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Early 17th Century German School,vita Christi, Thirty Miniatures - Ink and Pigment with Gilt on Paper
Sold by Brave Fine Art
sold SA1130300
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Brave Fine Art

Brave Fine Art

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    Exquisite antique paintings that capture the imagination.
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Early 17th Century German School,vita Christi, Thirty Miniatures - Ink and Pigment with Gilt on Paper

17th century
Sold 23 August 2025 · Brave Fine Art
This “Early 17th Century German School,vita Christi, Thirty Miniatures - Ink and Pigment with Gilt on Paper” found a buyer.

It was listed by Brave Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

This rather fascinating arrangement of early 17th century miniatures depicts thirty scenes from the life of Christ.

The origins of this collection are unknown but it’s likely that the miniatures either formed part of a larger manuscript or served as a picture book illustrating the ‘Vita Christi’. In the top left, we see the Annunciation, whereby the Archangel Gabriel announces to the Virgin Mary that she will conceive a son by the power of the Holy Spirit to be called Jesus. While in the bottom right, we’re given the Ascension of Jesus, where he ascends to Heaven after his resurrection.

Books of this nature were produced by medieval artisans and were particularly popular between the 14th and mid-16th century. Numerous versions still exist, which are usually painted with natural mineral colours on to animal skin (parchment or vellum). Museums tend to hold the finest examples, which were designed for the highest echelons of aristocracy, such as this from circa 1320, by the Florentine illuminator Pacino di Bonaguida (ca. 1280-1340) and his workshop. And this 16th-century adaptation, which originated in Lombardy, Italy.

Much like the ‘Books of Hours’, these tactile devotional works were often small enough to be transported and cradled in one’s hand - perhaps carried in a pouch or wrapped in cloth. They were important to the owner and handed down through the generations, sometimes used as teaching tools for children.

The miniatures are housed within a wooden frame, which appears to date to the 18th century - it’s an unusual design and certainly a one-off. It’s conceivable that they were saved from further damage by supporting them in wood, as the areas of wear are now stable. They’ve also been varnished, hence the discolouration.

For hundreds of years, this enchanting survivor was a cornerstone of family life. Today, although a little tired, it still exudes its unique and transcendental spirit - one of faith, love, suffering and hope.

Medium: Ink and pigment with gilt on paper

Overall size: 20” x 37½” / 51cm x 83cm

Year of creation: c. 1600

Provenance: Private collection, North West Germany / Art dealership, Germany / Private collection, UK

Condition: Old tears, discolouration, pigment losses (now stable), wormholes (treated).

Our reference: BRV2093

Date of Manufacture

Brave Fine Art has dated this 17th Century Illuminated Manuscript to the 17th Century.

Physical Dimensions
Height
83cm (32.68")
Width
51cm (20.08")
Depth
2cm (0.79")
Reference Numbers
Sellingantiques Reference
SA1130300
Description
This rather fascinating arrangement of early 17th century miniatures depicts thirty scenes from the life of Christ.
“
The origins of this collection are unknown but it’s likely that the miniatures either formed part of a larger manuscript or served as a picture book illustrating the ‘Vita Christi’.
Brave Fine Art

In the top left, we see the Annunciation, whereby the Archangel Gabriel announces to the Virgin Mary that she will conceive a son by the power of the Holy Spirit to be called Jesus. While in the bottom right, we’re given the Ascension of Jesus, where he ascends to Heaven after his resurrection.

fig 1. An arrangement of thirty framed miniature religious paintings executed in ink, pigment, and gold leaf on paper depicting the Life of Christ.
fig 1. Early 17th Century German School,vita Christi, Thirty Miniatures - Ink and Pigment with Gilt on Paper

Books of this nature were produced by medieval artisans and were particularly popular between the 14th and mid-16th century. Numerous versions still exist, which are usually painted with natural mineral colours on to animal skin (parchment or vellum). Museums tend to hold the finest examples, which were designed for the highest echelons of aristocracy, such as this from circa 1320, by the Florentine illuminator Pacino di Bonaguida (ca. 1280-1340) and his workshop. And this 16th-century adaptation, which originated in Lombardy, Italy.

fig 2. An arrangement of thirty framed miniature religious paintings executed in ink, pigment, and gold leaf on paper depicting the Life of Christ.
fig 2. Early 17th Century German School,vita Christi, Thirty Miniatures - Ink and Pigment with Gilt on Paper

Much like the ‘Books of Hours’, these tactile devotional works were often small enough to be transported and cradled in one’s hand - perhaps carried in a pouch or wrapped in cloth. They were important to the owner and handed down through the generations, sometimes used as teaching tools for children.

fig 3. An arrangement of thirty framed miniature religious paintings executed in ink, pigment, and gold leaf on paper depicting the Life of Christ.
fig 3. Early 17th Century German School,vita Christi, Thirty Miniatures - Ink and Pigment with Gilt on Paper

The miniatures are housed within a wooden frame, which appears to date to the 18th century - it’s an unusual design and certainly a one-off. It’s conceivable that they were saved from further damage by supporting them in wood, as the areas of wear are now stable. They’ve also been varnished, hence the discolouration.

