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King William III in Armour, a Battle in the Distance - French School C.1680.
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King William III in Armour, a Battle in the Distance - French School C.1680.

17th century
Sold 11 March 2026 · Period Portraits
This “King William III in Armour, a Battle in the Distance - French School C.1680. ” found a buyer.

It was listed by Period Portraits. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

KING WILLIAM III IN ARMOUR, A BATTLE IN THE DISTANCE - FRENCH SCHOOL C.1680.

This impressive and atmospheric portrait depicts King William III, sovereign Prince of Orange from birth, Stadtholder of Holland, Zeeland, Utrecht, Guelders, and Overijssel in the Dutch Republic from the 1670s and King of England, Ireland, and Scotland from 1689 until his death in 1702.

Painted circa 1680 the monarch stands upon the battlefield wearing full armour, a fashionable long wig, a finely worked lace cravat and and extravagant pale blue silk bow. In his hand he holds a silver topped command baton.

This fine and sensitively rendered work is the epitome of the early propaganda portrait. Images such as this were an essential tool that King William and his supporters used to emphasise and glorify his importance and further his cause.

King William III (1650-1702), Reigned 1689-1702. Born and raised in The Netherlands, William III was the posthumous son of the Stadholder William II. Arriving into this world just eight days after his father’s death, this Dutch prince would go on to transform British history with his wife by his side. He ruled in a unique joint monarchy with his wife, Mary II, an arrangement recorded only once in British history.

His time on the throne saw fundamental changes to the British constitution, most importantly through the passage of the Bill of Rights in 1689. This vital legislation established parliamentary sovereignty, laying the foundations for modern democracy.

His youth was passed under the shadow of Republican ascendancy, since his father's bid for personal power had provoked a strong reaction. He became a proficient student of languages, growing up frugal, temperate and reserved, though capable of deep devotion, as, for instance, to his faithful Bentinck. William married his cousin Mary, daughter of James II and Anne Hyde in 1677. William’s lifelong ambition was to stop France expanding its territories, and his interactions with Britain were all driven by this goal. In 1688, fearful of James II’s alliance with France he accepted the invitation of seven leading Englishmen to land in Britain with an armed force to preserve Protestant liberties. He invaded with an armed force, met little resistance and, after the flight of James II, he and Mary were jointly crowned. He showed great magnanimity to his enemies, and considerable skill in making the best of the English political situation, though he experienced much opposition to his rule.

His reign was notable for new restrictions on royal power and increased religious tolerance, but also for war in Europe, battles in Scotland and devastating wars in Ireland.

Higher resolution images upon request

Worldwide shipping available.

Canvas: 30” x 25” / 76.5cm x 63.5cm

Frame: 35” x 31” / 88.5cm x 78.5cm

Price: £9750

Date of Manufacture

Period Portraits has dated this 17th Century Oil Painting to the 17th Century.

Physical Dimensions
Height
88.5cm (34.84")
Width
78.5cm (30.91")
Depth
4cm (1.57")
Reference Numbers
Sellingantiques Reference
SA1187663
Description
KING WILLIAM III IN ARMOUR, A BATTLE IN THE DISTANCE - FRENCH SCHOOL C.1680.

This impressive and atmospheric portrait depicts King William III, sovereign Prince of Orange from birth, Stadtholder of Holland, Zeeland, Utrecht, Guelders, and Overijssel in the Dutch Republic from the 1670s and King of England, Ireland, and Scotland from 1689 until his death in 1702.

“
Painted circa 1680 the monarch stands upon the battlefield wearing full armour, a fashionable long wig, a finely worked lace cravat and and extravagant pale blue silk bow.
Period Portraits

In his hand he holds a silver topped command baton.

fig 1. An antique oil painting depicting a historical figure in armour within an ornate gilt frame.
fig 1. King William III in Armour, a Battle in the Distance - French School C.1680.

This fine and sensitively rendered work is the epitome of the early propaganda portrait. Images such as this were an essential tool that King William and his supporters used to emphasise and glorify his importance and further his cause.

fig 2. An antique oil painting depicting a historical figure in armour within an ornate gilt frame.
fig 2. King William III in Armour, a Battle in the Distance - French School C.1680.

King William III (1650-1702), Reigned 1689-1702. Born and raised in The Netherlands, William III was the posthumous son of the Stadholder William II. Arriving into this world just eight days after his father’s death, this Dutch prince would go on to transform British history with his wife by his side. He ruled in a unique joint monarchy with his wife, Mary II, an arrangement recorded only once in British history.

fig 3. An antique oil painting depicting a historical figure in armour within an ornate gilt frame.
fig 3. King William III in Armour, a Battle in the Distance - French School C.1680.

