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ID #SA1001445
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£340
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French Village Scene, Ca 1920 by Walter Sickert's Best Friend French Camden Group Artist Maurice Asselin Watercolour on Paper
Skippings Fine Arts
for sale €398     $432
£340
Skippings Fine Arts

Skippings Fine Arts

Sellingantiques Verified Since Feb 2018
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    Modern french & continental pictures selected by a former french auction house expert
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French Village Scene, Ca 1920 by Walter Sickert's Best Friend French Camden Group Artist Maurice Asselin Watercolour on Paper

1900 - 1920
Description

Delicate and subte, Maurice Asselin's watercolours have a rare translucence - they shine almost like stained glass lit by the sun.

Art critics descibe Maurice Asselin's work as litterary, sensitive, restrained. His art is ecerything but flashy, but take the time to feel your way into this village scene from circa 1920, and you will reap the rewards.

Walter Sickert calls him: "not only one of the most distinguished artists among the younger artists, but also one of the many sane and normal individualities who are really the important constituants of modern French painting".

As Walter Sickert's best friend and the French artist most closely connected to the Camden Town Group, Asselin (1882-1942) was one of the most exciting French artists of his generation. This was felt by many of his contemporaries, including Sickert and Roger Fry.

He had a one-man show in London with Carfax and Co in 1915, the gallery close to the Camden Group which, according to Paul Nash, was 'probably the most distinguished and exclusive gallery in London at this time’.

Paintings by the artist are in museums all over the world, from Moscow to New York via Christchurch, New Zealand. Four of his works are in the Pompidou Centre in Paris. The Fitzwilliam in Cambridge owns an oil, as does the Hepworth, Wakefield.

Our watercolour is situated "Juranville" a village in the Loire region close to Orléans, where Asselin was born. It measures 22 x 29 cm and is signed at the lower right. The overall framed size with light wear is 41 x 47 cm.

Physical Dimensions
Height
22cm (8.66")
Width
29cm (11.42")
Depth
1cm (0.39")
Declaration

Skippings Fine Arts has dated this French Village Watercolour Painting to the 1920s.

Reference Numbers
Sellingantiques Reference
SA1001445
Dealers Notes

Nous parlons français, und wir sprechen auch Deutsch! Paintings may be viewed in Norwich and in Paris, as well as in London and Cambridge by appointment. Please contact us if you would like further details and images of an artwork.

Description
Delicate and subte, Maurice Asselin's watercolours have a rare translucence - they shine almost like stained glass lit by the sun.

Art critics descibe Maurice Asselin's work as litterary, sensitive, restrained.

“
His art is ecerything but flashy, but take the time to feel your way into this village scene from circa 1920, and you will reap the rewards.
Skippings Fine Arts
fig 1. An early 20th-century watercolour painting depicting a French village church and rustic buildings in soft brown and green washes with a horse and cart in the foreground.
fig 1. French Village Scene, Ca 1920 by Walter Sickert's Best Friend French Camden Group Artist Maurice Asselin Watercolour on Paper

Walter Sickert calls him: "not only one of the most distinguished artists among the younger artists, but also one of the many sane and normal individualities who are really the important constituants of modern French painting".

fig 2. An early 20th-century watercolour painting depicting a French village church and rustic buildings in soft brown and green washes with a horse and cart in the foreground.
fig 2. French Village Scene, Ca 1920 by Walter Sickert's Best Friend French Camden Group Artist Maurice Asselin Watercolour on Paper

As Walter Sickert's best friend and the French artist most closely connected to the Camden Town Group, Asselin (1882-1942) was one of the most exciting French artists of his generation. This was felt by many of his contemporaries, including Sickert and Roger Fry.

fig 3. An early 20th-century watercolour painting depicting a French village church and rustic buildings in soft brown and green washes with a horse and cart in the foreground.
fig 3. French Village Scene, Ca 1920 by Walter Sickert's Best Friend French Camden Group Artist Maurice Asselin Watercolour on Paper

He had a one-man show in London with Carfax and Co in 1915, the gallery close to the Camden Group which, according to Paul Nash, was 'probably the most distinguished and exclusive gallery in London at this time’.

fig 4. An early 20th-century watercolour painting depicting a French village church and rustic buildings in soft brown and green washes with a horse and cart in the foreground.
fig 4. French Village Scene, Ca 1920 by Walter Sickert's Best Friend French Camden Group Artist Maurice Asselin Watercolour on Paper

Paintings by the artist are in museums all over the world, from Moscow to New York via Christchurch, New Zealand. Four of his works are in the Pompidou Centre in Paris. The Fitzwilliam in Cambridge owns an oil, as does the Hepworth, Wakefield.

