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Early 18th-century Spanish School, Christ in the Tomb
Sold by Brave Fine Art
sold SA1148576
Sorry, but this item has been sold.
Brave Fine Art

Brave Fine Art

Sellingantiques Verified Since Nov 2018
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Early 18th-century Spanish School, Christ in the Tomb

18th century
Sold 10 July 2025 · Brave Fine Art
This “Early 18th-century Spanish School, Christ in the Tomb” found a buyer.

It was listed by Brave Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

This evocative early 18th-century oil painting depicts Christ in the tomb partially wrapped in a white linen shroud. It’s probably of Spanish origin.

Images of Christ’s listless corpse laid out on cut rock have taken numerous forms over the years and are also referred to as ‘The Entombment of Christ’ or ‘Dead Christ’. One of the earliest was produced by Hans Holbein the Younger between 1520 and 1522, and when seen in person, its grotesque sense of realism evokes a visceral reaction. Holbein’s is life-size with Christ’s head tilting outwards - mouth and eyes open. It’s jarring, as the suggestion of movement creates an unnerving juxtaposition of life and death.

During the mid 17th century, French artist Philippe de Champaigne (1602-1674) rendered Christ with his head raised - open wounds gaping, with a bloodied crown of thorns resting against discoloured cloth. It’s equally disturbing due to its realism and seems to emit an ethereal glow.

In ours, which appears to borrow from 17th-century Spanish models, Christ’s greenish-grey flesh is turned towards the viewer with his left arm hanging limp. His eyes are closed, head tilted back - almost hovering above the slab.

In this moment, between the crucifixion and the resurrection, we’re reminded of Christ’s mortality on Earth, and indeed our own. It’s a ‘memento mori’ and a portrayal of suffering. However, within every depiction of Christ in the tomb, the common denominator is hope. For even in one’s darkest hour, each of us can rise again.

Held in a contemporary frame.

Medium: Oil on canvas

Overall size: 28½” x 16½” / 72cm x 42cm

Year of creation: c. 1725

Provenance: Private collection, Germany.

Condition: Cleaned. Revarnished. Canvas relined. Craquelure throughout. The paint layer is stable. Later stretcher. Frame in excellent condition.

Our reference: BRV2140

Date of Manufacture

Brave Fine Art has dated this Spanish School Oil Painting to the 18th Century.

Physical Dimensions
Height
42cm (16.54")
Width
72cm (28.35")
Depth
2cm (0.79")
Reference Numbers
Sellingantiques Reference
SA1148576
Description
This evocative early 18th-century oil painting depicts Christ in the tomb partially wrapped in a white linen shroud. It’s probably of Spanish origin.
“
Images of Christ’s listless corpse laid out on cut rock have taken numerous forms over the years and are also referred to as ‘The Entombment of Christ’ or ‘Dead Christ’.
Brave Fine Art

One of the earliest was produced by Hans Holbein the Younger between 1520 and 1522, and when seen in person, its grotesque sense of realism evokes a visceral reaction. Holbein’s is life-size with Christ’s head tilting outwards - mouth and eyes open. It’s jarring, as the suggestion of movement creates an unnerving juxtaposition of life and death.

fig 1. An early 18th-century oil painting depicting Christ in the tomb, set within a dark carved wooden frame.
fig 1. Early 18th-century Spanish School, Christ in the Tomb

During the mid 17th century, French artist Philippe de Champaigne (1602-1674) rendered Christ with his head raised - open wounds gaping, with a bloodied crown of thorns resting against discoloured cloth. It’s equally disturbing due to its realism and seems to emit an ethereal glow.

fig 2. An early 18th-century oil painting depicting Christ in the tomb, set within a dark carved wooden frame.
fig 2. Early 18th-century Spanish School, Christ in the Tomb

In ours, which appears to borrow from 17th-century Spanish models, Christ’s greenish-grey flesh is turned towards the viewer with his left arm hanging limp. His eyes are closed, head tilted back - almost hovering above the slab.

fig 3. An early 18th-century oil painting depicting Christ in the tomb, set within a dark carved wooden frame.
fig 3. Early 18th-century Spanish School, Christ in the Tomb

In this moment, between the crucifixion and the resurrection, we’re reminded of Christ’s mortality on Earth, and indeed our own. It’s a ‘memento mori’ and a portrayal of suffering. However, within every depiction of Christ in the tomb, the common denominator is hope. For even in one’s darkest hour, each of us can rise again.

fig 4. An early 18th-century oil painting depicting Christ in the tomb, set within a dark carved wooden frame.
fig 4. Early 18th-century Spanish School, Christ in the Tomb

Held in a contemporary frame.

