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ID #SA1100167
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Hunting Party Oil Painting Lord with Purdey in Grey Top Hat & Dogs
For sale by Cheshire Antiques Consultant Ltd
for sale €11,700     $12,700
£10,000
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

Sellingantiques Verified Since Jan 2021
Browse dealers 249 items
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    Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles
Id #SA1100167
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Hunting Party Oil Painting Lord with Purdey in Grey Top Hat & Dogs

19th century
Description

1 Fine Large English Hunting Shooting Party Oil Painting Spaniel & Pointer Dogs Attributed John Samuel Raven.

Impress your guests & clients in your home or office with this hunting masterpiece.

Subject hunting portraiture scene in side profile of a lord gentleman huntsman wearing a grey top hat, he is holding carrying his Purdey under his right arm. Just behind him is his assistant Ghillie whos is tending the white pony. To the right is a brown & white King Charles cavalier spaniel dog and on the left just below the pony is another cavalier spaniel dog in black & white. Further over a red setter pointer dog, who is sniffing poiting towards the deceased game bird that another huntsman who is seated on a large log, dressed in a black jacket with white trousers. Set in the open countryside a tall hill to the right above a fence with trees & foliage around. Above set in a dark grey cloudyt sky with spots of blue coming through near the top corner.

Title “Hunting Shooting Party With Horse, Spaniel Dogs & Pointer Setter Dog” Attributed to John Samuel Raven Circa 1845 mid 19th Century.

Unsigned attributed to John Samuel Raven.

Presented in a recent Larson Juhl Florence moulding giltwith a foil finish & scoop profiile design radiata pine wood frame.

A really impressive display size with the frame being 87 cm wide and 68.5 cm high.

Medium oil on canvas.

Artist biography John Samuel Raven was born in Preston, Lancashire on 21 August 1829. His works have been exhibited also sold at galleries & auction houses around the world. The highest sold price is for $55,885 US dollars sold at Sotheby’s. Raven was the son of the Rev. Thomas Raven, a clergyman of the Church of England, who had considerable talent as an amateur artist, as may be seen from six water-colour drawings by him in the South Kensington Museum. John Raven was, however, almost entirely self-taught, initially by studying the works of John Crome and John Constable. He exhibited at the Academy as early as 1845, and his works also appeared at the British Institution. This part of his career was focused on views of the area where he lived, near St. Leonards. He at first fell under the influence of the Norwich school, but his maturer works, which show much poetic feeling, bear traces of pre-Raphaelitism. It was his custom to prepare elaborate cartoons for his pictures. He was drowned while bathing at Harlech in 1877.

He married Margaret Sinclair Dunbar in 1869, later Mrs. William B. Morris. A collection of his works was exhibited at the Burlington Fine Arts Club in 1878. Amongst his chief pictures were: • Salmsey Church (his first picture, painted when he was sixteen years old) • The Forest of Fontainebleau, 1853 • A Voice of Joy and Gladness, 1860 • The Skirts of a Mountain Farm, 1862 • Midsummer Moonlight, 1866 • The Crops Green, 1867 • The Shadow of Snowden, 1867 • Summer Evening, 1870 • A Hampshire Homestead, 1872 • The Heavens declare the Glory of God, 1876 • Barff and Lord's Seat from the Slopes of Skiddaw, 1877 The Dictionary of National Biography, 1900, summarised his catalogue as "chiefly in oils, but occasionally also in water-colours, and … many fine studies in black and white", noting works above as follows • 'Lago Maggiore from Stresa,' 1871; • 'Fresh fallen Snow on the Matterhorn,' 1872; • 'The lesser Light to rule the Night,' 1873; • 'Twilight in the Wood' (engraved by C. Cousen for the 'Art Journal,’ 1874).

References Wikimedia Commons has media related to John Samuel Raven. 1. 1851 England Census 2. O'Donoghue, Freeman Marius (1896). "Raven, John Samuel" . In Lee, Sidney (ed.). Dictionary of National Biography. Vol. 47. London: Smith, Elder & Co. citing: [Burlington Fine Arts Club Catalogue; Athenæum, 21 July 1877; Art Journal, 1877; Redgrave's Dict. of Artists; information from Mrs. Morris. 2. Source Tate.

Provenance: deceased estate Vale of G

Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Antique Hunting Oil Painting to the 19th Century.

Independent Date Guide ID 08701169
Dealer's Item Date19th Century
Sellingantiques Date19th Century
Sellingantiques agingItem 165-200 years old
ResultsDates match
Why Sellingantiques dated this piece to THE 19TH CENTURY:
Fine craquelure throughout the paint layer: natural drying and ageing of oil over decades.
Gentlemen's tailcoats, tall stocks and trousers: English country fashions of the 1830s and 1840s.
Even canvas weave visible beneath the paint: period hand-primed canvas support.

