C.1705 Portrait of Anne, Lady Tipping Cheke in a Blue Silk Dress Standing on a Porch; Circle of Sir Godfrey Kneller (1646-1723), Oil on Canvas

The rich history and provenance of the painting that once adorned the walls of The Saloon in Lord and Lady Sandys' estate at Ombersley Court is truly remarkable. With connections to significant moments in English history, including the Civil War, the reign of King Charles II, and the Peninsular War, this collection holds a vital link to the past. The recent sale of the estate marked the end of a 294-year-old legacy, bringing an end to centuries of historical importance and cultural significance encapsulated in the artwork.

This description beautifully captures the essence of a portrait from the seventeenth and eighteenth centuries, highlighting the opulence and status of the sitter through their attire and surroundings. The attention to detail in the composition, color scheme, and representation of the sitter's beauty emphasises the wealth and prestige of the subject. The painting effectively showcases the artistry of the era through the meticulous rendering of fabric textures and flesh tones, ultimately creating a captivating and luxurious portrait that reflects the elite society of the time.

The portrait is inscribed: 'Lady Tipping / Daughter of Coll. Cheek'. Anne Tipping, née Cheke, was the daughter of Colonel Thomas Cheke (1628-1688) and his wife Letitia, née Russell (1649-1722). Anne's life was marked by notable familial ties and personal accomplishments, from her father's prestigious appointment as Lieutenant of the Tower of London to her role in establishing the Dame Tipping school. Tragically, her life was cut short at the age of 48.

The history and significance of Ombersley Court, as outlined by the intricate tale of the Sandys family's ownership and ties to important historical figures and events, showcase the enduring legacy and heritage that some properties embody. With strong military and political lineage spanning centuries, and a rich collection of artifacts and memorabilia, Ombersley stands as a testament to the intertwined fabric of British history and the importance of familial heritage in preserving such historical properties.

Through this portrait, collectors have a chance to acquire a piece of British history and an evocative vestige of a glittering way of life, which is now gone.

The work has been well preserved and cared for over its circa 325 years of age, only requiring the removal of a discoloured varnish – now the fine details and the true colours can be appreciated.

Presented in a striking ebonised frame with applied carved and pierced gilded foliage, which is a work of art in itself.

Sir Godfrey Kneller was a prominent figure in British portraiture during the seventeenth century, creating portraits of numerous notable individuals over a span of forty years. His reputation as a skilled and prolific painter earned him fame and recognition, with his work being closely associated with the visual interpretation of British history. Kneller's legacy includes paintings of ten ruling sovereigns, solidifying his place as a dominant figure in British art history.

Provenance

• By descent to the sitter's daughter,

• Letitia Tipping (1699-1779), wife of Samuel Sandys, 1st Baron Sandys (1695-1770), and by descent to their son,

• Edwin Sandys, 2nd Baron Sandys (1726-1797), and by inheritance to his niece,

• Mary, Marchioness of Downshire and 1st Baroness Sandys (1764-1836), and by descent to her second son,

• Lieutenant-General Arthur Hill, 2nd Baron Sandys (1792-1860), and by inheritance to his younger brother,

• Arthur Marcus Sandys, 3rd Baron Sandys (1798-1863), and thence by descent to,

• Richard Hill, 7th Baron Sandys (1931-2013), at Ombersley Court, Worcestershire

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