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Thomas Murray (1663-1734) - Portrait of a Gentleman in a Russet Silk Robe.
Sold by Period Portraits
sold SA1226067
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Period Portraits

Period Portraits

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    Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints
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Thomas Murray (1663-1734) - Portrait of a Gentleman in a Russet Silk Robe.

17th century
Sold 31 July 2026 · Period Portraits
This “Thomas Murray (1663-1734) - Portrait of a Gentleman in a Russet Silk Robe” found a buyer.

It was listed by Period Portraits. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

Fine and imposing late 17th century English portrait of a wigged gentleman attributed to (!663-1734). The handsome sitter is depicted three quarter-length, leaning upon a stone ledge in front of an extensive walled architectural background, with an archway and trees beyond.

At first glance this charming portrait appears typical of its time. Look closer and the sitter (as yet unknown) wears a the hugest, of fashionable and costly wigs. and it tumbles to below his shoulders! Infact the derivation of ‘big wig’ as a term to describe a person of means and importance comes from fashions like this. A finger white stock tied at the neck and a shimmering russet silk robe are further clues that this is indeed an aristocrat or member of the gentry.

Unlike may paintings of the period with their matching power poses and aloof expressions, what really shines from this portrait is the way that the artist has managed to conjure real character. The strength and sensitivity with which the sitters face is painted is of particular note. Yes he is handsome, but he also exudes the kind of a calm and confident air which makes this attractive portrait very easy to accomodate.

Thomas Murray (1663 – June 1734) was a Scottish painter who specialised in portrait painting.

Thomas Murray received his first lessons in art from one of the De Critz family. Subsequently, he became a pupil of John Riley; like his master, Murray was just a face-painter, leaving the rest of the picture to be completed by others.[1]

Murray was successful financially. He died in June 1734, leaving no children, and bequeathed his money to a nephew, with instructions that his monument, with a bust, should be erected in Westminster Abbey, provided that it did not cost too much. His nephew, however, taking him at his word, buried him in St. Paul's, Covent Garden, and found the monument too expensive to erect.

This painting is housed in a later antique ‘lely’ stye frame.

Higher resolution images on request.

Worldwide shipping available.

Canvas: 120cm x 90cm.

Framed: 130cm x 100cm.

Price: £12000

Date of Manufacture

Period Portraits has dated this Antique Oil Painting to the 17th Century.

Physical Dimensions
Height
130cm (51.18")
Width
100cm (39.37")
Depth
4cm (1.57")
Reference Numbers
Sellingantiques Reference
SA1226067
Description
Fine and imposing late 17th century English portrait of a wigged gentleman attributed to (!663-1734).
“
The handsome sitter is depicted three quarter-length, leaning upon a stone ledge in front of an extensive walled architectural background, with an archway and trees beyond.
Period Portraits
fig 1. An antique oil painting depicting a gentleman in a russet robe within an ornate gold frame.
fig 1. Thomas Murray (1663-1734) - Portrait of a Gentleman in a Russet Silk Robe.

At first glance this charming portrait appears typical of its time. Look closer and the sitter (as yet unknown) wears a the hugest, of fashionable and costly wigs. and it tumbles to below his shoulders! Infact the derivation of ‘big wig’ as a term to describe a person of means and importance comes from fashions like this. A finger white stock tied at the neck and a shimmering russet silk robe are further clues that this is indeed an aristocrat or member of the gentry.

fig 2. An antique oil painting depicting a gentleman in a russet robe within an ornate gold frame.
fig 2. Thomas Murray (1663-1734) - Portrait of a Gentleman in a Russet Silk Robe.

Unlike may paintings of the period with their matching power poses and aloof expressions, what really shines from this portrait is the way that the artist has managed to conjure real character. The strength and sensitivity with which the sitters face is painted is of particular note. Yes he is handsome, but he also exudes the kind of a calm and confident air which makes this attractive portrait very easy to accomodate.

fig 3. An antique oil painting depicting a gentleman in a russet robe within an ornate gold frame.
fig 3. Thomas Murray (1663-1734) - Portrait of a Gentleman in a Russet Silk Robe.

Thomas Murray (1663 – June 1734) was a Scottish painter who specialised in portrait painting.

