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Masterpiece: Figures at the Harbour, 1927 Modern Industrial Cityscape by Saint Exupery's Friend Lamotte French Oil on Canvas
Skippings Fine Arts
for sale €2,282     $2,477
£1,950
Skippings Fine Arts

Skippings Fine Arts

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    Modern french & continental pictures selected by a former french auction house expert
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Masterpiece: Figures at the Harbour, 1927 Modern Industrial Cityscape by Saint Exupery's Friend Lamotte French Oil on Canvas

1900 - 1920
Description

A wonderfully modern and dynamic early 20th Century cityscape, depicting figures - notably a woman with a bicycle chatting to a friend - at a harbour.

It is a work by French-American Bernard Lamotte (1903-1983), the gifted and celebrated artist who was Antoine de Saint Exupéry's close friend from art school in the 1920s. There are anecdotes of the two young men celebrating in the Jazz Bars and night clubs in the Paris of the "Années Folles", of Lamotte sketching Antoine as the latter was writing, and of the both of them speeding in de Saint Exupéry's Bugatti: "I learnt that day what it was like to be flying" said Lamotte about the experience.

The work presented here was painted in 1927, the year Lamotte had his first solo exhibition in Paris, during which he sold a whopping 27 pictures.

Bernard moved to New York in 1936, and within one year of his arrival received several mural commissions including and exhibitions including a one man show at the Wildenstein Gallery.

Other shows included the Art Institute of Chicago in 1941, the Carstairs Gallery in New York City where his work was presented annually from 1941 into the 1950s, and a solo exhibition at the Palm Beach Gallery in 1965. Like Pierre Sicard and Grigory Gluckmann, Lamotte was represented by the Dalzell-Hatfield Gallery in Los Angeles.

Lamotte's atelier was located above the "La Grenouille" restaurant , where fellow expatriate French artists and famed New York personalities congregated, including Greta Garbo, Charlie Chaplin, and Marlene Dietrich. The studio he and his wife shared became a bohemian haven and was coined Le Bocal (“The Fishbowl”). The Fishbowl was one of the places where Saint-Exupéry worked on Le Petit Prince. In fact: de Saint Exupéry nearly commissioned his friend Lamotte to do the illustrations for The Little Prince, but eventually decided to do them himself.Lamotte however did create the illustrations for Saint Exupéry's "Flight to Arras".

Lamotte created a mural for the White House pool for John F. Kennedy, which is now preserved in the John F. Kennedy Library and Museum, Boston. Lamotte's work can be found in the Tokyo Museum, Luxembourg Museum, Musee d’Art Moderne in Paris, and the French Embassy in Finland. Private collections include those of Joseph P. Kennedy, Alfred Barnes, and Anton Dalhuijsen, among others.

Our painting measures 54 x 65 cm for the canvas alone. The overall framed size in a period hand carved frame is 68 x 79 cm.

Physical Dimensions
Height
54cm (21.26")
Width
65cm (25.59")
Declaration

Skippings Fine Arts has dated this French Harbour Oil Painting to the 1920s.

Reference Numbers
Sellingantiques Reference
SA1027279
Dealers Notes

Nous parlons français, und wir sprechen auch Deutsch! Paintings may be viewed in Norwich and in Paris, as well as in London and Cambridge by appointment. Please contact us if you would like further details and images of an artwork.

Description
A wonderfully modern and dynamic early 20th Century cityscape, depicting figures - notably a woman with a bicycle chatting to a friend - at a harbour.
It is a work by French-American Bernard Lamotte (1903-1983), the gifted and celebrated artist who was Antoine de Saint Exupéry's close friend from art school in the 1920s.
Skippings Fine Arts

There are anecdotes of the two young men celebrating in the Jazz Bars and night clubs in the Paris of the "Années Folles", of Lamotte sketching Antoine as the latter was writing, and of the both of them speeding in de Saint Exupéry's Bugatti: "I learnt that day what it was like to be flying" said Lamotte about the experience.

fig 1. An oil painting on canvas depicting a harbour scene with docked sailing boats, figures walking on the stone quay, and industrial cranes in the background.
fig 1. Masterpiece: Figures at the Harbour, 1927 Modern Industrial Cityscape by Saint Exupery's Friend Lamotte French Oil on Canvas

The work presented here was painted in 1927, the year Lamotte had his first solo exhibition in Paris, during which he sold a whopping 27 pictures.

Bernard moved to New York in 1936, and within one year of his arrival received several mural commissions including and exhibitions including a one man show at the Wildenstein Gallery.

fig 2. An oil painting on canvas depicting a harbour scene with docked sailing boats, figures walking on the stone quay, and industrial cranes in the background.
fig 2. Masterpiece: Figures at the Harbour, 1927 Modern Industrial Cityscape by Saint Exupery's Friend Lamotte French Oil on Canvas

Other shows included the Art Institute of Chicago in 1941, the Carstairs Gallery in New York City where his work was presented annually from 1941 into the 1950s, and a solo exhibition at the Palm Beach Gallery in 1965. Like Pierre Sicard and Grigory Gluckmann, Lamotte was represented by the Dalzell-Hatfield Gallery in Los Angeles.

fig 3. An oil painting on canvas depicting a harbour scene with docked sailing boats, figures walking on the stone quay, and industrial cranes in the background.
fig 3. Masterpiece: Figures at the Harbour, 1927 Modern Industrial Cityscape by Saint Exupery's Friend Lamotte French Oil on Canvas

