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Cream Button Back Armchair

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A cream button back armchair offers deep upholstery and tailored tufting, bringing period comfort and sculptural form to a room.

£860
FOR SALE
chairs
£685
FOR SALE
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£1,695
FOR SALE
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£1,550
FOR SALE
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£2,250
FOR SALE
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£320
FOR SALE
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The page includes French Napoleon III, Regency, Edwardian, and Rococo Revival styles across various armchair forms.

£875
FOR SALE
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£1,500
FOR SALE
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£1,450
FOR SALE
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£1,700
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£2,200
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Sellingantiques  ·  Guide 601382026/2027 edition

Cream Button Back Armchair

A cream button back armchair offers deep upholstery and tailored tufting, bringing period comfort and sculptural form to a room.

Introduction

Cream Button Back Armchair

When searching for a cream button back armchair, buyers encounter nineteenth-century English and French seating, spanning Victorian, Regency, and Edwardian periods.

The selections on this page lean heavily towards nineteenth-century examples, featuring French Napoleon III designs, William IV country house seating, and aesthetic movement pieces.

Forms vary from reading chairs and salon chairs to bedroom chairs and large proportions associated with prominent London makers.

How they were made

Materials and construction

Frames are built from solid hardwoods such as mahogany, walnut, and timber, sometimes supported by ebonised or cabriole legs with brass castors.

Internal stuffing relies on traditional materials like hessian and calico beneath the outer fabric cover, secured with deep buttoning techniques.

The market

Cream Button Back Armchair Retail Price Guide 2026

Entry-levelUnder £600
Typical prices£600 – £1,700
Premium examplesOver £1,700

Typical asking prices for cream button back armchair among the pieces listed under this phrase on Sellingantiques today, from the lower quarter to the upper quarter. They describe what is for sale here now, not the wider market.

From the Sellingantiques archive

Listings feature nineteenth-century and Victorian periods, utilising mahogany, walnut, brass, fabric, calico, hessian, and timber.

What sets them apart

Judging quality

The distinction between ordinary and exceptional pieces lies in the integrity of the frame timber, the precision of the button tufting, and the retention of original maker stamps or castors.

Proportions and carving define the upper tier, where seating designed by notable workshops displays balanced lines and robust internal webbing rather than purely decorative execution.

Notable makers of cream button back armchair

Howard and Sons·Mellier and Co·C Hindley and Sons·Hamptons and Sons

Terms antiques dealers use

The Cream Button Back Armchair Glossary

Button back
Upholstery technique where depressions are formed in the padding by stitches or buttons pulled tight into the frame. This secures the filling and creates a patterned grid of tufts.
Cabriole leg
Furniture leg that curves out and then narrows inward, resembling an animal limb. It appears frequently on Victorian mahogany frames.
Hessian
Coarse woven fabric utilised as a foundational scrim inside upholstered seating. It holds the stuffing in position beneath the outer textile.
Castor
Small wheel attached to the foot of a chair leg to ease movement. Brass examples frequently accompany nineteenth-century English armchairs.
Questions people ask

Cream Button Back Armchair: Frequently Asked Questions

How do I identify a nineteenth-century piece?

Nineteenth-century examples are distinguished by timber choices like solid mahogany and walnut, alongside specific stylistic revivals such as French Napoleon III or William IV.

Examination of the internal webbing, hessian, and framing methods often reveals the traditional hand construction typical of this era.

Where were these armchairs used historically?

These armchairs served in diverse domestic spaces, from formal drawing rooms and salons to private bedrooms and reading studies.

Smaller salon and bedroom chairs provided mobile seating, while large proportioned armchairs offered heavier comfort for country house libraries.

What is a Howard style armchair?

A Howard style armchair references the low-slung, deeply cushioned upholstery forms popularised by the nineteenth-century London firm Howard and Sons. These pieces prioritise sink-in comfort supported by sturdy timber frames and original castors.

Copies and pieces in the manner of the firm frequently share these characteristic generous proportions and tailored upholstery.

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