This Independent Date Guide was compiled by Sellingantiques using its own proprietary system. It works only from the photographs shown on this page and is never told the date the dealer has declared. It is a guide, not a guarantee of age, and occasional errors can occur.

Physical Dimensions
Height
68.5cm (26.97")
Width
87cm (34.25")
Depth
4.5cm (1.77")
Reference Numbers
Sellingantiques Reference
SA1100167
Dealers Internal Reference
614
Dealers Notes

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Company No. 15666518

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Description
1 Fine Large English Hunting Shooting Party Oil Painting Spaniel & Pointer Dogs Attributed John Samuel Raven.

Impress your guests & clients in your home or office with this hunting masterpiece.

“
Subject hunting portraiture scene in side profile of a lord gentleman huntsman wearing a grey top hat, he is holding carrying his Purdey under his right arm.
Cheshire Antiques Consultant Ltd

Just behind him is his assistant Ghillie whos is tending the white pony. To the right is a brown & white King Charles cavalier spaniel dog and on the left just below the pony is another cavalier spaniel dog in black & white. Further over a red setter pointer dog, who is sniffing poiting towards the deceased game bird that another huntsman who is seated on a large log, dressed in a black jacket with white trousers. Set in the open countryside a tall hill to the right above a fence with trees & foliage around. Above set in a dark grey cloudyt sky with spots of blue coming through near the top corner.

fig 1. An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting.
fig 1. Hunting Party Oil Painting Lord with Purdey in Grey Top Hat & Dogs

Title “Hunting Shooting Party With Horse, Spaniel Dogs & Pointer Setter Dog” Attributed to John Samuel Raven Circa 1845 mid 19th Century.

Unsigned attributed to John Samuel Raven.

Presented in a recent Larson Juhl Florence moulding giltwith a foil finish & scoop profiile design radiata pine wood frame.

fig 2. An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting.
fig 2. Hunting Party Oil Painting Lord with Purdey in Grey Top Hat & Dogs

A really impressive display size with the frame being 87 cm wide and 68.5 cm high.

Medium oil on canvas.

Artist biography John Samuel Raven was born in Preston, Lancashire on 21 August 1829. His works have been exhibited also sold at galleries & auction houses around the world. The highest sold price is for $55,885 US dollars sold at Sotheby’s. Raven was the son of the Rev. Thomas Raven, a clergyman of the Church of England, who had considerable talent as an amateur artist, as may be seen from six water-colour drawings by him in the South Kensington Museum. John Raven was, however, almost entirely self-taught, initially by studying the works of John Crome and John Constable. He exhibited at the Academy as early as 1845, and his works also appeared at the British Institution. This part of his career was focused on views of the area where he lived, near St. Leonards. He at first fell under the influence of the Norwich school, but his maturer works, which show much poetic feeling, bear traces of pre-Raphaelitism. It was his custom to prepare elaborate cartoons for his pictures. He was drowned while bathing at Harlech in 1877.

fig 3. An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting.
fig 3. Hunting Party Oil Painting Lord with Purdey in Grey Top Hat & Dogs

He married Margaret Sinclair Dunbar in 1869, later Mrs. William B. Morris. A collection of his works was exhibited at the Burlington Fine Arts Club in 1878. Amongst his chief pictures were: • Salmsey Church (his first picture, painted when he was sixteen years old) • The Forest of Fontainebleau, 1853 • A Voice of Joy and Gladness, 1860 • The Skirts of a Mountain Farm, 1862 • Midsummer Moonlight, 1866 • The Crops Green, 1867 • The Shadow of Snowden, 1867 • Summer Evening, 1870 • A Hampshire Homestead, 1872 • The Heavens declare the Glory of God, 1876 • Barff and Lord's Seat from the Slopes of Skiddaw, 1877 The Dictionary of National Biography, 1900, summarised his catalogue as "chiefly in oils, but occasionally also in water-colours, and … many fine studies in black and white", noting works above as follows • 'Lago Maggiore from Stresa,' 1871; • 'Fresh fallen Snow on the Matterhorn,' 1872; • 'The lesser Light to rule the Night,' 1873; • 'Twilight in the Wood' (engraved by C. Cousen for the 'Art Journal,’ 1874).

fig 4. An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting.
fig 4. Hunting Party Oil Painting Lord with Purdey in Grey Top Hat & Dogs

References Wikimedia Commons has media related to John Samuel Raven. 1. 1851 England Census 2. O'Donoghue, Freeman Marius (1896). "Raven, John Samuel" . In Lee, Sidney (ed.). Dictionary of National Biography. Vol. 47. London: Smith, Elder & Co. citing: [Burlington Fine Arts Club Catalogue; Athenæum, 21 July 1877; Art Journal, 1877; Redgrave's Dict. of Artists; information from Mrs. Morris. 2. Source Tate.

