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Girolamo Tubino After Raffaello Sanzio Da Urbino, La Velata - Antique Watercolour
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sold SA1177539
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Girolamo Tubino After Raffaello Sanzio Da Urbino, La Velata - Antique Watercolour

19th century
Sold 31 March 2026 · Brave Fine Art
This “Girolamo Tubino After Raffaello Sanzio Da Urbino, La Velata - Antique Watercolour” found a buyer.

It was listed by Brave Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

This fine mid-19th-century watercolour by Italian artist Girolamo Tubino (1805-1879) is after ‘La Velata’ (Woman with a Veil) by Raphael (1483-1520), which is housed at the Palazzo Pitti in Florence.

Raphael’s sumptuous depiction of this young married noblewoman captures beauty personified wrapped in exquisite cascading drapery. Her right hand is pressed to her heart in a romantic gesture of love, while her left arm is held forward to emphasise the decadence of her gown. Produced at the peak of Rapheal’s career, it represents one of his most enchanting portrayals.

Copied by Girolamo Tubino in around 1840, this sublime homage respectfully conveys the allure of the original. Tubino was one of the leading copyists of his generation and worked closely with the Uffizi Gallery.

Born in Genoa, he undertook his training at the prestigious, and remarkably formal, Academy of Fine Arts in Florence. By today’s standards, it’s impossible to imagine the respect his tutors afforded to the Old Masters and students were expected to laboriously study models from antiquity to hone their drawing prowess. Many would be daunted by the reverence given to Italy’s rich artistic heritage, but Tubino was altogether different. Rather than cower in the wake of such luminaries, he embraced them, inspired by the possibilities.

He frequented numerous galleries during his time in Florence and produced an array of drawings after numerous masterpieces. Many of these were designed ahead of lithographs of which several are held at the British Museum. They include works after Titian, Annibale Carracci, Carlo Dolci and Andrea del Sarto among others. In addition, he also produced drawings of Raphael’s ‘Madonna del Cardellino’ and ‘Ezekiel's Vision’.

In 1851, he was appointed a teacher at the Accademia Ligustica di Belle Arti di Genova, where he later became its chair of drawing. He also began exhibiting in his hometown at the Società Promotrice di Belle Arti.

In the memoirs of the Honourable William Warren Vernon, a scholar, he recalls being given a splendid tour of Genoa by Tubino, which included “all the palaces, galleries, churches, and other sights”. Vernon was so taken with some of the masterpieces on display that he “commissioned Tubino to make us copies in water-colour of two beautiful boys by Vandyck”.

Throughout his remarkable career, he maintained the glowing respect of his peers and students alike, with many training under him via the Academy. The press, too, were in raptures with one critic praising his “beautiful smoothness of execution”.

He’s represented in several public collections including the British Museum and Genoa’s Galleria d'Arte Moderna.

Signed in gold lower right and housed within a period gilt frame.

Learn more about Girolamo Tubino in our directory.

Medium: Watercolour on paper

Overall size: 13” x 16” / 33cm x 40cm

Year of creation: c. 1840

Labels & Inscriptions: Label from art dealership P & D Colnaghi & Co.

Provenance: With P & D Colnaghi & Co / Private collection, UK.

Condition: Very good. Frame in reasonable condition with minor age-related wear.

Our reference: BRV1998

Date of Manufacture

Brave Fine Art has dated this Antique Portrait Watercolour Painting to the 19th Century.

Physical Dimensions
Height
40cm (15.75")
Width
33cm (12.99")
Depth
3cm (1.18")
Reference Numbers
Sellingantiques Reference
SA1177539
Dealers Internal Reference
BRV1998
Description
This fine mid-19th-century watercolour by Italian artist Girolamo Tubino (1805-1879) is after ‘La Velata’ (Woman with a Veil) by Raphael (1483-1520), which is housed at the Palazzo Pitti in Florence.
“
Raphael’s sumptuous depiction of this young married noblewoman captures beauty personified wrapped in exquisite cascading drapery.
Brave Fine Art

Her right hand is pressed to her heart in a romantic gesture of love, while her left arm is held forward to emphasise the decadence of her gown. Produced at the peak of Rapheal’s career, it represents one of his most enchanting portrayals.

fig 1. An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame.
fig 1. Girolamo Tubino After Raffaello Sanzio Da Urbino, La Velata - Antique Watercolour

Copied by Girolamo Tubino in around 1840, this sublime homage respectfully conveys the allure of the original. Tubino was one of the leading copyists of his generation and worked closely with the Uffizi Gallery.

fig 2. An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame.
fig 2. Girolamo Tubino After Raffaello Sanzio Da Urbino, La Velata - Antique Watercolour

Born in Genoa, he undertook his training at the prestigious, and remarkably formal, Academy of Fine Arts in Florence. By today’s standards, it’s impossible to imagine the respect his tutors afforded to the Old Masters and students were expected to laboriously study models from antiquity to hone their drawing prowess. Many would be daunted by the reverence given to Italy’s rich artistic heritage, but Tubino was altogether different. Rather than cower in the wake of such luminaries, he embraced them, inspired by the possibilities.

fig 3. An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame.
fig 3. Girolamo Tubino After Raffaello Sanzio Da Urbino, La Velata - Antique Watercolour