fig 4. An arrangement of thirty framed miniature religious paintings executed in ink, pigment, and gold leaf on paper depicting the Life of Christ.
fig 4. Early 17th Century German School,vita Christi, Thirty Miniatures - Ink and Pigment with Gilt on Paper

For hundreds of years, this enchanting survivor was a cornerstone of family life. Today, although a little tired, it still exudes its unique and transcendental spirit - one of faith, love, suffering and hope.

fig 5. An arrangement of thirty framed miniature religious paintings executed in ink, pigment, and gold leaf on paper depicting the Life of Christ.
fig 5. Early 17th Century German School,vita Christi, Thirty Miniatures - Ink and Pigment with Gilt on Paper

Medium: Ink and pigment with gilt on paper

Overall size: 20” x 37½” / 51cm x 83cm

Year of creation: c. 1600

Provenance: Private collection, North West Germany / Art dealership, Germany / Private collection, UK

Condition: Old tears, discolouration, pigment losses (now stable), wormholes (treated).

Our reference: BRV2093

Date of Manufacture

Brave Fine Art has dated this 17th Century Illuminated Manuscript to the 17th Century.

Height
83cm (32.68")
Width
51cm (20.08")
Depth
2cm (0.79")
Reference Numbers
Sellingantiques Ref
SA1130300
Brave Fine Art
Brave Fine Art
Sellingantiques verified Since Nov 2018

Exquisite antique paintings that capture the imagination.

Dealer Profile

You can view the stock and full dealer information on the Brave Fine Art Profile Page

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An arrangement of thirty framed miniature religious paintings executed in ink, pigment, and gold leaf on paper depicting the Life of Christ. SOLD6+ MONTHS AGO
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Archive I An arrangement of thirty framed miniature religious paintings executed in ink, pigment, and gold leaf on paper depicting the Life of Christ. SOLD6+ MONTHS AGO

Early 17th Century German School,vita Christi, Thirty Miniatures - Ink and Pigment with Gilt on Paper

Archive II An arrangement of thirty framed miniature religious paintings executed in ink, pigment, and gold leaf on paper depicting the Life of Christ. View II
Archive III An arrangement of thirty framed miniature religious paintings executed in ink, pigment, and gold leaf on paper depicting the Life of Christ. View III
Archive IV An arrangement of thirty framed miniature religious paintings executed in ink, pigment, and gold leaf on paper depicting the Life of Christ. View IV
Archive V An arrangement of thirty framed miniature religious paintings executed in ink, pigment, and gold leaf on paper depicting the Life of Christ. View V
Archive VI An arrangement of thirty framed miniature religious paintings executed in ink, pigment, and gold leaf on paper depicting the Life of Christ. View VI
Archive VII An arrangement of thirty framed miniature religious paintings executed in ink, pigment, and gold leaf on paper depicting the Life of Christ. View VII
Archive VIII An arrangement of thirty framed miniature religious paintings executed in ink, pigment, and gold leaf on paper depicting the Life of Christ. View VIII
Archive IX An arrangement of thirty framed miniature religious paintings executed in ink, pigment, and gold leaf on paper depicting the Life of Christ. View IX
Enlarged Archival View
Telephone 01684 215986
Location
21 Enterprise Way
Arle Road
Cheltenham
Cotswolds
GL51 8LZ
United Kingdom

Under appointment only.
Verified Since Nov 2018
Items For Sale 77
Items Sold 1,852
Brave Fine Art
Brave Fine Art
Verified Since Nov 2018
View Dealer Info
Location: 21 Enterprise Way, Arle Road, Cheltenham, Cotswolds, GL51 8LZ, United Kingdom, , Under appointment only.
Verified
Nov 2018
For Sale
77
Sold
1,852
An arrangement of thirty framed miniature religious paintings executed in ink, pigment, and gold leaf on paper depicting the Life of Christ.
Early 17th Century German School,Vita Christi, Thirty Miniatures - Ink and pigment with gilt on paper
Ref: SA1130300
An arrangement of thirty framed miniature religious paintings executed in ink, pigment, and gold leaf on paper depicting the Life of Christ.
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectFine Art
  • Period17th century
  • StyleBaroque
  • MaterialPaper, Pigment, Gold Leaf, Wood
  • ColourMulticolour
  • MotifsReligious narrative scenes, Gold leaf gilding, Compartmentalised grid frame, Figurative iconography
  • SizeH 83 cm (33 in) x W 51 cm (20 in) x D 2 cm (1 in)

This style is characterised by intricate narrative detail, theological symbolism, and the traditional use of vibrant natural pigments combined with gold leaf accents on paper or vellum.

Artists typically employed handmade rag paper or vellum, bound natural mineral and plant pigments, and applied gold leaf for highlighting, often set within compartmentalised wooden or painted frames.

Authentication involves examining the ageing of the paper fibers, microscopic analysis of the pigment composition, hand-mixed binders, and characteristic stylistic brushwork consistent with seventeenth-century workshop practices.

It can be mounted within museum-grade UV-protective framing and displayed against a neutral background in a study or gallery wall setting to highlight its historical texture and colour palette.

Preservation requires strict control over environmental conditions, maintaining stable humidity levels, keeping the piece away from direct sunlight, and utilising acid-free materials for any framing or storage.
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