Thomas Murray received his first lessons in art from one of the De Critz family. Subsequently, he became a pupil of John Riley; like his master, Murray was just a face-painter, leaving the rest of the picture to be completed by others.[1]

fig 4. An antique oil painting depicting a gentleman in a russet robe within an ornate gold frame.
fig 4. Thomas Murray (1663-1734) - Portrait of a Gentleman in a Russet Silk Robe.

Murray was successful financially. He died in June 1734, leaving no children, and bequeathed his money to a nephew, with instructions that his monument, with a bust, should be erected in Westminster Abbey, provided that it did not cost too much. His nephew, however, taking him at his word, buried him in St. Paul's, Covent Garden, and found the monument too expensive to erect.

fig 5. An antique oil painting depicting a gentleman in a russet robe within an ornate gold frame.
fig 5. Thomas Murray (1663-1734) - Portrait of a Gentleman in a Russet Silk Robe.

This painting is housed in a later antique ‘lely’ stye frame.

Higher resolution images on request.

Worldwide shipping available.

Canvas: 120cm x 90cm.

Framed: 130cm x 100cm.

Price: £12000

Date of Manufacture

Period Portraits has dated this Antique Oil Painting to the 17th Century.

Height
130cm (51.18")
Width
100cm (39.37")
Depth
4cm (1.57")
Reference Numbers
Sellingantiques Ref
SA1226067
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

Dealer Profile

You can view the stock and full dealer information on the Period Portraits Profile Page

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An antique oil painting depicting a gentleman in a russet robe within an ornate gold frame. SOLD31 JUL 26
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Archive I An antique oil painting depicting a gentleman in a russet robe within an ornate gold frame. SOLD31 JUL 26

Thomas Murray (1663-1734) - Portrait of a Gentleman in a Russet Silk Robe.

Archive II An antique oil painting depicting a gentleman in a russet robe within an ornate gold frame. View II
Archive III An antique oil painting depicting a gentleman in a russet robe within an ornate gold frame. View III
Archive IV An antique oil painting depicting a gentleman in a russet robe within an ornate gold frame. View IV
Archive V An antique oil painting depicting a gentleman in a russet robe within an ornate gold frame. View V
Archive VI An antique oil painting depicting a gentleman in a russet robe within an ornate gold frame. View VI
Archive VII An antique oil painting depicting a gentleman in a russet robe within an ornate gold frame. View VII
Archive VIII An antique oil painting depicting a gentleman in a russet robe within an ornate gold frame. View VIII
Archive IX An antique oil painting depicting a gentleman in a russet robe within an ornate gold frame. View IX
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Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Jan 2017
Items For Sale 47
Items Sold 63
Period Portraits
Period Portraits
Verified Since Jan 2017
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Location: North Yorkshire, United Kingdom
Verified
Jan 2017
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Sold
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An antique oil painting depicting a gentleman in a russet robe within an ornate gold frame.
THOMAS MURRAY (1663-1734) - PORTRAIT OF A GENTLEMAN IN A RUSSET SILK ROBE.
Ref: SA1226067
An antique oil painting depicting a gentleman in a russet robe within an ornate gold frame.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period17th century
  • StyleBaroque
  • MaterialOil paint, Canvas, Wood, Gilt
  • ColourBrown
  • MotifsLarge periwig, Silk drapery, Lace cravat, Gilded frame
  • SizeH 130 cm (51 in) x W 100 cm (39 in) x D 4 cm (2 in)

Seventeenth-century portraiture frequently captured aristocracy and gentry, often employing dramatic lighting techniques and rich drapery to convey status, wealth, and intellectual refinement.

These works were typically executed in oil paints on primed linen or canvas substrates, stretched over wooden frames, and housed within hand-carved, gilded wooden frames.

Authentication involves examining craquelure patterns, canvas age, stretcher frame construction, pigment composition under analysis, and historical provenance documentation.

Historic portraits provide a striking focal point when paired with contemporary furnishings, adding depth, narrative, and textural contrast to minimalist or transitional spaces.

Preservation requires maintaining stable temperature and humidity levels, avoiding direct sunlight to prevent fading, and keeping canvases free from dust using soft, dry professional brushes.
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