He frequented numerous galleries during his time in Florence and produced an array of drawings after numerous masterpieces. Many of these were designed ahead of lithographs of which several are held at the British Museum. They include works after Titian, Annibale Carracci, Carlo Dolci and Andrea del Sarto among others. In addition, he also produced drawings of Raphael’s ‘Madonna del Cardellino’ and ‘Ezekiel's Vision’.

fig 4. An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame.
fig 4. Girolamo Tubino After Raffaello Sanzio Da Urbino, La Velata - Antique Watercolour

In 1851, he was appointed a teacher at the Accademia Ligustica di Belle Arti di Genova, where he later became its chair of drawing. He also began exhibiting in his hometown at the Società Promotrice di Belle Arti.

fig 5. An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame.
fig 5. Girolamo Tubino After Raffaello Sanzio Da Urbino, La Velata - Antique Watercolour

In the memoirs of the Honourable William Warren Vernon, a scholar, he recalls being given a splendid tour of Genoa by Tubino, which included “all the palaces, galleries, churches, and other sights”. Vernon was so taken with some of the masterpieces on display that he “commissioned Tubino to make us copies in water-colour of two beautiful boys by Vandyck”.

fig 6. An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame.
fig 6. Girolamo Tubino After Raffaello Sanzio Da Urbino, La Velata - Antique Watercolour

Throughout his remarkable career, he maintained the glowing respect of his peers and students alike, with many training under him via the Academy. The press, too, were in raptures with one critic praising his “beautiful smoothness of execution”.

fig 7. An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame.
fig 7. Girolamo Tubino After Raffaello Sanzio Da Urbino, La Velata - Antique Watercolour

He’s represented in several public collections including the British Museum and Genoa’s Galleria d'Arte Moderna.

Signed in gold lower right and housed within a period gilt frame.

Learn more about Girolamo Tubino in our directory.

fig 8. An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame.
fig 8. Girolamo Tubino After Raffaello Sanzio Da Urbino, La Velata - Antique Watercolour

Medium: Watercolour on paper

Overall size: 13” x 16” / 33cm x 40cm

Year of creation: c. 1840

Labels & Inscriptions: Label from art dealership P & D Colnaghi & Co.

Provenance: With P & D Colnaghi & Co / Private collection, UK.

Condition: Very good. Frame in reasonable condition with minor age-related wear.

Our reference: BRV1998

Date of Manufacture

Brave Fine Art has dated this Antique Portrait Watercolour Painting to the 19th Century.

Height
40cm (15.75")
Width
33cm (12.99")
Depth
3cm (1.18")
Reference Numbers
Sellingantiques Ref
SA1177539
Dealers Internal Ref
BRV1998
Brave Fine Art
Brave Fine Art
Sellingantiques verified Since Nov 2018

Exquisite antique paintings that capture the imagination.

Dealer Profile

You can view the stock and full dealer information on the Brave Fine Art Profile Page

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An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame. SOLD6+ MONTHS AGO
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Archive I An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame. SOLD6+ MONTHS AGO

Girolamo Tubino After Raffaello Sanzio Da Urbino, La Velata - Antique Watercolour

Archive II An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame. View II
Archive III An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame. View III
Archive IV An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame. View IV
Archive V An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame. View V
Archive VI An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame. View VI
Archive VII An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame. View VII
Archive VIII An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame. View VIII
Archive IX An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame. View IX
Archive X An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame. View X
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Telephone 01684 215986
Location
21 Enterprise Way
Arle Road
Cheltenham
Cotswolds
GL51 8LZ
United Kingdom

Under appointment only.
Verified Since Nov 2018
Items For Sale 76
Items Sold 1,853
Brave Fine Art
Brave Fine Art
Verified Since Nov 2018
View Dealer Info
Location: 21 Enterprise Way, Arle Road, Cheltenham, Cotswolds, GL51 8LZ, United Kingdom, , Under appointment only.
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Nov 2018
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An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame.
Girolamo Tubino After Raffaello Sanzio Da Urbino, La Velata - Antique Watercolour
Ref: SA1177539
An antique watercolour portrait of a woman in Renaissance attire, housed within an ornate gilded wood frame.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period19th century
  • StyleRenaissance Revival
  • MaterialPaper, Watercolour, Gilt Wood, Glass
  • ColourGold
  • MotifsVeiled female figure, Renaissance costume, Ornate moulded frame, Gilded finish
  • SizeH 40 cm (16 in) x W 33 cm (13 in) x D 3 cm (1 in)

Renaissance revival artwork typically emulates the classical techniques, subject matter, and compositional harmony of fifteenth and sixteenth-century masters, often focusing on detailed realism and rich tonal modeling.

Nineteenth-century watercolours were typically executed on heavy-weight cotton or rag paper using finely ground pigments suspended in a water-soluble binder, often housed behind protective glass within gilded wooden frames.

Authentic antique watercolours generally exhibit period-appropriate paper types, natural ageing such as minor toning or foxing, hand-mixed pigments without modern synthetic brighteners, and traditional framing construction methods.

An antique portrait adds depth and historical contrast to contemporary spaces; it can be hung as a striking focal point on a neutral wall or paired with minimalist decor to highlight its traditional craftsmanship.

To preserve antique paper watercolours, display them away from direct sunlight and high humidity, utilise UV-filtering conservation glass, and maintain stable indoor temperatures to prevent fading and paper degradation.
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