Lamotte's atelier was located above the "La Grenouille" restaurant , where fellow expatriate French artists and famed New York personalities congregated, including Greta Garbo, Charlie Chaplin, and Marlene Dietrich. The studio he and his wife shared became a bohemian haven and was coined Le Bocal (“The Fishbowl”). The Fishbowl was one of the places where Saint-Exupéry worked on Le Petit Prince. In fact: de Saint Exupéry nearly commissioned his friend Lamotte to do the illustrations for The Little Prince, but eventually decided to do them himself.Lamotte however did create the illustrations for Saint Exupéry's "Flight to Arras".

fig 4. An oil painting on canvas depicting a harbour scene with docked sailing boats, figures walking on the stone quay, and industrial cranes in the background.
fig 4. Masterpiece: Figures at the Harbour, 1927 Modern Industrial Cityscape by Saint Exupery's Friend Lamotte French Oil on Canvas

Lamotte created a mural for the White House pool for John F. Kennedy, which is now preserved in the John F. Kennedy Library and Museum, Boston. Lamotte's work can be found in the Tokyo Museum, Luxembourg Museum, Musee d’Art Moderne in Paris, and the French Embassy in Finland. Private collections include those of Joseph P. Kennedy, Alfred Barnes, and Anton Dalhuijsen, among others.

Our painting measures 54 x 65 cm for the canvas alone. The overall framed size in a period hand carved frame is 68 x 79 cm.

Height
54cm (21.26")
Width
65cm (25.59")
Date of Manufacture

Skippings Fine Arts has dated this French Harbour Oil Painting to the 1920s.

Reference Numbers
Sellingantiques Ref
SA1027279
Skippings Fine Arts
Skippings Fine Arts
Sellingantiques verified Since Feb 2018

Modern french & continental pictures selected by a former french auction house expert

Dealer Profile

You can view the stock and full dealer information on the Skippings Fine Arts Profile Page

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An oil painting on canvas depicting a harbour scene with docked sailing boats, figures walking on the stone quay, and industrial cranes in the background.
1 / 9
Archive I An oil painting on canvas depicting a harbour scene with docked sailing boats, figures walking on the stone quay, and industrial cranes in the background.

Masterpiece: Figures at the Harbour, 1927 Modern Industrial Cityscape by Saint Exupery's Friend Lamotte French Oil on Canvas

Archive II An oil painting on canvas depicting a harbour scene with docked sailing boats, figures walking on the stone quay, and industrial cranes in the background. View II
Archive III An oil painting on canvas depicting a harbour scene with docked sailing boats, figures walking on the stone quay, and industrial cranes in the background. View III
Archive IV An oil painting on canvas depicting a harbour scene with docked sailing boats, figures walking on the stone quay, and industrial cranes in the background. View IV
Archive V An oil painting on canvas depicting a harbour scene with docked sailing boats, figures walking on the stone quay, and industrial cranes in the background. View V
Archive VI An oil painting on canvas depicting a harbour scene with docked sailing boats, figures walking on the stone quay, and industrial cranes in the background. View VI
Archive VII An oil painting on canvas depicting a harbour scene with docked sailing boats, figures walking on the stone quay, and industrial cranes in the background. View VII
Archive VIII An oil painting on canvas depicting a harbour scene with docked sailing boats, figures walking on the stone quay, and industrial cranes in the background. View VIII
Archive IX An oil painting on canvas depicting a harbour scene with docked sailing boats, figures walking on the stone quay, and industrial cranes in the background. View IX
Enlarged Archival View
Telephone 0747 257 2398
Location
Norfolk
United Kingdom

By appointment
Verified Since Feb 2018
Items For Sale 168
Items Sold 684
Skippings Fine Arts
Skippings Fine Arts
Verified Since Feb 2018
View Dealer Info
Location: Norfolk, United Kingdom, , By appointment
Verified
Feb 2018
For Sale
168
Sold
684
An oil painting on canvas depicting a harbour scene with docked sailing boats, figures walking on the stone quay, and industrial cranes in the background.
Masterpiece: Figures at the harbour, 1927 modern industrial cityscape by Saint Exupery's friend Lamotte French oil on canvas
Ref: SA1027279
An oil painting on canvas depicting a harbour scene with docked sailing boats, figures walking on the stone quay, and industrial cranes in the background.
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Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Early 20th-century French modernist landscapes often blend Impressionist observational light with structured compositions and muted colour palettes. Artists of this era frequently depicted urban expansion, industrial harbours, and modern infrastructure alongside traditional scenery.

Painters during the 1920s typically worked with natural oil pigments mixed with linseed oil on stretched linen or cotton canvas. Wooden stretcher bars held the support, and surface layers were frequently finished with natural resin varnishes such as dammar.

Authenticity is evaluated through physical examination of age-appropriate canvas ageing, natural craquelure patterns, and frame or stretcher construction. Signatures, dates, and historical gallery labels or provenance documentation further assist in attribution.

Industrial harbour and city paintings pair effectively with minimalist, neutral interior schemes and contemporary architecture. Placing such works within slim wooden or dark metal frames creates visual contrast against textured walls and industrial furniture elements.

Oil paintings should be displayed away from direct sunlight, strong heat sources, and areas of fluctuating humidity to prevent cracking and canvas distortion. Dusting with a soft, dry brush and engaging professional conservators for cleaning preserves the paint layer long-term.
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