Medium: Oil on canvas

Overall size: 28½” x 16½” / 72cm x 42cm

Year of creation: c. 1725

Provenance: Private collection, Germany.

Condition: Cleaned. Revarnished. Canvas relined. Craquelure throughout. The paint layer is stable. Later stretcher. Frame in excellent condition.

Our reference: BRV2140

Date of Manufacture

Brave Fine Art has dated this Spanish School Oil Painting to the 18th Century.

Height
42cm (16.54")
Width
72cm (28.35")
Depth
2cm (0.79")
Reference Numbers
Sellingantiques Ref
SA1148576
Brave Fine Art
Brave Fine Art
Sellingantiques verified Since Nov 2018

Exquisite antique paintings that capture the imagination.

Dealer Profile

You can view the stock and full dealer information on the Brave Fine Art Profile Page

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An early 18th-century oil painting depicting Christ in the tomb, set within a dark carved wooden frame. SOLD6+ MONTHS AGO
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Archive I An early 18th-century oil painting depicting Christ in the tomb, set within a dark carved wooden frame. SOLD6+ MONTHS AGO

Early 18th-century Spanish School, Christ in the Tomb

Archive II An early 18th-century oil painting depicting Christ in the tomb, set within a dark carved wooden frame. View II
Archive III An early 18th-century oil painting depicting Christ in the tomb, set within a dark carved wooden frame. View III
Archive IV An early 18th-century oil painting depicting Christ in the tomb, set within a dark carved wooden frame. View IV
Archive V An early 18th-century oil painting depicting Christ in the tomb, set within a dark carved wooden frame. View V
Archive VI An early 18th-century oil painting depicting Christ in the tomb, set within a dark carved wooden frame. View VI
Archive VII An early 18th-century oil painting depicting Christ in the tomb, set within a dark carved wooden frame. View VII
Archive VIII An early 18th-century oil painting depicting Christ in the tomb, set within a dark carved wooden frame. View VIII
Archive IX An early 18th-century oil painting depicting Christ in the tomb, set within a dark carved wooden frame. View IX
Enlarged Archival View
Telephone 01684 215986
Location
21 Enterprise Way
Arle Road
Cheltenham
Cotswolds
GL51 8LZ
United Kingdom

Under appointment only.
Verified Since Nov 2018
Items For Sale 76
Items Sold 1,853
Brave Fine Art
Brave Fine Art
Verified Since Nov 2018
View Dealer Info
Location: 21 Enterprise Way, Arle Road, Cheltenham, Cotswolds, GL51 8LZ, United Kingdom, , Under appointment only.
Verified
Nov 2018
For Sale
76
Sold
1,853
An early 18th-century oil painting depicting Christ in the tomb, set within a dark carved wooden frame.
Early 18th-Century Spanish School, Christ In The Tomb
Ref: SA1148576
An early 18th-century oil painting depicting Christ in the tomb, set within a dark carved wooden frame.
Detail View 1
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectOil Painting
  • Period18th century
  • StyleBaroque
  • MaterialOil paint, canvas, wood
  • ColourDark Brown
  • MotifsChiaroscuro lighting, Carved wooden frame, Figurative composition, Craquelure
  • SizeH 42 cm (17 in) x W 72 cm (28 in) x D 2 cm (1 in)

The early 18th-century Spanish School was heavily influenced by the Baroque tradition, characterised by dramatic chiaroscuro lighting, intense emotional depth, and deeply religious iconography.

Artists of this period typically used hand-woven linen canvases prepared with traditional gesso grounds, painted using rich oil pigments layered to achieve deep tonal contrasts.

Authentication involves examining canvas weave characteristics, pigmet analysis, stretcher frame construction, and assessing natural craquelure patterns under magnification and ultraviolet light.

Positioning an antique piece of this scale against a neutral, dark-toned wall allows the dramatic lighting and historical texture to serve as a sophisticated focal point.

Preservation requires maintaining stable indoor humidity and temperature levels, keeping the artwork away from direct sunlight, and avoiding chemical cleaners on both the canvas and the historic frame.
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