Provenance: deceased estate Vale of G

Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Antique Hunting Oil Painting to the 19th Century.

Independent Date Report ID 08701169
Dealer's Item Date19th Century
Sellingantiques dating19th Century
Sellingantiques agingItem 165-200 years old
ResultsDates match
Why Sellingantiques dated this piece to the 19th Century:
Fine craquelure throughout the paint layer: natural drying and ageing of oil over decades.
Gentlemen's tailcoats, tall stocks and trousers: English country fashions of the 1830s and 1840s.
Even canvas weave visible beneath the paint: period hand-primed canvas support.

This is an independent date report produced by Sellingantiques using its own proprietary system. The process uses the photographs shown on this page. The system is never told the date the dealer has declared. This report shows that the two dates corroborate.

Height
68.5cm (26.97")
Width
87cm (34.25")
Depth
4.5cm (1.77")
Reference Numbers
Sellingantiques Ref
SA1100167
Dealers Internal Ref
614
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting.
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Archive I An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting.

Hunting Party Oil Painting Lord with Purdey in Grey Top Hat & Dogs

Archive II An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View II
Archive III An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View III
Archive IV An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View IV
Archive V An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View V
Archive VI An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View VI
Archive VII An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View VII
Archive VIII An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View VIII
Archive IX An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View IX
Archive X An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View X
Archive XI An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XI
Archive XII An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XII
Archive XIII An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XIII
Archive XIV An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XIV
Archive XV An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XV
Archive XVI An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XVI
Archive XVII An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XVII
Archive XVIII An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XVIII
Archive XIX An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XIX
Archive XX An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XX
Archive XXI An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XXI
Archive XXII An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XXII
Archive XXIII An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XXIII
Archive XXIV An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XXIV
Archive XXV An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XXV
Archive XXVI An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XXVI
Archive XXVII An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XXVII
Archive XXVIII An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XXVIII
Archive XXIX An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XXIX
Archive XXX An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting. View XXX
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Telephone 07494 763 382
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WC2H 9JQ
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Items For Sale 249
Items Sold 224
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Verified Since Jan 2021
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Location: 71-75 Shelton Street, Covent Garden, London, WC2H 9JQ, United Kingdom, , By appointment
Verified
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For Sale
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Sold
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An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting.
Hunting Party Oil Painting Lord With Purdey In Grey Top Hat & Dogs
Ref: SA1100167
An antique oil painting in a decorative gilded frame depicting three men with hunting dogs and a white horse in a countryside setting.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectOil Paintings
  • Period19th century
  • Style19th Century British School
  • MaterialOil on Canvas, Giltwood
  • ColourWarm Earth Tones
  • MotifsFluted gilt frame, Hunting hounds, Equestrian figures, Landscape horizon
  • SizeH 68.5 cm (27 in) x W 87 cm (34 in) x D 4.5 cm (2 in)

This 19th Century British School oil painting depicts a hunting portraiture scene with three men, a white horse, and several dogs in an open countryside landscape beneath a dark grey cloudy sky with patches of blue. The artwork is rendered in warm earth tones on canvas and is housed within a radiata pine wood frame featuring a Larson Juhl Florence moulding gilt finish with a foil finish and a scoop profile design. Visual details include fluted gilt framing, equestrian figures, hunting hounds, and a landscape horizon. The piece measures 68.5 cm high, 87 cm wide, and 4.5 cm deep. Suitable for placement above the mantel in an English country house interior, this painting brings traditional sporting art into a domestic setting. The composition incorporates a lord gentleman huntsman in a grey top hat carrying a firearm, an assistant attending to a white pony, spaniel dogs in brown-and-white and black-and-white variants, a red setter pointer dog, and another huntsman seated on a log wearing a black jacket and white trousers against a backdrop of a tall hill, fence, trees, and foliage.

British sporting art from this period focused on field pursuits, equestrian events, and country estate life. Artists emphasized realistic depictions of horses, gundogs, gamekeepers, and gentlemen framed against naturalistic countryside settings.

Works from this era were painted using oil pigments applied to natural linen or cotton canvas stretched over wooden stretcher bars. Frames were typically crafted from timber with moulded plaster ornament and gilded with gold leaf.

Authentic period paintings display natural surface age, including fine craquelure patterns across the paint layer, darkening of natural varnishes, and historic wood construction on the reverse stretcher frame.

Position the piece as a statement focal point against deep paint shades like navy or forest green. Combine with tailored leather seating and timber accent furniture to complement its classic aesthetic.

Dust the frame and canvas gently with a soft dry brush, avoiding direct liquid cleaners. Position the painting away from direct sunlight, excess heat sources, and fluctuating moisture levels to prevent pigment fading or canvas warping.
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