Our watercolour is situated "Juranville" a village in the Loire region close to Orléans, where Asselin was born. It measures 22 x 29 cm and is signed at the lower right. The overall framed size with light wear is 41 x 47 cm.

Height
22cm (8.66")
Width
29cm (11.42")
Depth
1cm (0.39")
Date of Manufacture

Skippings Fine Arts has dated this French Village Watercolour Painting to the 1920s.

Reference Numbers
Sellingantiques Ref
SA1001445
Skippings Fine Arts
Skippings Fine Arts
Sellingantiques verified Since Feb 2018

Modern french & continental pictures selected by a former french auction house expert

Dealer Profile

You can view the stock and full dealer information on the Skippings Fine Arts Profile Page

Relevant Links
PDF SHARE
SAVE
An early 20th-century watercolour painting depicting a French village church and rustic buildings in soft brown and green washes with a horse and cart in the foreground.
1 / 5
Archive I An early 20th-century watercolour painting depicting a French village church and rustic buildings in soft brown and green washes with a horse and cart in the foreground.

French Village Scene, Ca 1920 by Walter Sickert's Best Friend French Camden Group Artist Maurice Asselin Watercolour on Paper

Archive II An early 20th-century watercolour painting depicting a French village church and rustic buildings in soft brown and green washes with a horse and cart in the foreground. View II
Archive III An early 20th-century watercolour painting depicting a French village church and rustic buildings in soft brown and green washes with a horse and cart in the foreground. View III
Archive IV An early 20th-century watercolour painting depicting a French village church and rustic buildings in soft brown and green washes with a horse and cart in the foreground. View IV
Archive V An early 20th-century watercolour painting depicting a French village church and rustic buildings in soft brown and green washes with a horse and cart in the foreground. View V
Enlarged Archival View
Skippings Fine Arts

Skippings Fine Arts
Telephone 0747 257 2398
Location
Norfolk
United Kingdom

By appointment
Dealer Profile Page sellingantiques.co.uk/skippingsfinearts
Verified Since Feb 2018
Items For Sale 168
Items Sold 684
Skippings Fine Arts
Skippings Fine Arts
Verified Since Feb 2018
View Dealer Info
Location: Norfolk, United Kingdom, , By appointment
Profile: sellingantiques.co.uk/skippingsfinearts
Verified
Feb 2018
For Sale
168
Sold
684
An early 20th-century watercolour painting depicting a French village church and rustic buildings in soft brown and green washes with a horse and cart in the foreground.
French Village scene, ca 1920 by Walter Sickert's best friend French Camden group artist Maurice Asselin watercolour on paper
Ref: SA1001445
An early 20th-century watercolour painting depicting a French village church and rustic buildings in soft brown and green washes with a horse and cart in the foreground.
Detail View 1
Detail View 2
Detail View 3
Detail View 4
Archival Detail

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FAQs

Post-Impressionist watercolours from the 1920s often feature simplified architectural forms, expressive brushwork, and a muted, naturalistic colour palette to capture atmospheric light and localized rural scenery.

Artists typically used water-based pigments painted onto heavy cotton rag or cellulose paper, applied with fine sable or soft hair brushes to achieve varying degrees of transparency.

Authentication involves examining artist signatures, analyzing paper aging characteristics such as uniform toning or foxing, evaluating technique consistency, and tracing established provenance.

Watercolour paintings complement modern interiors when framed in clean wooden or gilded mouldings with acid-free mounts, placed as part of a curated gallery wall or above a console table.

Display the artwork away from direct sunlight using UV-filtering glass, maintain stable humidity levels to prevent cockling, and ensure all framing materials are strictly acid-free.
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