His time on the throne saw fundamental changes to the British constitution, most importantly through the passage of the Bill of Rights in 1689. This vital legislation established parliamentary sovereignty, laying the foundations for modern democracy.

fig 4. An antique oil painting depicting a historical figure in armour within an ornate gilt frame.
fig 4. King William III in Armour, a Battle in the Distance - French School C.1680.

His youth was passed under the shadow of Republican ascendancy, since his father's bid for personal power had provoked a strong reaction. He became a proficient student of languages, growing up frugal, temperate and reserved, though capable of deep devotion, as, for instance, to his faithful Bentinck. William married his cousin Mary, daughter of James II and Anne Hyde in 1677. William’s lifelong ambition was to stop France expanding its territories, and his interactions with Britain were all driven by this goal. In 1688, fearful of James II’s alliance with France he accepted the invitation of seven leading Englishmen to land in Britain with an armed force to preserve Protestant liberties. He invaded with an armed force, met little resistance and, after the flight of James II, he and Mary were jointly crowned. He showed great magnanimity to his enemies, and considerable skill in making the best of the English political situation, though he experienced much opposition to his rule.

fig 5. An antique oil painting depicting a historical figure in armour within an ornate gilt frame.
fig 5. King William III in Armour, a Battle in the Distance - French School C.1680.

His reign was notable for new restrictions on royal power and increased religious tolerance, but also for war in Europe, battles in Scotland and devastating wars in Ireland.

Higher resolution images upon request

Worldwide shipping available.

Canvas: 30” x 25” / 76.5cm x 63.5cm

Frame: 35” x 31” / 88.5cm x 78.5cm

Price: £9750

Date of Manufacture

Period Portraits has dated this 17th Century Oil Painting to the 17th Century.

Height
88.5cm (34.84")
Width
78.5cm (30.91")
Depth
4cm (1.57")
Reference Numbers
Sellingantiques Ref
SA1187663
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

Dealer Profile

You can view the stock and full dealer information on the Period Portraits Profile Page

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An antique oil painting depicting a historical figure in armour within an ornate gilt frame. SOLD6+ MONTHS AGO
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Archive I An antique oil painting depicting a historical figure in armour within an ornate gilt frame. SOLD6+ MONTHS AGO

King William III in Armour, a Battle in the Distance - French School C.1680.

Archive II An antique oil painting depicting a historical figure in armour within an ornate gilt frame. View II
Archive III An antique oil painting depicting a historical figure in armour within an ornate gilt frame. View III
Archive IV An antique oil painting depicting a historical figure in armour within an ornate gilt frame. View IV
Archive V An antique oil painting depicting a historical figure in armour within an ornate gilt frame. View V
Archive VI An antique oil painting depicting a historical figure in armour within an ornate gilt frame. View VI
Archive VII An antique oil painting depicting a historical figure in armour within an ornate gilt frame. View VII
Archive VIII An antique oil painting depicting a historical figure in armour within an ornate gilt frame. View VIII
Archive IX An antique oil painting depicting a historical figure in armour within an ornate gilt frame. View IX
Archive X An antique oil painting depicting a historical figure in armour within an ornate gilt frame. View X
Archive XI An antique oil painting depicting a historical figure in armour within an ornate gilt frame. View XI
Archive XII An antique oil painting depicting a historical figure in armour within an ornate gilt frame. View XII
Archive XIII An antique oil painting depicting a historical figure in armour within an ornate gilt frame. View XIII
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Location
North Yorkshire
United Kingdom
Verified Since Jan 2017
Items For Sale 47
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Location: North Yorkshire, United Kingdom
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An antique oil painting depicting a historical figure in armour within an ornate gilt frame.
KING WILLIAM III IN ARMOUR, A BATTLE IN THE DISTANCE - FRENCH SCHOOL C.1680.
Ref: SA1187663
An antique oil painting depicting a historical figure in armour within an ornate gilt frame.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period17th century
  • StyleBaroque
  • MaterialOil paint, Canvas, Gilt Wood
  • ColourGold
  • MotifsArmour depiction, Lace cravat, Battle background, Ornate scrolling frame
  • SizeH 88.5 cm (35 in) x W 78.5 cm (31 in) x D 4 cm (2 in)

Seventeenth-century French School portraiture is characterised by a formal elegance, meticulous attention to costume details, and a theatrical presentation that often combined military might with aristocratic refinement.

These works were typically executed in oil paint on hand-woven linen canvas, stretched over wooden frames, and housed in heavily carved, gessoed and gilt wooden frames.

Authentic pieces exhibit historical craquelure, oxidised varnishes visible under UV light, hand- forged framing elements, and canvas characteristics consistent with early hand-stretched manufacturing methods.

Such a painting provides a striking focal point when hung against a moody, saturated wall colour, creating a deliberate contrast between historical gravitas and modern minimalist decor.

Keep the artwork away from direct sunlight and fluctuating humidity levels, avoid touching the painted surface, and consult a professional art conservator for periodic cleaning.
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