie-Madeleine de Chamillart; Studio of Robert Levrac-Tournières (1667-1752), Oil on canvas painting
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